Emeline Irma Leerdam, affectionately known as Tante Melie, is a legendary figure in Suriname’s cultural and musical landscape. As she approaches her 100th birthday on November 23, her remarkable journey continues to inspire generations. Renowned for her powerful alto voice, Leerdam began her musical career in the Jedikeko choir of the Evangelical Brethren Community under Hugo van Ams. She was a founding member of the mixed vocal ensemble Troki, established in 1975 by music educator Mavis Noordwijk and pianist Henna Hiemcke, and remained an active participant well into her nineties. Leerdam’s career reached its zenith when she conducted the Maranatha Women’s Choir, a cornerstone of the Maranatha family of choirs. Born into a missionary family in Ganze, Upper Suriname, Leerdam’s early life was marked by a nomadic existence on boarding schools. Her musical foundation was laid at Selecta Ulo, where organist Anton Plet taught her solfège and music theory. After caring for her ailing mother in the interior, Leerdam learned to play the harmonium and founded a children’s choir. Her professional life was equally diverse, spanning roles at the Ministries of Interior Affairs and Education, and culminating in her appointment as Head of Civilian Personnel Affairs at the Surinamese Armed Forces. Beyond her administrative career, Leerdam was a celebrated actress, starring in the popular radio series Famirii Misma. Her dedication to perfection and professionalism extended to her musical education, including studies at the Pedagogical Institute and the Venezuelan Centro Andres Bello. Leerdam’s contributions to Surinamese culture were recognized with numerous accolades, including the Order of the Yellow Star in 2004. Her life, chronicled in a 2015 biography, stands as a testament to a life richly lived and dedicated to the arts.
分类: entertainment
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Why musicians matter
Sherwinn Dupes Brice, a renowned musician from Vieux Fort, Saint Lucia, emphasizes the profound role of music in communication and storytelling. ‘Music is a way to recall memories and the most significant moments of life,’ Brice shared with St. Lucia Times. ‘Musicians preserve these stories, offering both escape and therapy. They keep the art form alive, passing on skills, traditions, and the collective narratives of our people.’
As Saint Lucia prepares to celebrate Saint Cecilia’s Day on November 22, the focus shifts to honoring musicians and their contributions. The day features events like school showcases and the Cultural Development Foundation’s MIZIK: A Celebration of our Musicians, highlighting music’s societal impact.
Martin Alson James, CEO of the Eastern Caribbean Collective Organisation for Music Rights (ECCO), echoed Brice’s sentiments. ‘Musicians shape our cultural and emotional landscapes,’ James stated. ‘They are storytellers and historians, capturing the spirit of their times through lyrics and melodies. Music fosters community, creating shared identity and belonging.’
Both Brice and James advocate for the protection and fair compensation of musicians. ‘Music is more than a finished product; it’s the result of time, passion, and lifelong commitment,’ James explained. ‘Protecting musicians’ rights ensures fairness and dignity, safeguarding our cultural future. Without support, the flow of new music may cease, diminishing our artistic heritage.’
Brice, who collaborated on British singer Mahalia’s EP Luvergirl, urged broader support for musicians. ‘Pay us, advocate for us, and educate yourself on how the music business works,’ he said. ‘Music is a legitimate industry, generating billions globally. It’s time to remove the stigma that it’s not a real business.’
Saint Cecilia’s Day, rooted in the legend of a 3rd-century martyr who sang to God, has evolved in Saint Lucia. The predominantly Catholic society now blends religious and secular celebrations, reflecting the growing local music industry. As the industry expands, so must the appreciation and support for its practitioners to ensure sustainability and continued cultural enrichment.
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Explore the mystery of McCaulay’s A House for Miss Pauline
Diana McCaulay, the acclaimed Jamaican author, has once again captivated readers with her latest novel, *A House for Miss Pauline*. This intricately woven narrative follows the life of Pauline Sinclair, a resilient woman nearing her centennial birthday, as she embarks on a profound journey to reconcile her past and confront the legacy of colonialism and slavery. Set in the remote village of Mason Hall, Jamaica, the story delves into Pauline’s reflections on the meaning of home, ownership, and history, all while she rebuilds her life from the ruins of a former slaveholder’s house. McCaulay’s masterful storytelling blends mystery, philosophy, and cultural exploration, offering readers a deeply moving and thought-provoking experience. The novel also highlights the generational divide, as Pauline’s granddaughter, Justine, struggles to grasp the significance of their shared history. Through vivid imagery and poignant anecdotes, McCaulay challenges stereotypes of aging and presents Pauline as a bold, independent, and unyielding character. *A House for Miss Pauline* is a testament to the enduring power of Caribbean literature and a must-read for those seeking to understand the complexities of history and identity.
