分类: entertainment

  • Tamis Modeste crowned Soufriere Carnival Queen

    Tamis Modeste crowned Soufriere Carnival Queen

    On a vibrant Saturday, June 27, the stands of Soufriere Mini Stadium buzzed with electric energy as hundreds of attendees – from multi-generational local families to high-ranking dignitaries, event sponsors, and loyal community supporters – gathered to kick off this year’s Lucian Carnival celebrations. The gathering centered on honoring Saint Lucia’s rich cultural heritage, the creative talent of its young people, and the unifying communal spirit that has defined the Carnival tradition for decades.

    The highlight of the opening festivities was the annual Miss Soufriere Carnival pageant, which brought five dynamic, carefully selected delegates to the stage to compete for the coveted annual crown. Each contestant represented a leading local establishment that had thrown its support behind the event: Triana Busette stood as Miss Sugar Beach (a property of the upscale Viceroy Resort), Ella Albert represented Miss MBC/Real FM, Lovely Son carried the banner for Miss B&B Money Savers, Tamis Modeste competed as Miss Saint Lucia Daily Post, and Hailey Reid represented Miss Soufriere Experiences. Across every segment of the competition, the five contestants delivered poised, memorable performances that held the packed audience’s attention from the opening introduction to the final announcement of results.

    When the judges’ scores were tallied, Tamis Modeste emerged as the clear standout, earning the official title of Soufriere Carnival Queen 2026. Lovely Son secured the position of first runner-up, while Triana Busette took home second runner-up honors. While the full official prize package will be awarded during the Carnival’s closing ceremony later this summer, all contestants received recognition for their achievements on the day of the pageant, along with gift certificates donated by a network of generous local small businesses based in Soufriere.

    Modeste dominated multiple special award categories, taking home honors for Miss Photogenic, People’s Choice, Best Evening Wear, Best Interview, and one of two Best Costume awards. Busette was recognized with the Miss Congeniality title for her warm rapport with fellow contestants and audience members. Son also earned multiple accolades, including Best Ambassadorial Address, Best Swimwear, and the second Best Costume award, alongside recognition for the most outstanding talent performance.

    The 2026 Soufriere Carnival is scheduled to conclude over the final weekend of July. The closing activities will open with the traditional early-morning J’ouvert celebration kicking off at 4 a.m. on Sunday, July 26, followed by a vibrant parade of Carnival bands through the town in the afternoon. The annual celebration will wrap up with the popular Last Lap Jump-Up street party on the following day, Monday, July 27.

  • Burning Flames frontman recovering in hospital after health scare

    Burning Flames frontman recovering in hospital after health scare

    The music world is awaiting updates on beloved Burning Flames band leader Sir Clarence “Oungku” Edwards, who is currently in recovery at Antigua’s Sir Lester Bird Medical Centre. The iconic performer was admitted to the facility this Tuesday after an unexpected medical event prompted urgent care.

    In a small sign of reassurance to fans, a photograph of Edwards has circulated alongside announcements of his hospitalization, capturing the frontman with a characteristic smile from his hospital bed. The warm image has offered a glimmer of comfort to followers who have shared well wishes across social media platforms since news of his admission broke.

    As of the latest updates, medical officials and representatives for the musician have not released any additional information about what led to his admission, nor have they shared specifics about the severity of Edwards’ condition or a projected timeline for his discharge. Fans and community members across the region continue to send messages of support, hopeful for a full and speedy recovery for the celebrated band leader.

  • Qpid says ‘Backup Plan’ is about survival, not distrust

    Qpid says ‘Backup Plan’ is about survival, not distrust

    Veteran Saint Lucian musician Melissa “Qpid” Moses is turning a silent, widespread crisis for women across the Caribbean into a compelling call to action with her brand-new single, *Backup Plan*. Far from targeting romantic relationships or encouraging partner distrust, the track carries a deeply personal message of empowerment, born from decades of observing women trapped in harmful dynamics they cannot escape.

    In an exclusive interview with *St Lucia Times*, Qpid pushed back against early misinterpretations of the track’s core thesis, clarifying that the song is rooted in lived reality rather than cynicism about love. “The song isn’t about promoting distrust at all; it’s about reality,” she emphasized.

