分类: entertainment

  • Chronixx’s Exile debuts at #5 on Billboard Reggae Albums chart

    Chronixx’s Exile debuts at #5 on Billboard Reggae Albums chart

    KINGSTON, Jamaica — Jamaican reggae artist Chronixx has secured his third appearance on the Billboard Reggae Albums chart with his latest release, ‘Exile,’ which debuted at #5 on October 10. The album, released under the label Forever Living Originals, marks Chronixx’s first full-length project of new material in eight years. ‘Exile’ features a collection of tracks including ‘Survivor,’ ‘Family First,’ ‘Saviour,’ ‘Genesis,’ ‘Pain in Your Heart,’ and ‘Love is On the Mountain.’ The album’s production was helmed by British producer, multi-instrumentalist, and songwriter Dean Josiah Cover, known professionally as ‘Inflo,’ who is also the founder and director of Forever Living Originals. Chronixx previously dominated the Billboard Reggae Albums chart with his #1 debuts of the 2014 EP ‘Dread & Terrible’ and the 2017 Grammy-nominated album ‘Chronology.’ This latest achievement underscores Chronixx’s enduring influence in the reggae genre and his ability to consistently deliver impactful music.

  • Buju, Capleton featured on Latin remix of ‘This is How We Roll’

    Buju, Capleton featured on Latin remix of ‘This is How We Roll’

    KINGSTON, Jamaica — A year after its initial release, the track ‘This is How We Roll,’ a collaboration between US-based producer BL Tha Hook Slayer and Jamaican reggae icons Buju Banton and Capleton, has achieved remarkable success on streaming platforms. Now, BL Tha Hook Slayer and Honduran Latin artist Fresh Bodden are in Jamaica filming the music video for the Latin remix of the hit song, aiming to elevate its global appeal. The original version of the track was born from a creative session with Capleton, who suggested involving Buju Banton. The result was a powerful collaboration that resonated with audiences worldwide. BL Tha Hook Slayer described the experience of working with his musical idols as surreal, emphasizing the significance of the moment. The Latin remix was inspired by Fresh Bodden, whom BL Tha Hook Slayer met through his manager and a Colombian producer. Fresh Bodden, known for his organic growth of a substantial fanbase, brings a unique Latin flavor to the remix. The video is being shot in Kingston and Ocho Rios by RSK Fama Video Production from the Dominican Republic. Fresh Bodden, visiting Jamaica for the first time, expressed his admiration for the island’s vibrant culture and reggae heritage, which he was introduced to through his father’s collection of Jamaican music. This collaboration marks another milestone in his career, following his previous work with Mr Vegas.

  • Valiant featured on remix of Chris Brown and Bryson Tiller’s ‘It Depends’

    Valiant featured on remix of Chris Brown and Bryson Tiller’s ‘It Depends’

    KINGSTON, Jamaica—The collaborative track ‘It Depends,’ performed by American R&B/pop sensation Chris Brown and Bryson Tiller, has soared to the top of Billboard’s Rhythmic Airplay and Mainstream R&B/Hip-Hop Airplay charts. The song also holds impressive positions at #4 on the Hot R&B/Hip-Hop Songs chart and #2 on the R&B/Hip-Hop Airplay chart. Adding to the excitement, a remix featuring Jamaican dancehall artist Valiant is set to debut this Friday. Valiant, currently on his Prove Them Wrong Tour across the United States and Europe, shared the remix artwork on his official Instagram page with the caption, ‘#brysontiller @chrisbrownofficia banger OTW.’ This marks a significant milestone for Valiant, as it represents his first major collaboration with high-profile international artists.

  • ‘Gully Gad’ Mavado returns to Jamaican stage at December concert

    ‘Gully Gad’ Mavado returns to Jamaican stage at December concert

    Renowned dancehall artist Mavado is set to make a triumphant return to Jamaica with his first major concert on home soil in nearly a decade. Titled ‘The Return of the Gully Gad,’ the highly anticipated event will take place at Plantation Cove in St Ann on December 27. The announcement was made by Reggae Fest organizers, who previously orchestrated Vybz Kartel’s sold-out shows at the Barclays Center in New York earlier this year. CJ Milan, a key figure in Kartel’s historic US comeback, is once again spearheading the event. Mavado, whose real name is David Brooks, recently returned to Jamaica after years in the United States. His return was facilitated by the lifting of a 2018 arrest warrant related to an assault case. The complaint, filed by Anthony Goulbourne, alleged that Goulbourne was shot at by the entertainer. The concert is expected to draw thousands of fans from both Jamaica and abroad, echoing the excitement surrounding Vybz Kartel’s return to the stage in December 2024. Tickets for Mavado’s concert will be available for purchase starting October 23 at 10:00 am on reggaefest.com.

