分类: entertainment

  • UWI Five Islands Guild Congratulates Student on Regional Pageant Victory

    UWI Five Islands Guild Congratulates Student on Regional Pageant Victory

    A regional pageant celebrating plus-size women has brought home a historic victory for Antigua and Barbuda, as Milove Fontaine, a student at The University of the West Indies Five Islands Campus, claimed the coveted title of Miss Elegantly Plus Caribbean Queen 2026. Following her win, the UWI Five Islands Guild of Students has publicly released an official statement to celebrate Fontaine’s trailblazing success at the competition, which was hosted in Tortola, British Virgin Islands.

    In the statement, the student governing body lavished praise on Fontaine for upholding the reputation of her home nation Antigua and Barbuda throughout the regional contest. Officials noted that she carried herself across every stage of competition with extraordinary grace, unshakable confidence, and unwavering excellence, standing out among a field of competing contestants from across the Caribbean.

    Fontaine’s win extended far beyond the overall crown: the UWI student also dominated the contest’s sectional awards, taking home five additional honors that highlight her versatility and skill as a competitor. Her haul of secondary awards includes the titles of Top Model 2026, People’s Choice, Best On-stage Interview, Best Ambassadorial Presentation, and Best Evening Wear, marking one of the most dominant showings in the recent history of the pageant.

    “The Guild of Students celebrates this remarkable achievement and extends our heartfelt congratulations to Milove,” the statement reads. Organization leaders went on to emphasize that Fontaine’s relentless dedication to preparation, effortless poise under pressure, and standout performance throughout the pageant have filled not just all of Antigua and Barbuda with national pride, but the entire campus community of UWI Five Islands as well. Many community members have already shared messages of support for Fontaine on social media, celebrating her win as a milestone for body positivity and student achievement in the region.

  • St. Kitts and Nevis Restaurant Week 2026 kicks off July 16 with special Carrot and Passionfruit menus – WIC News

    St. Kitts and Nevis Restaurant Week 2026 kicks off July 16 with special Carrot and Passionfruit menus – WIC News

    One of the Caribbean’s most anticipated annual culinary events is almost here: St. Kitts and Nevis Restaurant Week 2026 kicks off tomorrow, July 16, bringing an 11-day celebration of local flavor centered around a surprisingly dynamic ingredient pair: carrot and passionfruit.

    Organized by the Nevis Ministry of Tourism, this year’s event invites both local diners and visiting food enthusiasts to explore more than a dozen participating eateries spread across the island, each crafting unique, themed menus that highlight the versatility of carrot and passionfruit. From casual quick-bite specials to elevated three-course fine dining experiences, the lineup caters to every taste preference and budget, with options ranging from a few Eastern Caribbean dollars to $60 USD per person.

    Most venues are offering full three-course dinner packages priced between $40 and $60 USD, or 108 to 162 Eastern Caribbean dollars. One standout participant, Westbury’s Geothermal Bar & Catering Service, is celebrating its tenth consecutive year taking part in Restaurant Week with an exclusively carrot-and-passionfruit menu priced at $40 USD per guest. For fine dining seekers, Mango Restaurant serves up a $60 USD prix fixe spread featuring creative dishes including a Nevis Peak green salad, Caribbean spice-rubbed roasted lamb loin, and a creative deconstructed carrot cake finished with passionfruit accents. Montpelier Nevis, another premium option also priced at $60 USD, will offer service only on select dates, with a menu that opens with a smoky fire-roasted carrot and passionfruit velouté and closes with a decadent carrot and white chocolate délice.

    For diners looking for more flexible, lower-cost options, many establishments are opting for a la carte or rotating daily specials rather than fixed-price full menus. Boddie’s Restaurant & Pizzeria is running a week-long series of changing daily dishes priced between 3 and 35 Eastern Caribbean dollars. Two spots, The Hook Up Bar & Grill and Level Up Sports Bar and Grill, will exclusively offer their themed specials for one day only on opening day, July 16, with individually priced items. Cocktail lovers can head to Margarita Wheels, where a full special menu of passionfruit-focused drinks is available for $25 USD per cocktail.

