分类: entertainment

  • Hoogste Franse onderscheiding voor Cynthia Mc Leod

    Hoogste Franse onderscheiding voor Cynthia Mc Leod

    In a prestigious ceremony at the French Ambassador’s residence in Suriname, celebrated author Cynthia Mc Leod-Ferrier was decorated with France’s highest national honor—the Légion d’Honneur. French Ambassador Nicolas de Lacoste presented the distinction on behalf of President Emmanuel Macron, recognizing Mc Leod’s exceptional contributions to literature and historical preservation.

    Ambassador de Lacoste highlighted Mc Leod’s ‘unwavering dedication to history and intergenerational memory transmission, even when confronting dark and painful historical chapters.’ The author accepted the honor with profound gratitude, acknowledging both her personal achievement and its significance for Surinamese cultural identity. ‘This recognition extends beyond me to the entire Surinamese community and the students who encouraged me to document our past,’ Mc Leod stated during her acceptance speech.

    The ceremony, attended by family and close associates, celebrated Mc Leod’s four-decade literary career that began with her groundbreaking 1987 debut novel ‘Hoe duur was de suiker?’ (‘The Cost of Sugar’). This historical work, later adapted into a film in 2013, remains her most influential publication both within Suriname and internationally.

    De Lacoste particularly praised Mc Leod’s pioneering archival research, especially her work on Elisabeth Samson—an eighteenth-century free Black woman who married a white man. ‘No one before you had undertaken such exhaustive research in the archives of former colonial powers,’ the ambassador remarked, noting the ‘astonishing discoveries’ resulting from her meticulous work.

    Beyond her literary accomplishments, Mc Leod was recognized for her community engagement. She has invested book royalties into the Sweet Merodia boat tours, educating youth about Surinamese history through river expeditions. Her philanthropic efforts have also provided school meals for children and support for cancer patients and their families.

    The author drew historical parallels between French influence in Suriname dating back to colonial times—when Huguenots owned more than half of the plantations—and contemporary French investment through TotalEnergies’ offshore oil production. She expressed hope that current economic development would ‘more justly benefit the entire Surinamese community compared to the plantation economy centuries.’

    Established by Napoleon Bonaparte in 1802, the Légion d’Honneur represents France’s highest recognition of exceptional service. Mc Leod now joins an exclusive group of Surinamese citizens who have received this prestigious decoration.

  • Sandals Grenada’s Snuba team tops the charts

    Sandals Grenada’s Snuba team tops the charts

    GRENADA – SNUBA®, the innovative aquatic system bridging snorkeling and scuba diving, has emerged as the premier method for visitors to discover Grenada’s breathtaking marine ecosystems. This hybrid technology eliminates the need for cumbersome equipment and extensive training while enabling extended underwater exploration at shallow depths up to 20 feet.

    The system operates through a surface-connected air supply raft, allowing participants unrestricted movement to examine coral reefs, historic wrecks, and diverse marine life. Despite its technical simplicity, the psychological barrier of underwater breathing presents a significant challenge for novices – a hurdle overcome by expert guidance from professionals like Clevlon Charles.

    Charles, recognized as Sandals and Beaches Resorts’ top SNUBA® specialist for 2025, has transformed visitor experiences through his empathetic approach. His career trajectory exemplifies professional growth: beginning in housekeeping in 2015, transitioning to beach operations, and ultimately qualifying as a SNUBA® guide in 2023. Under his leadership, participation rates and revenue have consistently exceeded expectations.

    “The transformation begins in the pool where guests realize the accessibility of the system,” Charles explained. “Their subsequent transition to ocean exploration becomes natural, particularly when visiting Grenada’s legendary Underwater Sculpture Park.”

    The Moliniére Underwater Sculpture Park represents an ideal environment for SNUBA® exploration. Charles and colleague Troy John have successfully guided numerous apprehensive visitors from tentative pool sessions to confident marine adventures, creating memorable achievements for both participants and instructors.

    Curtis Bailey, Watersports Manager at Sandals Grenada, praised his team’s exceptional performance: “Our guides’ commitment to safety, enthusiasm, and professional excellence has fundamentally enhanced our aquatic offerings. Their ability to convert uncertainty into accomplishment demonstrates remarkable skill.”

    While SNUBA® doesn’t provide scuba certification, it serves as an introductory pathway to full diving qualifications. Many participants subsequently pursue complete certification programs, a progression that brings particular satisfaction to the instructional team.

    The professional development continues among staff members themselves, with both Charles and John advancing to become certified SCUBA instructors – ensuring continued excellence in Grenada’s underwater tourism sector.