  • Over 50 Artists to Take Part in Antigua and Barbuda Art Week 2025

    Over 50 Artists to Take Part in Antigua and Barbuda Art Week 2025

    The third edition of Antigua and Barbuda Art Week is set to captivate audiences from November 26, 2025, with over 50 artists showcasing their works. Organized by the Antigua and Barbuda Tourism Authority (ABTA) in collaboration with the Department of Culture, this year’s event promises a vibrant fusion of traditional and contemporary art, reflecting the nation’s rich cultural tapestry. Maria Blackman, ABTA’s marketing manager, expressed her enthusiasm for the overwhelming response from artists across the Caribbean, the US, Canada, and the wider diaspora. ‘From Haiti to Guadeloupe, the interest has been incredible,’ she remarked. ‘We are thrilled to continue supporting our artists and showcasing Antigua and Barbuda on an international stage.’ Local artist Stephen Murphy, a participant since the event’s inception, emphasized the significant impact of Art Week in promoting the island’s creative talent, citing recent sales at Carifesta in Barbados as evidence of its growing influence. The 2025 theme, ‘Culture in Color,’ aims to highlight authentic local experiences through visual arts, dance, spoken word, and music. The program will extend beyond traditional venues, offering visitors unique opportunities to engage directly with artists in their communities. All artworks displayed during the festival, including those at the airport and other public spaces, will be available for purchase, with a series of sub-events planned to enrich the experience.

  • From the office to the stage: Sashoné Mitchell charts her own musical path

    From the office to the stage: Sashoné Mitchell charts her own musical path

    Jamaican-born musician Sashoné Mitchell has transitioned from a life of office work to pursuing her true passion in music. After years of working behind a desk in St. Kitts and Nevis, Mitchell has stepped into the spotlight with her latest release, ‘Showers of Grace.’ The song and its accompanying music video pay tribute to the resilience and struggles of ordinary working people. Mitchell drew inspiration from everyday encounters, such as individuals offering services at stoplights or mothers working long factory shifts, to craft a message of hope and perseverance. Now back in Jamaica, Mitchell has reconnected with her roots, finding creative inspiration in her homeland. Her journey of self-discovery and artistic expression began when she attended a studio session with a friend, reigniting her passion for music. Mitchell’s goal is not just personal success but to impact lives through her spiritually uplifting music. Despite the competitive nature of the Jamaican music industry, she remains confident in her mission to share meaningful messages with the world. Mitchell’s story serves as an inspiration to others striving to find their voice in the industry.

  • Culture Ministry opens XII International Theater Festival

    Culture Ministry opens XII International Theater Festival

    The Dominican Republic has officially launched the XII International Theater Festival 2025 (FITE RD 2025) in a grand ceremony held at the Palacio de Bellas Artes in Santo Domingo. The event, inaugurated by Culture Minister Roberto Ángel Salcedo, marks the start of a ten-day celebration of theater across the nation. This year’s festival, themed ‘El teatro somos todos’ (‘We Are All Theater’), runs from October 19 to 30 and spans multiple provinces, showcasing the government’s dedication to cultural accessibility and decentralization. Spain has been named the guest country, with the renowned Teatro Corsario serving as the festival’s guest of honor. The opening ceremony also paid homage to theater artists who passed away this year and honored cultural promoter Freddy Ginebra, founder of Casa de Teatro, for his significant contributions to the arts. Vice Minister Amaury Sánchez highlighted the festival’s role in fostering cultural equity and expanding access to the performing arts. FITE RD 2025 will feature 75 performances by 15 international companies from Latin America and Europe, 17 Dominican groups, and four state ensembles, alongside artists from the Dominican diaspora in the United States. Tickets, priced at RD$200, are available at the Teatro Nacional, reflecting efforts to make theater more inclusive. The festival commenced with Teatro Corsario’s rendition of ‘El alcalde de Zalamea,’ a masterpiece from Spain’s Golden Age.

