Carib Scope

分类： entertainment

  • Lineup for 26th World Creole Music Festival to be revealed at official launch on July 11

    Lineup for 26th World Creole Music Festival to be revealed at official launch on July 11

    The countdown to one of the Caribbean’s most anticipated cultural music events, the 26th World Creole Music Festival, is set to officially kick off this weekend in Dominica. The island nation’s government, working through the Ministry of Tourism and the Discover Dominica Authority (DDA), will host the official launch event on Saturday, July 11, where the full 2026 artist roster and key event details will be revealed to the public.

    According to official announcements shared in a DDA press release, the launch celebration will get underway at 7:00 PM local time at the Ocean Oasis Hotel. For attendees unable to join the event in person, the entire launch will be broadcast live via the Dominica Festivals official Facebook page, as well as through partnering regional and local media outlets. This launch event will mark the first public reveal of core details for the 2026 festival, including the full lineup of performing artists, ticketing pricing and release information, and any new programming updates for the three-day event. The festival itself is scheduled to run from October 23 to 25, 2026, hosted at Dominica’s Windsor Park Sports Stadium.

    This year’s launch comes on the heels of a historic 25th anniversary edition of the festival, which event organizers call the most successful iteration in the event’s multi-decade history. DDA data shows that last year’s three-day festival drew more than 42,000 total attendees. In the nine days leading up to the 2025 event, Dominica welcomed 10,540 international and regional visitors – a new record for pre-festival arrivals to the island.

    Beyond drawing crowds, the 2025 festival delivered substantial economic benefits to Dominica’s tourism sector. The DDA estimates that the event generated roughly 15 million Eastern Caribbean dollars in direct visitor spending, with revenue flowing through to a wide range of local businesses. Hotels, small guesthouses, restaurants, bars, taxi operators, local tour guides, street vendors, event service providers and other tourism-connected enterprises all saw significant gains from the event.

    Saturday’s launch will formally open the global promotional campaign for the 2026 festival, kicking off months of engagement with local, regional and international audiences ahead of the October event dates. Tourism Minister Denise Charles Pemberton noted that last year’s outstanding results highlighted the long-term value of investing in major cultural events that power Dominica’s core tourism industry.

    “The success of last year’s World Creole Music Festival reaffirmed the value of investing in events that strengthen Dominica’s tourism industry,” Minister Pemberton said in prepared remarks. “The festival continues to create opportunities for Dominican businesses, increase visitor spending and showcase our destination to regional and international audiences. Government remains committed to supporting initiatives that expand our tourism product, drive economic activity and create lasting benefits for our people. I invite everyone to join us online on Saturday as we officially launch the 26th edition of the World Creole Music Festival.”

    Marva Williams, Chief Executive Officer and Director of Tourism at the Discover Dominica Authority, added that the launch event marks the first chance to connect with both local and global audiences around the 2026 festival. “The launch sets the stage for this year’s World Creole Music Festival and begins our engagement with patrons, partners and visitors in our key markets,” Williams said. “It is an opportunity to reveal the artist lineup, share important festival information and encourage early planning for October. We look forward to welcoming audiences to another memorable edition of the festival.”

    Organizers have reminded fans that the entire launch event will be accessible for free via the Dominica Festivals Facebook page and partnered local media starting at 7:00 PM on July 11, allowing music fans around the world to get an early look at what the 26th World Creole Music Festival has to offer.

  • Casa del Cordón opens new exhibition celebrating Dominican landscapes and culture

    Casa del Cordón opens new exhibition celebrating Dominican landscapes and culture

    In Santo Domingo, a celebration of Dominican art, national heritage and cultural identity has launched at the iconic Taíno Cultural Center Casa del Cordón, an institution backed by Banco Popular Dominicano. Titled “Dominican Narratives of the Natural and Cultural Landscape: Banco Popular Dominicano Collection,” the new showcase brings together curated works from 18 of the nation’s most celebrated contemporary and established artists, each offering a unique lens through which to examine the country’s stunning landscapes, long-held traditions and evolving sense of national character.