    The full roster of participating venues covers every corner of Nevis, ranging from beachfront clubs to hilltop dining spots and casual neighborhood bars. Other confirmed participants include Chrishi Beach Club ($40 USD), Yachtsman Grill ($60 USD), Passion Bar & Grill (a la carte lunch), Sunshine’s Beach Bar & Grill at Pinney’s Beach ($60 USD), Mojo’s Bistro, Bakery & Bar in Belmont Garden (162 Eastern Caribbean dollars), The Grub (passionfruit baked pork chops at $35 USD), Sip on the Square (select dates, $60 USD), 869 Sports Bar & Grill (100 Eastern Caribbean dollars), Queen City Bar & Garden in Charlestown (two-course lunch for $20 USD), The Mount Nevis Hotel ($55 USD), Bananas Tropical Treetop Dining ($60 USD), L’Escale French Caribbean Bistro ($40 USD), Hermitage Nevis ($60 USD), and Buju’s Place ($20 USD).

    To help attendees plan their culinary itineraries ahead of the 11-day event running through July 26, the Nevis Ministry of Tourism has published all participating venues’ themed menus in a public Facebook post, and urges diners to book reservations early to secure spots at their top-choice restaurants. “The wait is over… the menus are HERE! It’s time to start planning your foodie adventure,” the tourism authority shared in its announcement. “Now’s the perfect time to browse the menus, pick your must-visit restaurants, and start making those reservations!”

  • Belizean Music Icon Kendoyll Simpson Dies After Cancer Battle

    Belizean Music Icon Kendoyll Simpson Dies After Cancer Battle

    The small but vibrant Central American nation of Belize is in mourning this week as its music community says goodbye to one of its most influential creators: award-winning producer and musician Kendoyll Simpson, known professionally to fans and collaborators as KSBEATS. After a 24-month battle with cancer, Simpson died on Sunday, July 12 2026, bringing an end to a career that spanned more than 20 years and reshaped the modern sound of Belizean music.

    Simpson’s journey into music began more than three decades ago, when his mother taught him to play the drums as a young child. His sister, Tiffany Simpson, recalled in an interview that even as a young boy, Simpson’s passion for rhythm was undeniable – too big for his small frame, even, as he would sit playing for church congregations, his feet unable to reach the bass drum pedal. From those early church performances, Simpson built a multi-faceted career that extended far beyond performance.

    As a producer, audio engineer, marketer, and industry strategist, Simpson wore many hats. He specialized in mixing and mastering, a technical craft he once compared to applied physics, and also supported emerging Belizean artists by developing social media marketing strategies to help their work gain traction on platforms like YouTube. His discography crosses nearly every popular genre in the Caribbean and Central America, and he collaborated with a who’s who of regional talent, including beloved Belizean artists Melonie Gillett, Ernestine Carballo, T.R. Shyne and Jackie Castillo, as well as Caribbean icon Oscar B, who passed away shortly before Simpson.

    Tiffany Simpson remembered her brother as a driven, endlessly perfectionist creator who never settled for good enough. He was a quiet, reserved person off-stage, but came alive when performing and producing, bringing a one-of-a-kind sonic flavor to every project he touched. His impact stretches far beyond Belize’s borders, cementing his status as a globally recognized talent who put Belizean music on the regional map.

    Remarkably, Simpson continued working in his studio through the most difficult stages of his cancer treatment, remaining active until his body could no longer keep up. Earlier this year, he contributed to a track that went on to win the prestigious Soca Monarch competition. He is survived by his 10-year-old daughter, leaving behind a musical legacy that will shape Belizean music for generations to come.

  • No Live Carnival Broadcasts on ABS Due to Mandatory 24-Hour Delay

    No Live Carnival Broadcasts on ABS Due to Mandatory 24-Hour Delay

    Antigua and Barbuda’s state-owned public media outlet ABS Television/Radio has delivered an unexpected blow to local Carnival fans, announcing Tuesday that it will abandon plans to air live coverage of the 2026 Antigua Carnival after being ordered to impose a mandatory 24-hour waiting period on all event broadcasts.

    In an official public programming notice shared this week, the broadcaster confirmed that the mandate is a binding requirement outside of its operational ability to challenge or change. “ABS has received an order – ‘Mandatory 24-Hour Delay Rebroadcasting of Antigua Carnival 2026 Shows.’ This is outside our control and we regret any inconvenience which this may cause,” the official statement reads.