  • Mas Domnik 2026 recap – stats and after movie

    Mas Domnik 2026 recap – stats and after movie

    Dominica’s vibrant 2026 Carnival season, known as ‘Real Mas,’ has concluded with resounding success, marked by significant tourism growth and celebrated cultural achievements. Official reports from the Ministry of Tourism confirm an impressive 13% surge in visitor arrivals during the two-week festival period compared to 2025, with total arrivals reaching 9,308 visitors. This upward trajectory was fueled by a 14% increase in air arrivals and an 11% rise in sea arrivals, demonstrating enhanced connectivity and growing global interest in the island’s premier cultural celebration.

    The cultural competitions formed the heart of the festivities, with Chester ‘Daddy Chess’ Letang emerging as the undisputed star. Letang captured the prestigious Calypso Monarch title through powerful performances of ‘Beauty and the Beast’ and ‘Roof Leaking,’ dethroning previous champion Joy. His artistic dominance extended beyond the calypso competition as he simultaneously secured the Road March title, achieving a rare double victory that underscored his musical prowess throughout the Carnival season. The competition also introduced promising newcomer Nacheal, who made an extraordinary debut by claiming first runner-up position.

    Pageantry excellence took center stage with the Miss Dominica 2026 competition, where Dainisha Eusebe, representing South City Grand Bay, claimed the crown. Eusebe captivated judges and audience members with her remarkable poise and radiant stage presence. Sheraine Mills earned first runner-up honors while Sanchia Tyson secured second runner-up, with all contestants receiving recognition for their discipline and exceptional performances that embodied the spirit of the competition.

    Event organizers extended particular gratitude to sponsors and partners whose crucial support contributed significantly to the season’s overall success. Official statements highlighted how these collaborative efforts helped maintain the high quality and inclusive atmosphere that has become synonymous with Dominica’s Carnival celebrations, reinforcing the island’s position as a leading cultural destination in the Caribbean region.

  • Week.day, Imotionz score viral hit with ‘Pretty’

    Week.day, Imotionz score viral hit with ‘Pretty’

    KINGSTON, Jamaica — A sensational new collaboration between acclaimed dancehall producer Week.day and rising vocal talent Imotionz is rapidly capturing international attention. Their latest single, ‘Pretty,’ has ignited a viral firestorm across digital platforms just four days after its debut.

    Hailing from the shared community of Linstead in St. Catherine, the creative partnership has yielded yet another hit. The track is built upon Week.day’s infectious ‘Moonlight’ rhythm, with its official visual component expertly crafted by Timevisualz.

    In an exclusive discussion, Week.day expressed profound satisfaction witnessing the audience’s enthusiastic reception. ‘Observing the fans’ diverse reactions and their inventive content creations is incredibly rewarding. It reaffirms the connection our music establishes,’ the producer revealed.

    This release continues a proven collaborative history between the two artists. Their previous joint effort, ‘Regrets,’ has already surpassed 300,000 streams, demonstrating their consistent ability to resonate with listeners. Week.day specifically highlighted Imotionz’s artistic dedication and natural ability, noting their sessions are marked by exceptional professionalism and creative synergy.

    Beyond this breakthrough single, Week.day is developing an ambitious new juggling project featuring several industry-leading performers. When questioned about his sustained success, the producer attributed his achievements to an unwavering devotion to his craft. ‘My driving force is the profound affection I hold for music itself. I maintain relentless effort, focused on building a legacy that will endure through my body of work,’ he concluded.

  • Chronixx skanks sweet at Lost In Time

    Chronixx skanks sweet at Lost In Time

    The Lost In Time festival in St Andrew’s Hope Gardens witnessed an emotional homecoming on Sunday as international reggae superstar Chronixx returned to a Jamaican stage after a six-year absence. The highly anticipated performance transformed into a celebratory spectacle with thousands of fans capturing every moment on their phones.

    Festival organizer and fellow artist Protoje introduced the performer using his given name, Jamar, to an eager audience. The stage featured an enormous Rastafarian flag backdrop, symbolizing Chronixx’s deep spiritual convictions that have consistently informed his music.

    Beginning at approximately 8:30 PM, the performance became an immersive musical journey through the artist’s acclaimed catalog. Chronixx delivered powerful renditions of fan favorites including ‘Family First’ and ‘Spanish Town Rockin,’ while paying special tribute to late Jamaican music legends Sly Dunbar and Robbie Shakespeare for their monumental contributions to the island’s sound.