    Contrary to some assumptions, *Backup Plan* was not inspired by Qpid’s own romantic experiences. Instead, it grew out of years of witnessing women suffer in abusive, toxic, and unstable relationships solely because they lacked the resources to leave. This unspoken crisis has long been an overlooked elephant in the room across many communities, Qpid explained: women spend years trapped in damaging partnerships because they see no viable exit. Without access to higher education, independent income, or a strong support network, leaving an unhealthy relationship can feel completely out of reach. Watching so many women end up stranded and broken after relationship collapse, with no safety net to catch them, was the catalyst that pushed Qpid to put this message to music.

    The track’s narrative follows a fictional woman who is left with nothing after her long-term partner abandons her for another person. While the story is fictional, Qpid notes that it mirrors the experiences of countless women across the Caribbean region.

    Qpid stresses that building a “backup plan” does not mean going into a relationship expecting it to fail. It is an act of self-love and preparation for life’s inherent unpredictability. When a relationship becomes irreparably harmful, having a backup plan ensures women do not have to remain trapped out of helplessness. For the artist, this preparation extends far beyond just building a savings account. A comprehensive backup plan includes financial independence, emotional resilience, prioritizing physical and mental well-being, and consistent practice of deep self-love. Qpid points out that society already widely encourages people to have contingency plans for their careers and finances, so there is no logical reason to treat personal relationships any differently.

    Beyond economic independence, Qpid also uses the single to challenge the harmful stigma attached to ended relationships. Too often, society frames a marriage or relationship that does not last as a personal failure, but Qpid argues this narrative needs to change. Even when two people give everything they have to a partnership, it can still come to an end. When a partner chooses to leave, women need to be emotionally and financially stable enough to walk away with their dignity intact. There is no shame in Plan A not working out, she says—all that matters is being able to pivot gracefully to Plan B.

    Qpid’s ultimate goal for *Backup Plan* is to spark broad, open conversations about independence and what healthy relationships actually look like. For women, her message is clear: it is possible to love deeply while still investing in your own security and growth. She encourages women to start saving early, build their own support networks, and position themselves so they never have to face being left stranded with no resources.

    She adds that the song’s message is just as relevant for men. Qpic hopes the track encourages dialogue about mutual respect and individual autonomy within partnerships. The core takeaway for all audiences, regardless of gender, is that walking away from an unhealthy dynamic should always be a viable option. No one should ever have to stay trapped in a harmful relationship purely for economic or emotional survival.

  • FLASH : 180 games now available on «Quiz.HaitiLibre» (July 2026)

    FLASH : 180 games now available on «Quiz.HaitiLibre» (July 2026)

    On July 1, 2026, HaitiLibre announced a major expansion to its popular educational quiz platform Quiz.HaitiLibre, bringing the total number of available interactive games to 180 after adding 30 brand-new quizzes as part of its consistent monthly content update cycle.

    Designed to be accessible for knowledge seekers of all backgrounds, the platform stands out for its user-friendly policy: all quizzes are 100% free to play, and no account registration is required to access any content. Quizzes are structured across three distinct difficulty tiers — easy, intermediate, and hard — to accommodate casual players and dedicated trivia enthusiasts alike, and every game is fully supported in both French and English to serve a broad local and international audience.

    Beyond simple trivia gameplay, Quiz.HaitiLibre is built to turn every play session into a meaningful learning opportunity. Each question answer is paired with a detailed, contextual explanation, turning incorrect guesses and correct responses alike into a chance to learn something new. Players can explore three curated content worlds tailored to different interests: the Haiti-focused hub, which invites users to learn new facts and revisit well-loved details about the country’s history, culture, and society; the World menu, which highlights the geographic, cultural, and political diversity of the global community; and the Expert section, which offers deep-dive, specialized quizzes for players craving a greater challenge.

    the platform’s development team has committed to ongoing monthly updates, adding new quizzes on a regular basis to keep content fresh and keep audiences engaged with new learning opportunities. To further improve the user experience, the team has also added a feedback form at the end of every quiz, encouraging players to share comments, suggestions, and ideas for future content updates. The outlet encourages existing users to share the platform with friends and family who enjoy trivia and learning.

    Additional bite-sized educational content, in the form of HaitiLibre’s weekly “Did You Know?” series, is also available to users via the links provided on the site’s main page, offering more quick, informative insights for curious audiences.

  • Cultural Division postpones Miss Wob Dwiyet 2026 Official Reveal

    Cultural Division postpones Miss Wob Dwiyet 2026 Official Reveal

    The Cultural Division has announced a last-minute postponement of the highly anticipated 2026 Miss Wob Dwiyet Pageant official contestant reveal, which was originally scheduled to take place on July 1. In a public statement issued on the eve of the planned event, the governing cultural body confirmed the change of plans, citing unforeseen circumstances as the core reason for the scheduling shift.