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TnTeague shines at PASIC50
The Indiana Convention Centre in the United States reverberated with thunderous applause on November 15, as the father-son duo TNTeague delivered a masterful performance at the Percussive Arts Society International Convention (PASIC50). Liam Teague, globally acclaimed as the ‘Paganini of the steelpan,’ joined forces with his 17-year-old son, Jaden Teague-Nuñez, a rising multi-instrumentalist, to create a musical dialogue that blended technical prowess with emotional depth. Their performance was a highlight of the 50th-anniversary convention, attended by thousands of percussion enthusiasts worldwide. For Liam, a seasoned PASIC performer, this event marked a poignant full-circle moment, as he reflected on his first solo steelpan recital at PASIC in the early 1990s. This time, the focus was on Jaden’s future and the broader potential of the steelpan. The duo’s program showcased the instrument’s versatility, featuring works like Kevin Bobo’s ‘Rhapsody in Steel’ and Ben Wahlund’s ‘Grotesque.’ A standout moment was Jaden’s rendition of ‘A Visit to Hell,’ a multi-movement piece composed by his father, which earned him the distinction of being the first pannist to win the Chicago Symphony Orchestra’s Young Artist Competition. The recital concluded with a personal medley that traced the Teague-Nuñez family’s story, blending contemporary compositions with a nod to the steelpan’s Trinidadian roots. Following their PASIC50 triumph, Jaden will perform with the DeKalb High School Band in Prague, while Liam will lead the NIU Steelband Fall Concert on November 23, featuring guest performances by Trinidadian virtuoso Earl Brooks Jr and Chicago’s Epic Steelband. The concert promises to be a global celebration of rhythm and innovation, continuing the duo’s mission to elevate the steelpan’s legacy.
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A Journey HOME
Jamaican-born photographer, model, and creative director Tameisha Edwards recently returned to her birthplace in St Ann, Jamaica, to create a deeply personal photography series titled ‘Home’. The project, which explores themes of family, roots, and identity, captures the essence of what home truly means through intimate portraits and candid moments. Edwards, whose work spans documentary, portraiture, fashion, and visual storytelling, focuses on the connections that shape our lives. ‘The Home project is my exploration of what home really is: The people we love, the family that shapes us, the spaces where memories linger, and the special moments that make life feel connected,’ Edwards explains. Her photographs celebrate the bonds between people, the love we share, and the sense of belonging that makes a home truly feel like home. Edwards’ journey into photography began three years ago, initially using her iPhone to teach herself composition and framing. Her first major project was capturing behind-the-scenes photos for Omah Lay’s New Wave magazine feature, which ignited her passion for storytelling through images. Now based between London and Bristol, Edwards has gained recognition for her work, which has been featured in PhotoVogue and various exhibitions. She has also made a name for herself in modelling, working with brands like Avon Cosmetics, Nike, and Juicy Couture. Looking ahead, Edwards aims to expand her creative work into styling and jewellery design while continuing to mentor young Caribbean creatives. Her trip to Jamaica was a healing experience, allowing her to reconnect with her heritage and see her home with fresh eyes. Her images, vibrant and intimate, are a testament to the lived experiences of Jamaicans.
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Althea and Donna’s Uptown Top Ranking hits gold in the UK
Nearly five decades after their iconic song ‘Uptown Top Ranking’ took the music world by storm, Althea and Donna, the Jamaican reggae duo, reveal they have yet to receive any royalty payments. Released in 1977 and produced by Joe Gibbs, the track became a global sensation, topping the UK pop charts in early 1978 and achieving gold certification in 2005 for sales and streaming equivalent to over 400,000 units. Despite its enduring popularity, the duo claims they have never been financially compensated for their work. Currently, they are engaged in litigation, represented by the same legal team that handled Max Romeo’s estate. Althea shared their struggles, recalling how their initial lawyers were allegedly bought out by the record company, leaving them in a ‘losing battle.’ Donna echoed her sentiments, emphasizing their decision to move on with their lives despite the lack of financial gain. The recent gold certification has brought a sense of pride to the now 60-something artists, who expressed surprise and joy at the song’s lasting impact. Althea described the track as ‘almost a phenomenon,’ while Donna reflected on the honor of being part of such a cultural milestone. Recorded at Gibbs’ studio in St. Andrew, the song was born from a casual beach outing with friends, with Jacob Miller predicting its success. The duo’s unexpected rise to fame included performances on BBC’s ‘Top of the Pops’ and chart-topping success across Europe. While their children take pride in their legacy, Althea and Donna admit they would approach the music industry differently if given another chance, emphasizing the importance of proper contracts and business knowledge. Today, Althea resides in Atlanta, and Donna lives in Florida, reflecting on a career marked by both triumph and unresolved challenges.