    The evening encountered a brief technical interruption around 9:15 PM when the stage went dark for approximately fifteen minutes. Demonstrating remarkable patience and devotion, the audience spontaneously created a cappella versions of ‘Skankin’ Sweet’ and ‘Majesty,’ moving the visibly emotional artist who jokingly remarked he owed his impromptu ‘choir’ payment.

    Following the technical resolution, Chronixx and Protoje burst back onto the stage with energetic collaboration ‘Who Knows.’ The performance continued with soulful selections from Chronixx’s latest album ‘Exile,’ including a heartfelt acoustic rendition of ‘Hurricane’ featuring the artist on guitar.

    Beyond musical performance, Chronixx used the platform to advocate for sustainable living practices, encouraging plant-based nutrition and agricultural self-sufficiency. He explained to attendees: ‘We promote real living because within our culture, many things we glorify aren’t truly beneficial. We must celebrate what genuinely serves our wellbeing.’

    Though unable to perform all requested songs due to his extensive discography, Chronixx concluded with the patriotic anthem ‘Smile Jamaica’ after offering three heartfelt ‘thank yous’ to his homeland. Protoje returned to express gratitude for the overwhelming support, acknowledging his sister’s role in organizing the successful event.

    The festival’s second day featured notable performances from Grammy-nominated Jesse Royal, who shared the stage with his daughter Korus and her friend Nyah in a charming cameo, along with Jah9, Naomi Cowan, Royal Blu, and Dahvid Slur. Earlier performer D’Yani engaged the audience with romantic serenades, distributing roses to delighted female attendees.

    The two-day Lost In Time festival successfully delivered diverse musical experiences across multiple stages, reaffirming Jamaica’s enduring position as reggae’s spiritual home.

  • New format for Miss Universe Jamaica, organisers opting for parish competitions

    New format for Miss Universe Jamaica, organisers opting for parish competitions

    In a landmark strategic shift aimed at bolstering Jamaica’s competitive prowess on the international beauty stage, the organizers of Miss Universe Jamaica have announced a complete structural overhaul of their national selection process. Atelier Dermoth Williams Limited, the official franchise holder, has eliminated the regional preliminary system that has characterized previous competitions, replacing it with an innovative parish-based recruitment framework.

    This transformative approach represents the initial phase of a comprehensive reimagining of Jamaica’s premier beauty pageant franchise. The new parish-level model is designed to foster more inclusive national representation and implement a more sophisticated talent identification mechanism. By activating all fourteen parishes across the island, the organization intends to systematically discover, nurture, and prepare exceptional delegates capable of bringing the Miss Universe crown to Jamaica.

    Mark McDermoth, President of Atelier Dermoth Williams Limited, explained the strategic rationale behind this structural transformation in an exclusive interview. ‘Our decision to implement parish competitions stems from our commitment to strengthening and deepening the recruitment program. We are leaving no stone unturned in our search to identify that special delegate with the potential to claim the Miss Universe crown,’ McDermoth emphasized.

    The organization has appointed parish directors who will oversee local pageants based on their demonstrated affiliation with the Miss Universe brand, comprehensive understanding of pageant systems, and unique awareness of their respective parish markets. The appointed directors include Shane Alric Morgan (Kingston & St Andrew), Janique McKenzie (St Catherine), Trilissa Walker (Clarendon, Manchester and St Elizabeth), Hannah Sheree Morris (Westmoreland and Hanover), Delrose Behadure, Francois Medley and Kyle Nunes (St James and Trelawny), Sara Jade Kow (St Ann and St Mary), Shanique Rogers (Portland), and Erica Beckford (St Thomas).

    Regarding the current titleholder, McDermoth provided an update on Miss Universe Jamaica 2025 Gabrielle Henry’s recovery following her fall during preliminary events at Miss Universe 2025 in Thailand. ‘Gabrielle is recuperating with her medical team and family, though she is not yet ready for active duties. In the interim, first runner-up Troy Ann Anderson has been executing responsibilities,’ McDermoth confirmed, adding that the organization continues to wish Henry a speedy recovery.

    Under the revamped structure, thirteen parish titleholders will automatically advance to the national finals scheduled for August 23 at the AC Hotel Kingston. Additional candidates will have a final opportunity to secure placement through the official Miss Universe Jamaica 2026 eliminations on July 5, where a limited number of ‘golden tickets’ will be awarded. The organization plans to maintain approximately 30 contestants for this year’s competition, a number specifically tailored to accommodate new beauty, fashion, and wellness challenges integrated into this year’s program.