    The official statement addressed directly to media representatives and the general public expressed sincere regret for any disruption the postponement may cause to audiences and event partners. The division also emphasized its appreciation for the patience and understanding of both media partners and followers of the annual pageant, noting that a revised date for the contestant reveal will be shared publicly immediately once the new schedule is finalized.

    As one of the region’s most prominent cultural pageantry events, the Miss Wob Dwiyet Pageant holds deep cultural significance, celebrating local heritage and emerging cultural icons each year. The Cultural Division reaffirmed its ongoing commitment to upholding the long-standing high standards and professional execution that the pageant is known for. The organization added that it looks forward to formally introducing the 2026 cohort of contestants to the nation in the near future, once all logistical and planning adjustments are completed.

    Members of the public and media with additional questions about the scheduling change are encouraged to reach out directly to the Cultural Division for further clarification. The division closed its statement by thanking the community for its continued support of the event and its cultural mission.

  • Queen’s Park set for cultural extravaganza

    Queen’s Park set for cultural extravaganza

    As one of the most iconic anchor events of Barbados’ beloved Crop Over Festival, the 2026 Ceremonial Delivery of the Last Canes is set to offer far more than just the formal ritual this July. Organizers with the National Cultural Foundation have planned a full-day, immersive cultural extravaganza that transforms Queen’s Park into a living showcase of Barbadian heritage, inviting attendees of all ages to arrive early and engage with local traditions long before the official ceremonial proceedings begin.

    Gates to the park will open at 2 p.m. on Saturday, July 4, with the formal ceremony kicking off at 4 p.m. But from early afternoon through the evening, the venue will be packed with hands-on workshops, live performances, interactive demonstrations, and family-focused activities designed to turn a single observance into a complete cultural experience. This year’s programming is intentionally built around participation: rather than letting audiences only watch the ceremony, the foundation has created space for visitors to touch, create, learn, and connect with the traditions that have shaped Crop Over into the national celebration it is today.

    The headline attraction leading into the main ceremony is the “60 Years of Calypso” concert, a special retrospective honoring the genre that has long carried the voice, humor, history, and social consciousness of Barbadian people across six decades. The concert boasts an all-star lineup of the island’s most celebrated entertainers, including Adrian Clarke, Nikita, Alison Hinds, Blood, TC, Azizi, Biggie Irie, Barry Chandler, Peter Ram, Leadpipe, Lil Rick, Mikey, RPB, Iweb, Serenader, Gabby, and Popsicle. The performance will journey through the evolving eras of calypso and soca, paying homage to the legendary bands, competition monarchs, road march winners, and pioneering performers who defined the soundtrack of Crop Over. Beyond entertainment, the showcase highlights calypso’s core role as living history: it is storytelling, collective memory, national celebration, and cultural identity wrapped into one art form. The event will also feature a special tribute to the late Sir Emile Straker, one of Barbados’ most revered cultural icons, whose contributions to Barbadian music have left an enduring mark on the national identity and helped bring the island’s sound to a global audience. The tribute will give attendees a moment to reflect on his extraordinary legacy.

    Off the main stage, a full slate of Heritage Workshops and Demonstrations will invite visitors to engage directly with the traditional crafts and practices that underpin the festival. The interactive 60th Anniversary Sailors’ Valentine activity will run from 1 p.m. to 5:30 p.m., where participants will help assemble materials under the guidance of professional artists to create a large-scale commemorative art piece. Between 2 p.m. and 6 p.m., attendees can try their hand at custom hand-painting on shirts and bags — visitors are encouraged to bring their own garments, though a limited number will be provided on-site. The same window will also host a discharge dyeing tie-dye workshop, where participants will learn the unique creative technique of reverse tie-dye on dark fabrics.

    For craft lovers interested in traditional masquerade, a “Make Your Own Headdress from Natural Fibres” workshop will run from 2 p.m. to 5 p.m. Food-focused sessions will introduce visitors to traditional Bajan confectionery: traditional sweets making demonstrations and tastings will be held from 3 p.m. to 4 p.m. and again from 4:30 p.m. to 5:30 p.m., where guests can watch and learn how to make local favorites like tamarind balls and no-bake coconut sugar cakes.

