The Saint Lucia National Cricket Association (SLNCA) launched its much-anticipated Under-13 Grassroots Tournament this week, supported by Laborie Credit Union, with matches held across the island. The tournament saw enthusiastic participation from young cricketers, with victories for teams like Gros Islet, Choiseul, Laborie, Mabouya Valley, and Mon Repos. This event follows the grassroots festival held earlier this year at the Beausejour Gymnasium, where SLNCA affiliates have been preparing for months. In a notable change, Babonneau replaced Laborie in this year’s Saint Lucia Premier League, as the southwest district aims to revive its cricket presence through youth development. Laborie’s strong performance in their opening match against Vieux Fort South at Cross Over Park signals a promising future for the team. Meanwhile, Gros Islet showcased dominance at the Balata Playing Field, defeating Babonneau by 99 runs. John Michael Auguste led the charge with 34 runs, supported by Andrus Paul and Evan Gilbert. Ethan St Marthe’s remarkable bowling, including a hat-trick, sealed the win for Gros Islet. In the East Coast derby, Mabouya Valley triumphed over Dennery by a massive 112 runs, with Ethan Charlery scoring the tournament’s first century. Mon Repos also secured a 60-run victory against Micoud, thanks to Cyril Charles’ impressive 88 runs. Choiseul added to the excitement with a win over Anse La Raye. The tournament continues this weekend with matches at Mindoo Phillip Park, Dennery Playing Field, Desruisseaux Playing Field, and Canaries Playing Field. Sponsors Ackelles Holdings and Cool Breeze Jeep and Car Rentals have backed this developmental competition, which features 16 district teams. SLNCA Second Vice President Nerville Florence is overseeing the event as tournament coordinator.
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Graveyards are now last option shelters in Gaza for Palestinians amid ruins
Amid the ongoing humanitarian crisis in Gaza, tens of thousands of displaced Palestinians, stripped of their homes by widespread destruction, have resorted to setting up makeshift tents in graveyards. This desperate measure underscores the severity of the situation, as the enclave grapples with the aftermath of conflict despite a fragile ceasefire agreement. Al Jazeera correspondent Hind Khoudary, reporting from Khan Younis in southern Gaza, highlighted the grim reality: ‘This graveyard wasn’t meant for the living. But today, it’s home to dozens of families who have nowhere else to go.’ Khoudary emphasized that these families are not choosing to live among tombstones but are driven by sheer desperation, as graveyards have become the only available free spaces. Rami Musleh, a father of 12 displaced from Beit Hanoon in northern Gaza, shared the emotional burden of raising children in such dire conditions. ‘For parents, the psychological trauma of war is made worse by having to raise children among tombstones,’ he told Al Jazeera. Another resident, Sabah Muhammed, lamented the loss of sanctity in these spaces: ‘Graveyards, once sacred for the dead, are now silent witnesses to a living crisis. No water, no electricity, and no privacy … only the bare minimum to survive.’ The poignant reality is that in Gaza, even the land reserved for the dead has become the last refuge for the living.
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Caribische bisschoppen waarschuwen voor militaire spanningen in de regio
The Antilles Episcopal Conference (AEC), the overarching body of Catholic bishops in the Caribbean, has voiced profound concerns regarding the escalating presence of military vessels and foreign troops in the southern Caribbean. The bishops warn that this development could severely impact the socio-economic stability, security, and daily lives of the region’s inhabitants. In a formal statement, the AEC urged government leaders to prioritize de-escalation, dialogue, and respect for national sovereignty, emphasizing that ‘war or the threat of war is never the right solution.’ They invoked historical papal teachings on peace and moral responsibility to underscore their message. Simultaneously, the AEC condemned the surge in narcotics activities in the region but stressed that violence and extrajudicial actions are never justified, even in combating drug-related crime. The bishops highlighted the tangible threats posed by warships and the disruption of maritime activities, particularly to fishing and coastal communities reliant on the sea. They called on regional leaders to uphold the Caribbean model of dialogue, cooperation, and peace, reminding them of the region’s historical success in conflict resolution through diplomacy. Concluding their statement, the AEC appealed to both leaders and citizens to remain committed to hope, reconciliation, and non-violent solutions, while emphasizing the moral duty to protect society’s most vulnerable.