    Notably, ABS has declined to release further details surrounding the order, leaving key questions unanswered for audiences and industry observers alike. The outlet has not identified what individual or governing body issued the mandate, nor has it shared any public explanation for why the delay requirement was put in place. As a consequence of the order, all 2026 Antigua Carnival content that was scheduled to air on ABS’ television and radio platforms will now be broadcast 24 hours after the live events conclude, rather than being streamed or aired in real time.

    The decision marks an unusual break from longstanding Carnival broadcasting practices, where live coverage allows local residents unable to attend events in person and Caribbean diaspora communities around the world to follow the annual celebration as it unfolds. While no official rationale has been put forward for the mandate, the change has already sparked discussion among audiences about access to one of Antigua’s biggest annual cultural and tourist events.

  • “The Drums Are Silent”: Music Producer Kendoyll Simpson Dies After Cancer Battle

    “The Drums Are Silent”: Music Producer Kendoyll Simpson Dies After Cancer Battle

    The Belizean music industry is engulfed in grief this week following the passing of legendary producer and audio engineer Kendoyll Simpson, known professionally as KSBEATS, who lost his two-year private battle with cancer on Sunday. In an official public statement, Simpson’s partner Anika Perez shared new details about the producer’s final years, revealing that Simpson made the deliberate choice to keep his cancer diagnosis and treatment journey hidden from the public.

    As a deeply private individual, Simpson chose not to disclose his illness to avoid causing worry and sorrow for his loved ones, fans, and colleagues within the music community. Perez added that Simpson also rejected public attention out of concern that pity from others would erode his mental strength and disrupt his ability to keep creating the music he dedicated his life to. Throughout his illness, Simpson remained committed to his craft, continuing to write and produce music up until his body could no longer sustain his work.

    “While this news may come as a shock to many, we simply honored and respected his wishes throughout his battle,” Perez noted in her statement. Tributes to Simpson have begun to spread across Belize’s music scene, where the 20-plus year veteran built a legacy as one of the country’s most skilled and respected production talents. His discography crossed multiple musical genres and extended beyond Belize’s borders, as he collaborated with artists across the Central American region and played a foundational role in shaping the modern sound of Belizean music.

    Beyond his professional contributions, Simpson leaves behind his 10-year-old daughter, whom Perez described as the object of his deepest love. In a poignant closing to her statement, Perez paid tribute to Simpson’s enduring impact: “The drums are silent, but your rhythm lives on in every life you’ve touched.” The Belizean music community has already begun celebrating Simpson’s life and career, highlighting both his extraordinary talent as a producer and his quiet resilience in the face of his illness.

  • Hilaire on Carnival Pageant: ‘A tie will never happen again’

    Hilaire on Carnival Pageant: ‘A tie will never happen again’

    A landmark decision to crown two joint winners at Saint Lucia’s 2024 National Carnival Queen Pageant has triggered a full-scale review of competition rules across all of the island nation’s iconic Carnival events, with a new tie-breaker mechanism set to be introduced to prevent shared titles in future pageants.

    The announcement came from Dr. Ernest Hilaire, Minister for Creative Industries and Culture, during a pre-Cabinet press briefing held on Monday. Hilaire pushed back against criticism of this year’s dual coronation, explaining that the existing regulatory framework had no provisions for resolving tied scores, leaving event organizers with no other viable option than to name two winners.

    He noted that inserting a last-minute tie-breaker mid-competition would have been unfair to competing contestants and opened the Carnival Planning and Management Committee up to potential legal disputes from participants or their teams. Despite defending the 2024 decision as the only legally and ethically sound choice under the current rules, Hilaire confirmed that this scenario will not be repeated going forward.

    “A tie will never happen again. We’re going to redo the rules,” he stated firmly.

    The planned regulatory update will extend far beyond the National Carnival Queen Pageant, Hilaire confirmed. The government is launching a comprehensive review of judging criteria and competition rules for every major Carnival event hosted on the island, with the core goals of boosting competition quality and minimizing potential scoring bias from judges.

    One of the leading reform proposals already on the table would discard judges’ highest and lowest scores when calculating final results for high-profile competitions including Soca Monarch and Calypso, a common methodology used to reduce outlier bias in judging across many international events.