    McDermoth hinted at further innovations, noting, ‘We have additional initiatives slated for the Miss Universe Jamaica brand, which we will unveil through a phased program.’ This structural transformation represents the most significant change to Jamaica’s pageantry landscape in recent years, potentially setting a new standard for national beauty competitions worldwide.

  • Grenada leverages Trinidad Carnival to strengthen cultural tourism

    Grenada leverages Trinidad Carnival to strengthen cultural tourism

    The Grenada Tourism Authority (GTA) has successfully concluded its groundbreaking cultural mission during Trinidad’s 2026 Carnival season, capitalizing on the growing global fascination with authentic Caribbean experiences. This strategic initiative featured an influential partnership with regional entertainment giant Caesar’s Army, deploying an elite contingent of Grenadian performers including V’ghn, Lil Kerry, Dread Lion, and DJ Kevin Crown.

    The artistic delegation delivered electrifying performances at premier events AMBeach and AMBush, where Grenada’s distinctive Jab Jab Truck served as a powerful cultural emblem. This immersive percussion-based showcase transported the raw vitality and unique character of Spicemas directly to thousands of international and regional carnival enthusiasts.

    Samantha Thomas, GTA Marketing Executive who spearheaded on-site activations, observed the profound impact of Grenada’s cultural presentation: ‘There’s an extraordinary energy that emerges when genuine Grenadian spirit occupies these creative spaces—you can visibly witness the transformation in audience engagement. This represents a phenomenal platform for our musical heritage and cultural expressions to reach thousands while reminding them that the authentic experience awaits in Grenada this August.’

    The cultural mission extended beyond live performances to encompass strategic media engagements, with tourism representatives utilizing radio broadcasts and media appearances to position Grenada as a premium destination celebrated for its culinary distinction, eco-leisure facilities, and rejuvenating wellness offerings.

    This initiative constitutes a crucial component of GTA’s comprehensive cultural tourism strategy, designed to transform the international appeal of Grenadian music into tangible destination recognition and heightened travel interest preceding the upcoming Spicemas season.

    Tornia Charles, GTA’s Chief Marketing Officer, emphasized the significance of artistic diplomacy: ‘Our performers have consistently demonstrated their effectiveness as cultural ambassadors. The collaboration with Caesar’s Army embodies our integrated approach to cultural tourism development. Recognizing Trinidad & Tobago as our regional market leader, we aimed to safeguard market presence while ensuring Grenada’s unique identity continues to captivate Caribbean audiences, generating direct economic advantages for Grenada, Carriacou, and Petite Martinique.’

    The Grenada Tourism Authority plans to maintain this cultural momentum through targeted activations and regional engagements throughout the year.

  • Local artist honours Grenadian women on International Women’s Day

    Local artist honours Grenadian women on International Women’s Day

    In a powerful tribute to Grenada’s feminine spirit, visual artist Kristianne Buxo presents “GRENADENIANA: Presence • Passion • Poise,” a solo exhibition dedicated to celebrating the cultural resilience and dignity of Grenadian women. The event will unfold on Saturday, March 7, 2026, from 6:00 PM to 9:00 PM at Décorum within the Exit 473 complex, strategically timed on the eve of International Women’s Day.

    Buxo’s exhibition features expressive portraiture inspired by Caribbean feminine presence, honoring mothers, daughters, and matriarchs whose enduring grace has fundamentally shaped the nation’s identity. The artist explained her motivation: “Amid ongoing conversations about the well-being and protection of Grenadian women, I felt compelled to use my artistic platform to both honor and uplift our women. This exhibition serves as both celebration and tangible gesture of solidarity.

    Beyond visual artistry, the event establishes meaningful philanthropic partnerships. Buxo has collaborated with Sweet Water Foundation to facilitate direct donations during the exhibition, while also committing a portion of all art sales proceeds to support the organization’s programs benefiting women and families across Grenada.

    The evening promises a multifaceted cultural experience with restaurants and bars within the Exit 473 complex remaining open to patrons. Musical accompaniment will enhance the vibrant atmosphere, creating an immersive celebration of Grenadian heritage. Additional parking accommodations have been generously provided by L L Ramdhanny & Co. Ltd, with their nearby parking lot available for guests.

    This community-oriented event invites public participation in celebrating Grenadian women through artistic expression, collective gathering, and purposeful support systems that extend beyond the gallery walls.

  • Investing in Caribbean Creativity on the Global Stage

    Investing in Caribbean Creativity on the Global Stage

    Grenada is poised to make its ninth appearance at the 2026 Venice Biennale, securing its position on one of the world’s most prestigious visual arts platforms. This participation transcends mere national representation, emerging as a strategic cultural initiative with profound regional and global implications.