    Activities for all ages are woven throughout the schedule. Heritage Games will run from 2 p.m. to 6 p.m., welcoming both children and the young at heart. For those interested in traditional folk practices, Bajan sticklicking sessions will teach the art of traditional stick throwing from 2 p.m. to 3:30 p.m. and again from 4 p.m. to 5 p.m. Lively Maypole workshops, another staple of Barbadian folk culture, will be held during overlapping time slots from 2 p.m. to 3:30 p.m. and 4 p.m. to 5:30 p.m.

    Demonstrations add additional depth to the day’s programming: open-air en plein air painting will run from 1 p.m. to 5 p.m., with live portraiture demonstrations from 2 p.m. to 5 p.m. Face painting will be available for attendees from 2 p.m. to 6 p.m., and traditional basketry demonstrations will run from 3 p.m. to 5 p.m. A curated display of young adult literature will also add a literary component to the heritage showcase, rounding out the multi-disciplinary celebration.

    The Ceremonial Delivery of the Last Canes has long been one of Crop Over’s most meaningful heritage moments, marking the historic end of the sugar cane harvest that gives the festival its name. This year, however, the National Cultural Foundation has reimagined the event to make the entire day an engaging experience, rather than only the 4 p.m. ceremony. With a full lineup of calypso legends, hands-on cultural workshops, traditional craft demonstrations, and family-friendly activities all on offer, Queen’s Park will stand as a vibrant reminder that Crop Over is far more than a spectator event — it is a living tradition to be felt, learned, celebrated, and shared through participation.

  • Ten set to compete for national calypso crown

    Ten set to compete for national calypso crown

    The road to the prestigious Calypso Monarch title has narrowed, after a panel of expert judges selected nine competing finalists during a packed semifinal event held Sunday evening at the National Cultural Centre on Barnards’ Hill, Castries. The defending 2025 titleholder, Dezral, will automatically retain his spot in the final round, bringing the total number of competitors vying for the crown to 10 when the grand final kicks off on July 11 at the Sab in Vigie.

    Eighteen talented calypsonians took the stage for the two-song semifinal competition, turning the National Cultural Centre into a hub of electric energy. The venue was filled to capacity inside, while hundreds more gathered outside to soak in the lively festival atmosphere, viewing all performances on a large outdoor screen.

    Fan enthusiasm ran particularly high for Gumtion, who delivered a standout pair of performances with his first-round track *Black Man* and second-round number *Creole Therapy*. Making his impressive local debut, current U.S. Virgin Islands Calypso Monarch John Gotti also earned widespread acclaim for his renditions of *My Proposal* and *Champion or Trumpion*. Across the competition, six female calypsonians – Nacheal, Menell, Devine, Ready, Lushanne and Mica – delivered powerful, soulful vocal performances, with three of the group advancing through to the final round.

    The final lineup boasts impressive depth of experience, with five former Calypso Monarchs claiming spots: TC Brown, Educator, Menell, Herb Black and Walleigh. Rounding out the nine selected finalists are former National Carnival Queen Lushanne, Gumption, Ready, and Gotti. Ahead of the final, defending champion Dezral offered excited fans an early preview of his upcoming performance, staging a playful “mock trial” segment centered on the Joy case to showcase one of his new tracks.

    The July 11 final is already building anticipation among calypso fans across the region, who are preparing to see which artist will claim one of Caribbean music’s most celebrated competitive titles.

  • Twaalf nieuwe SuriPop-composities feestelijk gelanceerd: liefde voert de boventoon

    Twaalf nieuwe SuriPop-composities feestelijk gelanceerd: liefde voert de boventoon

    Suriname’s iconic annual popular song competition SuriPop has officially launched its 23rd edition, with 12 diverse finalist compositions spanning emotional, artistic, upbeat and unexpected styles revealed to the public on Sunday. The 2026 iteration brings a groundbreaking change to the long-running contest: for the first time in the competition’s history, participating composers are allowed to perform their own entries on the final stage, a new opportunity that two competitors have already chosen to take advantage of.

    The celebratory launch event was hosted in Suriname’s Wanica District, where unforeseen severe thunderstorms threw early logistics into disarray for organizers. The designated public parking lot partially flooded, and the planned red carpet welcome for artists arriving via party bus had to be scrapped entirely. Despite these weather-related disruptions, the atmosphere among attendees remained energetic and enthusiastic, with audience excitement never dipping throughout the reveal. Fans cheered loudly, chanted the names of their favorite competing composers, and openly showed their appreciation for the new set of finalist works. One entry even earned a near-standing ovation from the gathered crowd before the official competition begins.