    “I’m also going to ask the team to look at the rules across all competitions… just let us refresh; there are new methodologies for judging. There’s so much more we can do,” Hilaire added.

    The minister emphasized that the government will not impose new rules unilaterally. Instead, the reform process will include wide-ranging consultations with key Carnival stakeholders, a review of successful regulatory frameworks from leading regional and international Carnival hosts, and collective consensus-building before any new regulations are formally adopted.

  • Mikey Mercer sweeps both soca monarch titles at revived finals

    Mikey Mercer sweeps both soca monarch titles at revived finals

    After six long years absent from Barbados’ iconic Crop Over festival calendar, the Banks Party Monarch Finals powered by HITZ 106.7 FM made its triumphant return to the National Botanical Gardens on Sunday evening. Despite overcast skies and constant threats of heavy rain, thousands of die-hard soca music fans poured through the venue gates starting at 2 p.m. — two hours ahead of the official performance start — armed with umbrellas, folding chairs, and unwavering enthusiasm to witness the island’s top talent compete for the sport’s most coveted monarch titles.

    The evening’s festivities opened with the Sweet Soca Monarch segment, which featured eight competing artistes pulling out all the stops to win over the crowd and judges. Mr Blood kicked off the competition with his track *Crop Over Forever*, setting a lively tone for the night, followed by Saddis with *Skyfall*, Aza with *Soca Heaven*, Khiomal with *Back To When*, Ross with *Come And Go*, and the duo SugahRhe and Freshie with *Show Me Uh Motion*. When the seventh performer, veteran soca artist Mikey Mercer, took the stage with his entry *Real Feters*, he instantly turned the venue into one massive street party. Drawing on more than 30 years of experience in the industry, Mercer’s raw passion and innate ability to connect with the audience had the entire crowd singing along word for word, cementing his status as the segment’s frontrunner from the first note. Skung Yung closed out the Sweet Soca round with *Chemistry* around 5:30 p.m., with the threatened rain never materializing to interrupt the celebrations.

    The second half of the night brought the high-energy Power Soca competition, which also featured eight performers vying for the title and its $100,000 grand prize. Shanta Price opened the segment with *Festival Calling*, leaning into traditional Crop Over pageantry with stilt walkers and iconic Mother Sally characters to set the festive mood. Mercer followed as the second performer with his entry *Like Ah Bajan*, and immediately locked in the crowd’s support. Clad in Barbados’ national colors, he sparked a wave of patriotic pride, with attendees chanting the country’s area code “246!” in unison throughout his opening. The veteran performer commanded the stage with a presence that few could match, once again positioning him as the clear favorite for the title.

    Other standout performances from the Power Soca round included soca icon Lil Rick’s polished delivery of *Best Ting*, which demonstrated exactly why he has remained a beloved fixture of Barbadian soca for more than 30 decades, earning sing-alongs from end to end of the grounds. Nikita brought theatrical flair to the stage with *Extraordinary*, opening with a gaming-inspired introduction before arriving on an all-terrain vehicle and transforming mid-performance from a sleek silver pantsuit into a vibrant, shaggy costume. Mr Blood took the stage with *Include Me*, while Walkes brought high-octane energy to *Roadway* alongside motorcycle props, a live drum segment, and widespread crowd participation. Shaquille GFG delivered an emotional set with *After All*, dedicating his performance to late supporters including two prominent deejays and his own father, before being joined on stage by Vincentian star Skinny Fabulous for a surprise guest appearance. Roof Deck Symphony closed out the competitive segment with a lively performance of *Pass De Glass*, arriving in matching bartender costumes to cap off the night’s performances.

    When the judges tallied their scores, the night belonged unequivocally to Mikey Mercer: the soca veteran earned a perfect 100 points in both the Sweet Soca and Power Soca segments, claiming a rare double victory that solidified his dominance of the 2024 Crop Over season. In an emotional address to the crowd immediately after the announcement, Mercer thanked fans for their unwavering support, telling the audience “I love wunna bad, bad, bad, bad.” Speaking to reporters later, he described the historic win as an overwhelming moment, and dedicated the achievement to his mother.