    Organized by noted historian and respected art critic Myrna Guerrero, the exhibition draws exclusively from Banco Popular’s extensive private art holdings, bringing rarely-seen works to public view. The collection spans multiple mediums, including vivid oil paintings, intricate hand drawings, and evocative documentary photography, with thematic threads weaving throughout the entire showcase. Visitors will encounter works exploring the country’s rich biodiversity, the quiet rhythms of rural community life, centuries-old architectural landmarks, shifting dynamics of modern urban spaces, longstanding agricultural traditions, and the intangible cultural heritage that binds Dominican people together.

    This new temporary exhibition is a core component of Casa del Cordón’s ongoing public cultural initiative, which was created with a clear mission: to expand equitable public access to Dominican artistic legacy beyond private collections. In addition to rotating temporary exhibitions like this one, the center delivers a full calendar of complementary programming, including hands-on educational workshops for local schools and community groups, and free guided tours led by trained cultural educators to help visitors deepen their understanding of the works on display.

    The exhibition opened its doors to the public on July 9, and will run through an open-ended schedule at the central Santo Domingo venue. It is open to the general public from 9:30 a.m. to 6:30 p.m. Tuesday through Sunday, with no advance reservation required for individual visitors. Alongside the new temporary showcase, guests also have the opportunity to explore the center’s permanent flagship exhibition, “Our First Settlers,” which houses more than 350 original pre-Columbian archaeological artifacts. This permanent collection traces the 5,000-year history of the island’s first Taíno inhabitants, offering a deeper context for the cultural roots that shape modern Dominican identity.

  • Maddzart’s ‘shift’ ends; Chanique dedicates crown to late mother

    Maddzart’s ‘shift’ ends; Chanique dedicates crown to late mother

    In a stunning upset at the annual Dimanche Gras competition held at Kingstown’s Independence Park on Sunday, first-time contender Chanique Rogers-Bailey claimed the coveted Calypso Monarch crown, ending Reon “Maddzart” Primus’ two-year reign and dashing his hopes of securing a historic third consecutive title.

    Performing her politically charged original piece “Lift Me Up”, Rogers-Bailey outperformed 11 fellow competitors, including four past titleholders, to secure the top spot. The outcome carried a full-circle twist: more than two decades ago, Primus gave Rogers-Bailey her first major opportunity as a young vocalist, a moment the new champion has long credited with launching her public performance career.

    Defending champion Primus, who performed his own double-edged political commentary “Shift System” (also known as “Behave Yuhself”), failed to place among the competition’s top four finishers. Veteran contender Robert “Patches” King, who has repeatedly reached the upper ranks of the competition without ever claiming the crown, took second place. His entry “Bull Wood” delivered a sharp warning to Prime Minister Godwin Friday and his ruling Unity Labour Party administration, warning that the artist would hold them accountable if they failed to deliver for the public, even despite his past support for the party.

    Former monarch Shaunelle McKenzie secured third place, overcoming an early performance setback that forced her to restart her song due to technical issues unrelated to her vocal performance. Her entry “At We Doorstep”, which touched on United States policy actions in the Caribbean, marked one of her most explicitly political works, though she largely avoided the hard-hitting social commentary common in top calypso entries this year. Another former champion, Lornette “Fya Empress” Nedd, took fourth place with “De Search”, a witty commentary on the gap between what women seek in early dating versus what they demand in long-term committed relationships.

    This year’s finals highlighted the growing dominance of female calypso artists in the competition, with three of the top four spots going to women. Only three first-time male competitors advanced to the final round: Kemmy Christopher, who returned to calypso after a 20-year absence, having begun competing in the junior division at age 8 and previously participated in soca monarch competitions while based in the United States; Utamo “Bongo Prime” Rose, a former Ragga Soca Monarch who made his calypso competition debut this year; and Kenley “Lyrical Melody” Baptiste, a first-time competitor to any national calypso event who advanced to the finals with his entry “I Am A Vincy”.

    The remaining finalists included two more former monarchs: Kenneth “Vibrating Scakes” Alleyne with “Havana”, and Grantley “Ipa” Constance with “My Party Lose”. First-time contenders Shena Collis (performing “New Chef in the Kitchen”) and Cecile “Lil Bit” King (performing “Liberation Year”) also competed for the top honor.

    Following her victory, Rogers-Bailey paid tribute to her production team, which includes her husband, musician and arranger Adrian Bailey, but dedicated her historic win to her late mother, who lost her battle with cancer one year prior. “When I entered this competition, I made one promise that if I won this title, I would dedicate it to my mom, my biggest supporter, who lost her battle with cancer last year. Today, with a full heart, I proudly keep that promise,” she wrote in a public Facebook post.