    The Grenada Pavilion will be hosted at Spazio Berlendis under the thematic concept ‘The Poetics of Correspondence,’ facilitating reflective cross-cultural dialogue. The exhibition will feature an impressive roster of artists including Arthur Daniel, Lilo Nido and Chris Mast, Edward Bowen, Russel Watson, Josine Dupont, Alexandra Kordas, and The Holzwege Group.

    This cultural endeavor carries significant regional importance by advancing CARICOM and OECS integration while expanding economic opportunities within the Caribbean creative sector. It establishes crucial pathways for emerging Caribbean artists to access international networks and potentially strengthens partnerships across education, tourism, and innovation sectors.

    Globally, the pavilion builds upon networks established since Grenada’s inaugural 2015 participation, elevating Caribbean perspectives within international discourse and creating diplomatic and economic bridges beyond conventional trade channels.

    The 2026 edition marks a watershed moment for Caribbean representation, with The Bahamas also returning after a 13-year absence. Additionally, numerous Caribbean artists have been selected for exhibition in the Biennale’s main Arsenale hall, including Álvaro Barrington, Maria Magdalena Campos-Pons, Carolina Caycedo, Annalee Davis, and Ebony G. Patterson among others.

    Despite its volunteer-driven organization, the project requires substantial funding for exhibition production, venue rental, international shipping, communications, and artist accommodations. The Grenada Arts Council, a registered non-profit, is urgently seeking corporate partners who recognize culture’s power as an economic driver and brand differentiator.

    Sponsors will receive prominent recognition in exhibition catalogues and promotional materials throughout the seven-month event, with their contributions permanently archived in the historical record. This initiative represents a proven platform for positioning Grenada and the wider Caribbean as creative leaders on the world stage.

  • Reggae stops the clock at Lost In Time Festival delivers magical opening night

    Reggae stops the clock at Lost In Time Festival delivers magical opening night

    As dusk settled over Hope Gardens, the second annual Lost In Time Festival commenced its two-day musical journey, transforming the venue into a realm where temporal constraints yielded to reggae’s enchanting rhythms. The sold-out Saturday opening night witnessed an extraordinary convergence of musical excellence, where patrons immersed themselves in an experience that transcended conventional timekeeping.

    The evening’s musical odyssey commenced with captivating performances by Joby Jay and Tessanne Chin, whose powerful vocals established an energetic foundation for the night. Their opening sets generated palpable excitement among attendees, creating a reciprocal energy exchange between artists and audience that would characterize the entire event.

    Grammy-nominated artist Mortimer elevated the evening’s intensity with a commanding performance that showcased his artistic maturity. His seamless navigation through his greatest hits culminated in the explosive performance of ‘Lightning,’ which electrified the atmosphere with visceral intensity.

    The festival’s curation brilliance manifested through the contrasting yet complementary sets of veteran lyricist Tanya Stephens and emerging powerhouse Lila Iké. Stephens demonstrated masterful catalog command, orchestrating massive singalongs with classics including ‘It’s A Pity,’ ‘Bum Wuk,’ and ‘These Streets,’ transporting attendees through reggae’s rich heritage.

    Iké, fresh from her Grammy Awards appearance, confirmed her ascending status with a performance marked by exceptional vocal expressiveness and emotional depth. Her set spanned from ‘Scatter’ to ‘Thy Will,’ including a heartfelt tribute to reggae pioneers Cocoa Tea and Third World. Demonstrating remarkable versatility, she delivered an impressive guitar solo during ‘Wanted’ before transitioning to her romantic repertoire including ‘I Spy’ and ‘Fry Plantain.’ The artist concluded by acknowledging festival creator Protoje’s vision in creating authentic reggae experiences.

    The night culminated in an unprecedented gathering of reggae royalty as Protoje transformed his closing set into a historic musical summit. Surprise appearances by Alaine, Romain Virgo, Koffee, and Marley brothers Damian and Stephen generated seismic audience reactions. The Marleys’ collaborative performance of ‘The Mission’ followed by Jr Gong’s renditions of ‘Blessed’ and the iconic ‘Welcome To Jamrock’ created an explosive finale that united generations of reggae enthusiasts.

    Past midnight, the festival affirmed its reputation as a temporal transcendence where reggae’s unifying power dissolved boundaries between artists, eras, and audiences, creating an unforgettable celebration of musical legacy and innovation.