    Mercer explained that his 2024 campaign required months of intense preparation, including rigorous training, endless rehearsals, and full commitment from his entire team. While he entered the competition with the goal of winning, he emphasized that he never took a victory for granted. “My aim is that when they come off stage, they can say, ‘I did my best,’ and I did my best at each performance,” he noted. The veteran also praised the competition’s mix of seasoned stars and emerging young talent, saying that healthy competition pushes all artistes to grow and continues to strengthen Barbados’ thriving soca ecosystem. With a combined $200,000 in prize money from his two wins, Mercer shared that his first priorities are supporting his mother, expanding his ongoing charitable work, and growing his personal Reunion brand.

    Full competition results confirmed Mercer’s historic sweep: in Sweet Soca, Mr Blood took second place with 68 points for *Crop Over Forever*, Khiomal earned third place with 61 points for *Back To When*, and Ross placed fourth with 52 points for *Come And Go*. In the Power Soca category, Shaquille GFG took second place with 75 points for *After All*, Lil Rick earned third with 62 points for *Best Ting*, and Nikita placed fourth with 55 points for *Extraordinary*.

  • Local Artists Showcased at Toronto Polo Charity Event

    Local Artists Showcased at Toronto Polo Charity Event

    The annual Toronto polo charity event this year carved out a special spotlight for the city’s homegrown artistic community, blending the elegance of high-goal equestrian competition with a curated showcase of creative works from local creators. Organizers of the fundraiser, which supports youth arts access programs across the Greater Toronto Area, made the intentional decision to center local talent this year, moving beyond the traditional focus on equestrian sport to highlight the city’s vibrant cultural landscape.

    More than 30 visual artists, mixed-media creators, and craft artisans set up installations and exhibition spaces along the event’s main concourse, greeting thousands of attendees who turned out for a day of polo matches, networking, and philanthropy. Attendees had the opportunity to meet the creators, view their works in person, and purchase pieces, with 20% of all art sales donated directly to the event’s beneficiary charities.

    Event organizers noted that integrating the art showcase created a more inclusive, community-focused experience, bringing together equestrian enthusiasts, art collectors, and local families who came to support a good cause. “This event has always been about giving back to Toronto, and what better way to do that than to lift up the artists who make our city such a dynamic place to live,” said the event’s chair in a press interview ahead of the opening. “We’ve been blown away by the response from both creators and attendees – it’s clear this new pairing of polo and local art is here to stay.”

    Beneficiaries of the fundraiser, which have raised more than CAD 2.3 million over the past decade, say the added art component will help them expand after-school arts programs for underserved youth in Toronto’s inner-city neighborhoods. Many of the participating artists also shared that the event gave them valuable exposure to new audiences and opportunities to build their customer base in a city that increasingly prioritizes supporting local creative work.

  • Party Monarch comeback a hit, but changes coming, says Archer

    Party Monarch comeback a hit, but changes coming, says Archer

    After a six-year hiatus, the iconic Party Monarch competition has made its triumphant return to Barbados’ annual Crop Over festival – but government officials have signaled that major changes are still ahead to secure the cultural staple’s place for future generations.

    Senator Shane Archer, Minister of State in the Prime Minister’s Office with oversight over Youth and Culture, who is leading the government’s management of this year’s festival, announced that a full sector-wide review is already planned to modernize the competition and reinforce its long-term relevance and financial sustainability.

    Sunday’s sold-out Party Monarch Finals drew massive public support, marking the first iteration of the contest since it was put on hold in 2019. Thousands of festival-goers packed the National Botanical Gardens to watch the live performances, while hundreds more tuned into digital streams to follow the event from home.

    Archer emphasized that the decision by the current Mottley administration to revive the competition has already been vindicated by the overwhelming public response. “I’m very satisfied with both the turnout and the quality of performances across the board, especially after such a long break,” he said. “Bringing back Party Monarch was absolutely the right call for our government and our culture.”

    The turnout, Archer noted, confirms that the competition remains a deeply beloved part of Barbados’ cultural identity and a core highlight of the Crop Over calendar. “Thousands of people showed up in person to support the event, and hundreds more joined online, proving that there is still huge public demand for this key part of our festival, and our broader cultural landscape,” he explained. “Beyond the numbers, we’ve brought the conversation about Party Monarch back to the forefront, and restored a platform that many creatives and fans thought was lost for good. The quality of this year’s performances makes it clear how much extraordinary talent we have in our local creative sector, and the public’s reaction was far more encouraging than even we expected.”