    She shared that hours before taking the stage, her sister sent a message that calmed her pre-performance nerves and reinforced her purpose. The note read, in part: “When you think of mommy today and I know you are, think about how excited she is to see you do this. Think about how proud, affirming and completely satisfied she is with this huge accomplishment. Let those thoughts EMPOWER you because if she taught us anything, it was how to be strong.” Rogers-Bailey closed her tribute with an emotional declaration: “MAMA, THIS CROWN IS FOR YOU!” She also extended gratitude to all fans and supporters who stood with her during her first run for the crown.

    In a gesture of good sportsmanship, dethroned champion Primus publicly celebrated Rogers-Bailey’s victory. Recalling their on-stage moment after the crowning, he shared that the emotional new champion told him, “Thank you for giving me my start.” Primus recounted that Rogers-Bailey had joked early in the competition that she was coming for his crown during a visit to his Prospect business, and that he had seen her interview stating she competed in honor of her mother, who had also been a friend of his.

    Primus pushed back gently on the idea that he launched her career, noting that Rogers-Bailey was already an established singer before he invited her to join his choir for a national Christmas caroling competition in 2000. He and a friend were recruiting young vocalists for their quirky team “The Quarelling Carolers”, and tapped Rogers-Bailey to lead their performance of the traditional carol “Once Upon a Christmas”. The 100+ strong choir took second place in the competition, which drew massive crowds in that era. “But while she may consider that her start… I still think her start was long before I met her,” Primus said. He closed his post with a playful challenge: “Congrats again chanique. We go fight up next year. If ah in the mood,” followed by a laughing emoji.

  • Leisure : Did you know ? #39

    Leisure : Did you know ? #39

    Haiti’s leading digital media outlet HaitiLibre has announced a major expansion of its popular twice-weekly general knowledge quiz platform, Quiz.HaitiLibre, adding 31 new interactive trivia games in its July 2026 monthly update that pushes the platform’s total offerings to 180 games. The expansion, which maintains the platform’s core commitment to accessible, free knowledge, comes alongside the 39th installment of its beloved “Did You Know?” trivia segment, which this week shines a spotlight on a defining, little-discussed feature of Haiti’s iconic Gingerbread architecture: the pelmet.

    Often described as the visual calling card of the Gingerbread architectural style that is synonymous with Haitian cultural identity, pelmets are finely cut wooden borders fitted along the upper edges of building roofs. These intricate decorative elements have long drawn comparisons to delicate lace and whimsical fairytale friezes, lending each Gingerbread house a one-of-a-kind, lyrical aesthetic that sets Haitian architecture apart.

    Beyond their well-documented artistic appeal, pelmets also serve a critical practical purpose for Haiti’s tropical climate. Beyond catching sunlight and casting dynamic, shifting shadow patterns across building facades, they redirect rainwater away from vulnerable wooden exterior walls, preventing water infiltration and extending the lifespan of the structure. What makes each pelmet even more distinctive is that nearly every traditional Gingerbread home boasts a custom, hand-carved design crafted by highly skilled Haitian cabinetmakers, turning a functional building component into a canvas for cultural expression.

    This blend of structural utility and artistic craft cements pelmets as a perfect example of the intersection of art and engineering, elevating a simple roof element to a refined, nationally celebrated artistic tradition that is core to Haiti’s cultural heritage.

    Quiz.HaitiLibre, which launched as a standalone platform to make general knowledge accessible to audiences around the world, caters to all skill levels with three adjustable difficulty tiers: easy, intermediate, and hard. All games on the platform are available in both French and English, completely free to access, and require no user registration to play. Users can test their knowledge across a wide range of topics spanning Haitian history, culture, arts, global current events, and science, with expert-level trivia available for more experienced quiz enthusiasts seeking a greater challenge.

    Since its official launch, the platform has followed a regular monthly update schedule to add new content, ensuring returning visitors always have fresh trivia to explore. After the July 1 update, the platform now hosts 180 unique games, with more content scheduled to roll out in future monthly releases. The outlet encourages visitors to share the platform with friends and family, and submit feedback via a simple form available at the end of each game to help shape future updates.

