Jonathan Corbie, a Trinidad and Tobago-born composer now based in Los Angeles, has carved a niche for himself in Hollywood’s competitive music scene. His compositions have graced major films such as *Deadpool & Wolverine* and *John Wick 4*, but his journey began in the vibrant cultural landscape of San Fernando, Trinidad. Growing up in a household filled with music, Corbie was exposed to a rich tapestry of sounds, from calypso and parang to classical piano and choir harmonies. His parents, both accomplished musicians, instilled in him a deep appreciation for music, with his father, Ken Corbie, even co-writing the 1992 Road March hit *Get in Yuh Section*. Despite this musical upbringing, it was the art of composing for film that ultimately captivated Corbie. A pivotal moment came at age 15 when he composed *Child’s Play* for his CSEC music exam, sparking a passion for storytelling through music. Inspired by legendary composers like John Williams and Michael Giacchino, Corbie pursued his dream, eventually moving to the U.S. in 2018 to study at California State University, Northridge. There, he honed his technical skills and began collaborating with industry veterans, including acclaimed producer Nathan Fields. Today, Corbie’s work spans major studios like Marvel, Universal, and Lionsgate, with notable contributions to projects such as *Daredevil: Born Again*. Despite his success, he remains committed to addressing systemic barriers for Caribbean creatives and fostering opportunities for emerging talent. Corbie continues to collaborate with Caribbean musicians and envisions a future where Trinidad’s rich musical heritage intersects with Hollywood’s global platform. His story is a testament to quiet persistence, cultural grounding, and the transformative power of music.