    Before the presentation of the finalist songs, the event opened with a moment of remembrance honoring four former SuriPop participants who have passed away: Ruben Swedo, Maurice Michel Janssen, Jennifer Naarden and Kenneth Arias. A special tribute was paid to Arias, who gained widespread fame for performing the beloved track *Wi Na Wan* composed by Julius Vreden. In a moving show of respect, the entire audience joined together to sing Arias’ iconic hit in unison.

    This year’s field of competing composers brings a warm, community-focused dynamic to the contest, with pairs ranging from a father-son duo and a brother-sister team to two close long-time friends. The most unique entry pairing comes from a grandfather and granddaughter, who are competing as separate individual finalists this year. All 12 finalists were given the chance to share context about their compositions, opening up about their personal sources of inspiration, the core messages they hope to convey, and the creative goals behind their work.

    Love emerges as the central unifying theme across most of the 2026 finalist entries, but competitors have also incorporated a range of thoughtful social and cultural topics into their work. One composition centers on promoting acceptance of people living with visual impairments, while another celebrates the rich, varied culinary traditions that define Surinamese cuisine. That latter food-themed entry earned particularly enthusiastic reception from the launch event audience, drawing a lengthy round of applause that saw a large portion of the crowd rise to their feet to cheer on the composer and performers.

    The grand final of the 23rd SuriPop is scheduled to take place on August 1 at the Anthony Nesty Sports Hall. The full list of 12 competing finalist entries is: *Tru Lobi Agin* by Roian Atmopawiro, *Lib’ en So* by Damian Jihntoe, *No Syi Mi Trafasi* by Sjachnae Astria Pengel, *Lobi Tori* by Eunice and Rudy Fernand, *Moy Bromki Fu Mi* by James and Quin Spong, *A Fos Bosi* by Touril Yvonne Dikmoet, *Mek Mi Sor Yu Fa Mi Lob Yu* by Antuan Djoe, *Den Sranan Kukru* by Ferdinand Gustaaf Schet, *Mek Lobi Kon Hesi* by Marcel Pinas, *Mi E Misi Yu* by Martin Gefferie, *Konsensi* by Rodney Deekman, and *Fika* by Roberto Banel and Rafiël ‘Raff Chanko’ Abaas. Rodney Deekman and Rafiël ‘Raff Chanko’ Abaas will make history in this edition as the first composers to perform their own entries during the SuriPop final, taking advantage of the contest’s new rule change.

  • Destiny Wagner Talks Miss Universe: Is Belize Ready?

    Destiny Wagner Talks Miss Universe: Is Belize Ready?

    As the 75th Miss Universe global competition draws near this November in Puerto Rico, Belize’s national pageant franchise has entered a transformative new era, with ownership officially transferred to El Salvador-based production firm Americas Events. In a major announcement this month, the new ownership named Destiny Wagner – Belize’s groundbreaking first Miss Earth winner – as the franchise’s National Director, tasking her with overhauling the national pageant system and grooming Belize’s next contestant for the international stage. With applications already open for aspiring contestants and the national coronation slated for mid-August, local outlet News Five’s reporter Britney Gordon sat down with Wagner to unpack the transition and her vision for the program.

    Wagner, who previously founded Belize Pilates, shared that the leadership appointment came as a complete shock. The deal unfolded rapidly: just one day before her public introduction as National Director, she signed her contract after a last-minute meeting with the new franchise owners in Belize. “I initially thought they wanted me to sign on Belize Pilates as the pageant’s official fitness partner – which we are still doing, and that would have been incredible on its own,” Wagner explained. “When they asked me to step into the National Director role, I was hesitant at first. But after reviewing their full proposal, which included extensive research into Belize’s culture, people, and pageant history, I was convinced this was the right move.”

    Americas Events, the new franchise owner, is headquartered in El Salvador with additional offices across the United States and Central America. The foreign ownership structure has drawn some quiet questions locally, but Wagner pushed back on concerns that outside investment would undermine Belizean interests. “Foreign investment in local pageantry is not a bad thing – it brings valuable resources that young Belizean competitors simply would not have access to otherwise,” she noted. “It is very common for international pageant franchises like Miss Universe and Miss Earth to be owned by entities based outside the country they represent. I am the local face of this initiative, and I would never accept a role that would hurt our delegates or damage my country’s reputation. Belize’s best interests are at the core of every decision I will make, always.”