    Despite the overwhelmingly successful comeback, Archer stressed that the revived competition is still a work in progress, noting that systemic changes are needed to bring the event in line with modern expectations. “This is just the first step in the journey to rebuild Party Monarch,” he said. “We know that we have to restructure key elements of the competition to modernize it, and to make sure it can thrive for decades to come.”

    Following the February 11 general election that returned the Mottley administration to power, Archer took on day-to-day responsibility for the Crop Over festival. He confirmed that the government will conduct a full audit of every aspect of the competition, hold wide-ranging consultations with creative stakeholders, industry partners and community members, and implement targeted improvements to keep the contest financially viable and aligned with the evolving direction of Barbadian cultural expression.

    Archer added that this year’s successful return has already laid a strong foundation for future improvements. “Overall, bringing Party Monarch back has been a clear success, and that gives us a solid base to keep building on moving forward,” he said.

    Sunday’s finals closed on a high note when local performer Mikey Mercer made history by claiming both the Sweet Soca Monarch and Power Soca Monarch titles with perfect scores from the judges, capping off the comeback event with a high-energy finish that delighted the crowd.

  • Minister Dwayne George Pleased with Carnival 2026 Preparations

    Minister Dwayne George Pleased with Carnival 2026 Preparations

    During an on-site inspection of the Antigua Recreation Grounds this Monday, Dwayne George, Minister of Sports and Creative Industries of Antigua and Barbuda, affirmed that the nation is solidly on track to host what event organizers project will be the largest Carnival in the country’s history.

    Accompanied by Cleofoster Harris, Operations Lead for the Antigua and Barbuda Festivals Commission, George toured the venue that is currently undergoing extensive transformation into Carnival City, where he reviewed the pace and quality of ongoing pre-event work for the country’s flagship summer cultural celebration.

    After wrapping up the inspection, George told reporters he was deeply encouraged by the progress achieved so far, confirming that overall preparations are currently 70 percent complete ahead of the 2026 edition of the festival.

    “From everything I’ve seen and heard during today’s walkthrough, I can say we are in an incredibly strong position, and I’m thrilled with how prepared we are,” George shared during a post-inspection briefing. “Seventy percent of all work for Carnival 2026 is done, and I can already feel the excitement building – the rhythm of the celebration is already in the air.”

    The minister went on to issue a public appeal for widespread community participation, emphasizing that the long-term success of the iconic cultural festival hinges on active support from local residents.

    “Our unique cultural heritage cannot thrive unless we show up to support it in person, alongside our families,” he noted. He also extended gratitude to the Antigua and Barbuda Festivals Commission, the national government, corporate sponsors, and the local population for their consistent contributions to the event’s ongoing success over the years.

    As the country gears up to mark its 69th Carnival, George stressed that organizers are fully committed to delivering the most expansive and memorable edition of the festival in its decades-long history. He highlighted a series of major infrastructure upgrades being rolled out for this year’s event, headlined by a new nearly 100-meter modern performance stage, alongside fully upgraded lighting and audio systems that are designed to enhance the experience for both performers and attendees.

    “This expanded, state-of-the-art stage will give local artists a first-class platform to truly show off their craft and highlight the incredible creative talent that Antigua and Barbuda has to offer to the world,” George explained.

    He also commended the ongoing collaboration between the Festivals Commission and his ministry, as well as the generous backing from corporate sponsors, which have kept all preparation work moving according to the established timeline. Beyond core entertainment infrastructure, George shared that event organizers have prioritized improving the overall attendee experience, with upgrades to security protocols, sanitation facilities, and parking logistics all progressing smoothly.

    Reaffirming Antigua and Barbuda’s status as home to one of the Caribbean’s most prestigious cultural festivals, George extended an invitation to both local residents and international travelers to join the 2026 celebrations, helping to uphold the nation’s reputation as a top global Carnival destination.

    “Let’s come together to make this a landmark success,” he said. “Antigua and Barbuda already hosts one of the greatest summer festivals in the entire Caribbean. Let’s keep living up to that legacy, and continue setting an example for other nations to follow.”