  • Department of Culture to Host Cultural Characters Workshop

    Department of Culture to Host Cultural Characters Workshop

    A new free public workshop focused on preserving centuries-old Caribbean traditional cultural performance practices is set to open its doors to participants this Wednesday afternoon, launched by the Cultural Department of the Ministry of Creative Industries. Conceived by Culture Director Khan Cordice, the multi-week training program will immerse attendees in a range of iconic folk performance skills that form the backbone of regional Carnival celebrations.

    According to Events Coordinator Gilbert Laudat, the curriculum covers hands-on training in core disciplines including stilt walking—locally known as the art of the Moko Jumbie, conch shell blowing, and the performance techniques required to portray traditional figures such as the Caribbean John Bull clown and whip cracker. Beyond performance skills, participants will also learn the history behind these cultural roles, as well as the craft of building authentic costumes and assembling all the elements that bring these traditional characters to life.

    The core mission of the initiative, Laudat explained, is to address a growing gap in intergenerational knowledge transmission by creating accessible opportunities for community members, especially young people, to build deep, practical expertise in these fading folk traditions. By lowering barriers to entry through free, public training, organizers hope to reverse the trend of declining participation and secure the long-term survival of these defining elements of local cultural heritage.

    Registration for the program is open to all interested participants on-site at the Environment Division. Daily sessions will run from 3:30 p.m. to 7:00 p.m., with the entire workshop scheduled to conclude on July 24, 2026, after opening on July 8. Following the completion of the initial training cycle, the Cultural Development Division is aiming to see a noticeable increase in the representation of these traditional cultural characters in the annual Carnival Monday parade, bringing heritage back to the center of the island’s biggest celebration.

    Laudat added that the training initiative will not end with the initial workshop cycle. Long-term plans include ongoing, regular training opportunities for the general public, with an expansion to schools across the island already in the works. After the 2026 Carnival concludes, the program will pause briefly before resuming to add training focused on traditional Christmas cultural characters, extending the initiative’s impact beyond Carnival season to year-round heritage preservation.

  • Someone Said KTV the Remix is Back? Get Your Tickets!

    Someone Said KTV the Remix is Back? Get Your Tickets!

    The highly anticipated eighth season of KTV The Remix is set to kick off its premiere night this Tuesday, July 7, 2026, at the iconic Bliss Institute in Belize City, bringing a fresh, original-focused twist to Belize’s local entertainment scene.

    In a press preview ahead of the opening night, show producer Viannie Reyes shared that the premiere will feature a standout shift toward original creative work from the 12 competing performers. According to Reyes, organizers received overwhelming requests from contestants to showcase self-written material on the first night of the competition. As a result, she estimates that between 60% and 80% of tonight’s performers will take the stage with songs they wrote themselves, marking a significant celebration of local musical creativity.

    For fans planning to attend the live event, doors to the venue are scheduled to open at 7:30 p.m., with the performance kicking off promptly at 8:00 p.m. Tickets are priced at just $5 per person, and attendees are strongly encouraged to purchase passes in advance to avoid long entry lines. Advance tickets can be secured at two convenient locations: the Greater Belize Media office on Coney Drive, and 88 Shopping Centre. For those who decide to attend last-minute, tickets will also be available for purchase at the venue door starting at 7:00 p.m.

    Ahead of the premiere, organizers have also launched public voting for contestants, which opens as soon as the show begins tonight. Each of the 12 performers has been assigned a unique number between 1 and 12 for public voting. Only SMART network users are eligible to vote, and can do so by texting their favorite contestant’s number to the shortcode 585. Beyond general voting, each contestant also has an individual dedicated SMART contact number for fans who wish to sponsor a competitor directly.

    Reyes emphasized that audience support and sponsorship are critical to advancing contestants through the season, urging fans to make their voices heard. “There are a lot of people who are looking forward to the support for these contestants. They’re all pretty talented and they’re looking for great sponsorship,” Reyes noted, adding that voting is the key to ensuring fans’ favorite competitor makes it to the season’s final stage.

    For those unable to make it to the Bliss Institute for the live premiere, the production team has arranged free remote viewing options. The entire show will be streamed live starting at 8:00 p.m. across Greater Belize Media’s digital platforms, including its official YouTube channel, Facebook page, and primary website, allowing local and international fans to follow the competition from anywhere.