    With just five months between now and the November Miss Universe competition, the timeline to crown and prepare Belize’s representative is tight. But Wagner, who personally pulled together her own Miss Earth preparation in just two weeks, says the compressed schedule is far from an insurmountable barrier. She has opened casting to all eligible Belizean women, urging candidates to focus on their purpose rather than the logistical challenges of preparation. “The ‘why’ behind joining has to be bigger than the question of ‘how’ you will get it all done,” she said. “I promise every contender, and the eventual winner, will get full support and all the tools they need to succeed on the global stage.”

    Wagner framed her leadership approach as rooted in radical collaboration, rather than top-down management. “This is not something I can build alone, and it’s not something Belize can accomplish in isolation,” she explained. “We are inviting every person and organization that wants to collaborate to join us. Our goal is to give our eventual delegate every possible opportunity and every resource she needs – whether that support comes from local partners or international connections. When we work together, we can turn our representative into a force to be reckoned with at Miss Universe.”

    The first public casting call is scheduled for July 4 at Belize Pilates, with the national Miss Universe Belize coronation set to follow in mid-August.

  • The Carenage comes alive for 3rd annual We Pan Fest

    The Carenage comes alive for 3rd annual We Pan Fest

    On Sunday, June 28, 2026, the waterfront district of The Carenage in Grenada transformed into a vibrant hub of rhythm, joy, and communal connection, as the third annual We Pan Fest kicked off at the Pedestrian Plaza. The one-day cultural gathering united hundreds of attendees spanning generations—from local families and emerging steelpan musicians to established performing artistes, small business vendors, and out-of-town patrons—all gathered to honor one of Grenada’s most cherished cultural traditions.

    Organized by Senator Claudette Joseph in partnership with the local Carenage community, the festival carries a dual mission: to preserve and elevate Grenada’s iconic steelpan heritage, while creating tangible economic and social opportunities for local creators and small entrepreneurs. For Senator Joseph, the event is far more than a concert—it is a vehicle for community-building rooted in shared cultural identity.

    “We Pan Fest continues to reflect my mission of community development through culture, togetherness and opportunity,” Joseph shared in her remarks during the festival. “It is a joy to see The Carenage filled with families, musicians, vendors and residents celebrating something that belongs to all of us. This is how we build pride in our communities and create spaces where people feel connected.”

    This year’s iteration marked notable growth for the still-young festival, expanding its steel orchestra lineup from four groups in 2025 to six ensembles in 2026, giving attendees a broader, more dynamic showcase of Grenada’s thriving steelpan movement. The lineup welcomed first-time participant Corinthians Steel Orchestra, alongside returning favorites including River Road Pan Wizards, Republic Bank Angel Harps, IMA Rainbow City All Stars, Nexa New Dimension, and the reigning Panorama Champions Co-op Bank Commancheros.

    Beyond steelpan performances, the full evening of entertainment featured a diverse lineup of homegrown Grenadian vocal and performance artistes, including Blaka Dan, General PP, Temptress, L.E.D. Bad Artiste, Zeal, Khaos, Alma Boy, Hitz, and Yung Pert, with acts curated to appeal to attendees of all age groups.

    The festival also incorporated heartfelt commemorative moments that honored the legacy and community of steelpan in Grenada. Aligning with the seasonal timing of the event, Senator Joseph led a tribute to recognize the lifelong contributions of fathers who have dedicated their time and talent to advancing the steelpan art form. Attendees also paused for a moment of silence to honor pan players who had passed away in the 12 months leading up to the festival, acknowledging their enduring impact on Grenada’s cultural landscape.

    The event earned high-level support from Grenada’s national leadership, with Prime Minister Dickon Mitchell making a special appearance to greet the crowd and deliver a short address affirming his backing for the festival and the broader Grenadian steelpan community. Mitchell also posed for photos with the newly formed Corinthians Steel Orchestra during his visit.

    As the final notes of the evening rang out across The Carenage, organizers expressed their sincere gratitude to every group and individual that contributed to the festival’s success, including performers, vendors, corporate sponsors, volunteer staff, the production team, the Royal Grenada Police Force, and every patron who attended. Already, planning work is underway for the 2027 edition of We Pan Fest, which is scheduled to take place on Father’s Day, as the event solidifies its place as one of Grenada’s premier annual celebrations of culture, community, and national pride.