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Spreading ‘Mighty’ Dennery Segment vibes year round
For nearly a decade, Nevis Mighty Alexander has been a trailblazer in the Dennery Segment genre, a unique musical fusion that blends indigenous rhythms with African and Soca influences, enriched by lyrics in both English and Kwéyòl. While the genre is often associated with Lucian Carnival, Alexander’s work transcends seasonal boundaries, offering anthems for Jounen Kwéyòl, Solo, and Christmas celebrations. His discography includes chart-toppers like ‘Bad in Bum, Bum,’ ‘Two Clap,’ ‘Bagay,’ and the recent hits ‘Keh Dek Keh Dek’ and ‘Nuh Nuh.’
Currently based in the UK, Alexander recently embarked on a promotional tour in Miami with the Saint Lucia Tourism Authority to spotlight Lucian Carnival. In an exclusive interview with St. Lucia Times, he shared insights into his musical journey, the essence of Dennery Segment, and his commitment to preserving the Kwéyòl language.
‘Dennery Segment is a reflection of Saint Lucian culture—how we communicate, express ourselves, and celebrate our identity through music,’ Alexander explained. His passion for music ignited at the age of 12, inspired by artists like Yardie, Exodus, and LT. He credits Subance, a fellow Dennery Segment artist, for their collaborative hits, and Jaheim for producing his debut track, ‘Tout Cet Fanm La Matay La.’
However, it was ‘Bad in Bum, Bum,’ a 2017 collaboration with Subance, that catapulted Alexander to international fame. ‘That song put Dennery Segment on the global map,’ he recalled. Despite his carnival success, Alexander emphasizes the importance of year-round creativity. ‘I’m an artist first. I want to make people happy and honor our traditions, whether it’s Jounen Kwéyòl or any other occasion.’
Alexander also champions the use of Kwéyòl in his music, viewing it as a vital link to his heritage. ‘This is our language, our authenticity. I want to inspire others to carry it forward,’ he said. Looking ahead, he aims to expand his international reach, citing Cardi B’s recent appreciation for ‘Keh Dek Keh Dek’ as a sign of growing global interest. ‘More vibes, more collaborations—that’s what’s next for me,’ he declared.
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Asa Bantan, Spice, and Kes electrify Windsor Park on Night Two of WCMF
The second night of the World Creole Music Festival (WCMF) transformed Windsor Park Cricket Stadium into a vibrant hub of Caribbean culture, leaving an indelible mark on all who attended. From bouyon to soca, reggae to dancehall, the festival was a testament to the rich musical heritage of the region. Thousands of enthusiastic patrons danced through the night, celebrating the diverse sounds that define the Caribbean. Asa Bantan, hailed as the King of Bouyon, kicked off the evening with a dramatic entrance that ignited the crowd. His performance, filled with hit after hit, solidified his reputation as one of Dominica’s most cherished artists. Despite a minor delay in the schedule, the energy remained unbroken, thanks to a meticulously curated lineup of top-tier performers. Kes the Band took the stage as dawn approached, delivering a mix of timeless classics and modern hits that resonated with fans of all ages. Spice followed, captivating the audience with her bold dancehall style, particularly empowering female fans with her provocative yet inspiring performance. A tribute to Vybz Kartel, though not physically present, stirred the crowd, who sang along passionately to his iconic tracks. Local Creole and bouyon acts also shone, ensuring that homegrown talent remained at the forefront of the festival. As the sun rose, the celebration continued, with revelers still dancing in the early morning light. With two nights behind them, anticipation is now building for the final night of WCMF, promising even greater energy and excitement as the festival draws to a close.