  • Dominican resorts receive multiple 2026 Travvy Award nominations

    Dominican resorts receive multiple 2026 Travvy Award nominations

    The Caribbean tourism hub the Dominican Republic has earned widespread recognition on a global industry stage, scoring multiple nominations across key categories for the 2026 Travvy Awards. Organized by two leading travel industry outlets, TravelPulse and AGENT at HOME, the annual Travvy Awards stand as a prestigious honor that celebrates outstanding achievement and innovation across the global travel sector, shining a spotlight on destinations and hospitality providers that set new standards for visitor experiences.

    Beyond the national-level nominations, a slate of the Dominican Republic’s most elite resorts have also advanced to the final round of competition. The island nation itself is in the running for five high-profile awards: Best Caribbean Destination, Best Caribbean Culinary Destination, Best Caribbean Wedding and Honeymoon Destination, Best Caribbean Tourism Board, and Best Travel Agent Academy Program. These nominations span every core pillar of the Dominican Republic’s tourism strategy, from its world-famous cuisine to its status as a top romantic getaway and its investment in industry training for travel professionals.

    Four of the country’s newest hospitality offerings — Secrets Playa Esmeralda Resort & Spa, The St. Regis Cap Cana Resort, W Punta Cana Adult All-Inclusive, and Zemi Miches All-Inclusive Resort — have been named finalists for Best New Hotel in the Caribbean. Another well-established property, Club Med Punta Cana, picked up a nomination for Best Hotel Renovation for its recent guest-focused upgrades. Two of the nation’s top all-inclusive resorts, Cayo Levantado Resort and Sanctuary Cap Cana, are also competing for the coveted title of Best All-Inclusive Overall.

    Industry stakeholders and the public alike can cast their votes for the nominated destinations and properties through September 4. The full list of winners will be formally revealed on November 5 during an awards ceremony hosted at the Greater Fort Lauderdale Convention Center in Florida, capping off the annual selection process for one of travel’s most respected award programs.

  • The 5 Top Casinos with Live Table Games

    The 5 Top Casinos with Live Table Games

    Live table gaming has carved out a unique niche in the global online gambling industry, distinguishing itself from pre-recorded digital casino games through its core appeal: real-time competition against fellow players paired with the immersive energy of a traditional casino floor, all delivered directly to a player’s device. Unlike crowded, physical casino venues, online live table platforms offer unmatched comfort, intuitive site navigation, and the thrilling potential for payouts — an excitement that reaches new heights for players engaging with high-stakes high roller tables. For both new and experienced players exploring the live table gaming space, the priority is always finding a platform that balances reliability, engaging content, and user-friendliness. Below, we break down five leading platforms that check all of these critical boxes for live gaming fans.

    First on the list is Duel, a platform that has mastered the art of translating the authentic atmosphere of a brick-and-mortar casino into a seamless online experience. The platform places user safety at the top of its priorities, deploying industry-leading end-to-end encryption technology to protect player personal and financial data at every step. Every game dealt by Duel’s professional live dealers uses independently audited random number generators to guarantee complete fairness for every hand and round. It also boasts competitive return-to-player (RTP) rates that attract consistent players: live blackjack offers a 99.5% RTP, while live roulette comes in at 97.3%. The platform also hosts a diverse catalog of live table options to suit every preference, ranging from classic staples like blackjack, roulette, baccarat, poker and craps to innovative modern variants including Red Door Roulette, Infinite Blackjack, and Lightning Dice.

    Next is Bitcasino, a hybrid platform that operates as both a full-service sportsbook and a dedicated online casino with an extensive library of game options, including a robust selection of classic live table games. Bitcasino is specifically tailored to cryptocurrency users and high-stakes high roller players, making it an ideal choice for gamblers seeking a premium, high-energy gaming environment. Unlike many smaller platforms that stream from low-budget studios, Bitcasino sources its live feeds from premium, professionally designed casino-style spaces that pull players in and create a deeply immersive experience that closely mirrors the feeling of playing at a physical casino table.

    Third is Yeet Casino, a rising platform that offers a broad, immersive catalog of live dealer games covering all player favorites, including poker, baccarat, blackjack, and roulette. What sets Yeet apart from many competing platforms is its steady roster of player incentives, including generous welcome bonuses, regular competitive tournaments, and large-scale giveaways that keep the experience engaging for returning users. One of its most popular recurring events is the Chairman’s Cup, where the top 25 performing players split a total $15,000 prize pool, adding an extra layer of excitement and reward to regular play.