  • Creole rhythms and global dreams: Boo, Sly call for cultural sound revolution

    Creole rhythms and global dreams: Boo, Sly call for cultural sound revolution

    The celebration of Creole Month in Saint Lucia is deeply intertwined with its vibrant music scene. The harmonious blend of melodious voices, rhythmic drums, and resonant stringed instruments creates an atmosphere that is distinctly Saint Lucian, unparalleled anywhere else in the world. However, the question arises: should these unique sounds be confined to just one day or month of celebration? Is there potential to expand the influence of Creole music beyond the annual Jounen Kwéyòl festivities? These were the central questions posed to two renowned music practitioners, Ronald ‘Boo’ Hinkson and Sly, during a recent interview with St. Lucia Times. Hinkson, a leading jazz musician in Saint Lucia, advocates for integrating Kwéyòl sounds into more sophisticated and globally appealing formats. He has personally embraced this approach by infusing Creole rhythms and melodies into his jazz compositions, resulting in a sound that is both unique and distinctly Saint Lucian. Hinkson emphasized the importance of maintaining this cultural identity, stating, ‘It’s not just important in today’s age, it’s always been important because it’s our identity. It is what makes us unique, is what is indigenous to us, it is what makes us who we are and for that reason, I believe we must never disconnect from it.’ He further highlighted the need for deliberate efforts to incorporate indigenous rhythms into contemporary music, suggesting that this could elevate Saint Lucian music to international acclaim, much like Reggae has for Jamaica or Bouyon for Dominica. Hinkson also pointed out that Saint Lucian rhythms are already influencing other cultures, citing the hit soca single ‘The Greatest Bend Over’ by Yung Bredda as an example. Sly, another prominent musician, underscored the profound impact of Creole musical instruments on Saint Lucian culture, particularly the tambo, which he described as ‘second to none.’ He called for greater creativity in integrating traditional instruments like the banjo into modern music, suggesting that this could bridge the gap between traditional and contemporary sounds. As Saint Lucia continues to export its culture on the global stage, music remains a dynamic and essential part of its national identity, transcending the island’s 238 square miles and resonating with audiences worldwide.

  • Lucian Carnival turns heads, moves feet in Miami

    Lucian Carnival turns heads, moves feet in Miami

    The Saint Lucia Tourism Authority (SLTA) unveiled the Lucian Carnival 2026 on the global stage during Miami’s Carnival celebrations last week. Held in Miami, Florida, the event marked a strategic effort to elevate the Lucian Carnival brand by showcasing the vibrant Dennery Segment, a musical genre deeply rooted in Saint Lucian culture. The genre, characterized by its fusion of English and Kwéyòl lyrics, has become synonymous with the island’s Carnival energy and cultural identity.

    Three renowned Dennery Segment artists—DJ Sir Lancealot, Umpa, Blackboy, and Mighty—delivered electrifying performances that captivated the audience. Lancealot, credited with coining the term Dennery Segment, alongside Umpa, Blackboy, and Mighty, brought the infectious rhythms of Saint Lucia to life. Their performances not only thrilled the crowd but also highlighted the genre’s growing influence on regional and international Carnival scenes.

    Geraine Georges, SLTA’s public relations manager, emphasized the strategic shift in promoting Lucian Carnival through its authentic music. “We recognize how the music has grown and how it excites regional and international carnivals,” Georges told St. Lucia Times. “What better way to showcase Lucian Carnival, which has grown tremendously, than through music that is authentically Saint Lucian?”

    The event, attended by travel partners, media, and influencers, also featured Saint Lucian dancers demonstrating signature moves to the pulsating beats. The celebration continued at No Borders, an event showcasing Caribbean Soca artists, further amplifying the island’s cultural presence.

    The culmination of Saint Lucia’s Miami Carnival participation was the Parade of Bands and mega concert on October 12 at the Miami-Dade County Fairgrounds. Umpa, Mighty, and Blackboy, backed by Lancealot and supported by Barry Hype, set the stage ablaze, with Saint Lucians in the crowd cheering passionately. Saint Lucia’s 2024 Groovy Monarch Nerdy and Arthur Allain, both veterans of past Lucian Carnival launches, also performed, adding to the event’s grandeur.

    Brand Saint Lucia and Lucian Carnival were prominently featured on Revel Nation’s truck during the parade, further solidifying the island’s presence. The SLTA team, including Consul General Darrel Montrope and Director of Global Marketing Dexter Percil, fielded numerous inquiries about Saint Lucia and its Carnival, which were met with widespread recognition and enthusiasm.

    Carnival enthusiasts from around the world expressed their admiration for Lucian Carnival, with many pledging to attend or return in the future. The event not only celebrated Saint Lucian culture but also positioned Lucian Carnival as a must-experience global phenomenon.

  • Julien Alfred’s legacy shines on in new jewellery line

    Julien Alfred’s legacy shines on in new jewellery line

    A new jewellery collection honoring Olympic gold medallist Julien Alfred has been unveiled, with proceeds set to support her charitable foundation. The Julien Alfred Legacy Collection, created by Eleanor Prospere, founder of Fearless Jewellery, was officially launched on October 11 during a fundraising event at BodyHoliday’s Firefly Villa. The collection, inspired by Alfred’s historic 100m victory at the Paris 2024 Olympics, features unisex macramé bracelets, earrings, and gold-plated necklaces and bracelets. Each piece incorporates elements of Saint Lucian identity, including the national flag, the map outline, and the marguerite flower. Prospere, a French-Saint Lucian designer, emphasized the collection’s dual purpose: celebrating Alfred’s achievements and promoting national pride. The project began after Prospere’s father tracked down Alfred and her manager, Henry Rolle, to secure their approval. Following a three-year collaboration agreement, Prospere meticulously designed and financed the collection, which includes 400 pieces. The designer also plans to expand the collection with Cuban link necklaces for men and matching pieces for women. Prospere, who shares a Saint Lucian heritage with Alfred, expressed her lifelong passion for jewellery design, which she has pursued for over 14 years.