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Decades of Hinkson’s sketches in first-of-a-kind exhibit at Nalis
In an unprecedented showcase, renowned Trinidadian artist Jackie Hinkson has opened his private creative journals to the public at the National Library (Nalis) in Port of Spain. The exhibition, running until November 22, features over 210 sketchpads containing approximately 9,000 drawings, offering a deeply personal glimpse into his six-decade artistic journey. This marks the first time Hinkson, 83, has publicly displayed this extensive body of work, which spans from the mid-to-late 1980s and includes raw, unpolished sketches never intended for exhibition. About 60 of these sketchpads, preserved by The University of the West Indies (UWI), are displayed in glass cases to protect their fragile ink and ballpoint works. Hinkson explained that these sketches were born from moments of spontaneity, often created in everyday settings like panyards or doctor’s offices, where he carried only a small notebook and pen. The interactive nature of the exhibition allows visitors to wear gloves and turn the pages, immersing themselves in the artist’s creative process. Hinkson emphasized the importance of preserving and sharing these works, which he sees as both art and history. He also reflected on his evolving themes, from capturing Trinidad’s disappearing vernacular architecture to exploring social change and human behavior. Despite his accolades, including the Chaconia Medal (Gold) and UNESCO recognition, Hinkson remains committed to the discipline of work and the lifelong pursuit of artistic growth. He hopes younger artists will find inspiration in his sketchpads, while leaving interpretation to their own perspectives. Even in the digital age, Hinkson defends the relevance of traditional sketchpads, asserting that the fundamental challenges of composition, line, and color remain unchanged, whether working manually or digitally.
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Through the eyes of Ariya, 10-year-old passion for art
At just 10 years old, Ariya Ramdass, a student at Avocat Vedic School in Fyzabad, is already making a significant impact in the art world. Her vibrant painting, titled ‘Future in her Eyes,’ is currently on display at the Rotunda Gallery in the Red House, captivating audiences with its profound message and artistic brilliance. The piece, a self-portrait, reflects Ariya’s vision of a harmonious future where children of diverse backgrounds unite, and renewable energy sources like solar panels and windmills are widely adopted. Using a blend of acrylic paints and black ink, Ariya brought her imaginative concept to life, leaving viewers, including UNDP representative Ugo Blanco and Tobago House of Assembly Health Secretary Dr. Faith Brebnor, in awe. Ariya’s passion for art began at a young age, as she recalls, ‘Since I could hold a pencil.’ Her school has been instrumental in nurturing her creativity, encouraging her to participate in various art competitions. While art remains her primary passion, Ariya also enjoys grammar, which she finds easier than other subjects. Inspired by her mother, who is also an artist, Ariya aspires to follow in her footsteps and dreams of having her artwork exhibited in galleries worldwide. The exhibition, ‘Visions of Tomorrow – Cities through the Eyes of Children,’ was held to commemorate World Children’s Day, inviting young artists aged seven to 18 to express their hopes and aspirations for the future of Trinidad and Tobago through art. The event aimed to showcase children’s perspectives on their communities, challenges, and dreams for a more inclusive society.
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TV director Danielle Dieffenthaller has died
The entertainment industry mourns the loss of acclaimed TV director Danielle Dieffenthaller, who passed away recently. Her brother, celebrated soca artiste Kees Dieffenthaller, shared the heartbreaking news on Instagram on November 22, expressing his grief with the words, “We love you, Danny. Rest in eternal peace our beloved sister.”
Danielle had been battling severe health issues for several years. Diagnosed with stage-five renal failure in 2018, she underwent heart surgery in 2023. Despite hopes of a kidney transplant in February 2024, which required raising approximately CAN$18,000 (TT$93,600), she remained on dialysis since 2019.
Her passing has left a profound impact on the Caribbean entertainment community. Fellow soca artiste Machel Montano praised her as a “brilliant pioneer” and one of Trinidad and Tobago’s greatest talents. Soca singer-songwriter Nadia Batson also shared her condolences, recalling fond memories of working with Danielle. Ravi B and Lady Lava joined thousands in expressing their sympathies to the Dieffenthaller family.
Danielle was celebrated for her contributions to iconic local productions such as *Westwood Park*, *Caribbean’s Next Top Model*, *Hit for Six*, and *Iere Vibe*. Her legacy as a trailblazer in Caribbean television will continue to inspire future generations.
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Schoolkoren kleuren CCS tijdens Srefidensi-viering
The Cultural Center of Suriname (CCS) was abuzz with youthful energy on Friday as it hosted the National School Choir Festival 2025. Organized by the Directorate of Culture under the Ministry of Education, Science, and Culture (MinOWC), the event featured performances from eight primary schools and was part of the Srefidensi celebrations. President Jennifer Simons inaugurated the festival, emphasizing the transformative power of music in child development. She highlighted how music fosters creativity, cognitive growth, and academic success, urging schools to integrate music education into their curricula and encouraging students to nurture their talents. AVO Director Helima Poese also addressed the young performers, thanking parents and teachers for their dedication. She underscored the holistic benefits of singing, dancing, and sports, noting their role in promoting health and resilience. Charmain Belfor, Director of the Suriname Conservatory, described the festival as a cornerstone of initiatives aimed at inspiring youth to pursue music education. The event, targeting children aged 8 to 12, also provided practical opportunities for music students to gain experience. The festival marks the beginning of a celebratory period leading up to the Suriname Conservatory’s 15th anniversary in November 2026, with preparations now officially underway.