    Rounding out the list is Winna, a young but fast-growing crypto-focused casino that has quickly built a reputation for quality live table offerings. The platform hosts a total library of more than 6,000 games, with a sizeable selection featuring live dealer-run live tables. Winna delivers high-definition, seamless live streaming that creates an immersive atmosphere from a player’s first hand, and it offers additional perks for regular players through its exclusive VIP club, which grants members access to higher withdrawal and payout limits for a more flexible premium gaming experience.

  • CPMC explains historic Carnival Queen tie, announces rule review

    CPMC explains historic Carnival Queen tie, announces rule review

    For the first time in the 72-year history of Saint Lucia’s National Carnival Queen pageant, two contestants have walked away with the crown – a historic outcome that has sparked public conversation and prompted organizers to launch a full review of the event’s competition rules.

    In an official statement released Monday, the Carnival Planning & Management Committee (CPMC) laid out a detailed breakdown of how the unprecedented joint win came together, addressing widespread public questions that emerged after Saturday’s surprise final result. The dual winners are Nyaley Lewis, representing the Bank of Saint Lucia, and Faith Edward, the contestant from the Saint Lucia Tourism Authority. Both candidates finished the competition with identical final scores, a deadlock that had never occurred in the event’s seven-decade history.

    The CPMC explained that the 2024 pageant was adjudicated by a panel of nine judges, split between six local experts and three regional specialists. Each judge was assigned to score only the competition segments that aligned with their specific areas of expertise, a framework designed to keep scoring objective and specialized. All scores were submitted digitally through certified, pre-vetted judging software, and the final results were sent to the Office of the Director of Audit for full independent verification before any announcement was made. The audit process definitively confirmed that Lewis and Edward had matching final scores.

    Once judges complete their scoring, no post-scoring deliberation is permitted under current pageant rules. The CPMC noted that this policy is intentionally structured as a safeguard, designed to eliminate any room for bias, external influence, or last-minute adjustments that could compromise the fairness of the result.

    After the dual win was announced, many members of the public questioned why a tie-break mechanism was not activated to select a single winner. In response, the organizing committee confirmed that the pageant’s official rulebook has never included a tie-break provision for first place. For 72 years, a first-place tie had never happened, so the rule was never added. The CPMC emphasized that introducing a tie-breaker after scores had already been fully audited and verified would have undermined the integrity and impartiality of the entire competition process.

    “ The only outcome consistent with the verified scores and the existing rules was to declare both delegates National Carnival Queen, ” the statement from the committee read.

    In a break with tradition that matches the historic outcome, both queens will receive the full standard winner’s package. This includes a $25,000 cash prize, a fully funded academic scholarship, and an all-expenses-paid cruise vacation. The CPMC stressed that the 2024 result is final and will not be revisited or revised.

    At the same time, the committee acknowledged that the unprecedented deadlock exposed a gap in the event’s governing rules, and confirmed that a formal review of competition policies has already begun. Any necessary rule updates, including the addition of a clear tie-break provision, will be published publicly well ahead of the next National Carnival Queen pageant to ensure that contestants, judges, and the general public have full clarity on the procedures that will govern future competitions.

  • Dainisha Eusebe set to represent Dominica in first regional competition

    Dainisha Eusebe set to represent Dominica in first regional competition

    Fresh off her historic victory in the 2026 Miss Dominica competition, Dainisha Eusebe is gearing up for her next challenge: competing on the regional stage for the coveted Miss Caribbean Culture Queen crown. Representing the vibrant coastal community of Grand Bay, Eusebe earned her spot at this regional event after claiming the Miss Dominica title in a dramatic annual pageant held on July 12, 2026, at Dominica’s Windsor Park Sports Stadium.

    This upcoming pageant, scheduled to kick off on August 3 in St Kitts and Nevis, marks Eusebe’s first appearance at a regional competition since she claimed the national title. The contest is a centerpiece cultural event of the annual Nevis Culturama Festival, a popular celebration that draws visitors and pageant fans from across the Caribbean and beyond. As she enters the final weeks of preparation, Eusebe is already generating excitement among supporters back home, who are backing her to bring the regional crown back to Dominica.