分类: entertainment

  • A great night of British reggae

    A great night of British reggae

    The Pon Top Restaurant in Jamaica transformed into a vibrant hub of musical nostalgia on February 15th for its inaugural event, ‘Lovers Rock: A Night of British Reggae.’ The evening served as a heartfelt tribute to the distinctive lovers’ rock subgenre that blossomed within British sound systems during the late 1970s and early 1980s, reconnecting a generation of attendees with a pivotal era in Black British music history.

    Co-promoter Steve James, an established scholar of the genre, expressed profound satisfaction with the event’s successful debut. In an interview with the Jamaica Observer, James highlighted the enthusiastic turnout, noting that patrons traveled from across the island to participate. The overwhelming positive reception was immediately evident, with numerous attendees urging the organizers to establish the event as a recurring fixture, suggesting a monthly or quarterly schedule.

    The musical curation, handled primarily by James himself, was a carefully crafted journey through the genre’s foundational years. The playlist featured seminal works from pioneers who defined the smooth, soulful sound of lovers’ rock, including Sugar Minott, Janet Kay, Vivian Jones, Carroll Thompson, Louisa Mark, and producer Dennis Bovell.

    The event also attracted notable figures from the music industry, underscoring its cultural significance. Among the distinguished guests were producer Blacka Dread and renowned singers Tippa Irie and Vincent Nap.

    Fellow co-promoter Berty Grant, who moved from Kingston to the UK as a child in 1966, brought his own rich history to the event. Grant was a seminal figure on the British sound system scene throughout the mid-1970s before transitioning into a successful production career, working with iconic artists like Carroll Thompson and Winston Reedy. The evening stood as a powerful testament to the enduring legacy and cross-Atlantic appeal of this uniquely British-born reggae movement.

  • Ayetian promises fans a performance of passion at Soundcheck

    Ayetian promises fans a performance of passion at Soundcheck

    KINGSTON, Jamaica — Chart-topping dancehall sensation Ayetian is preparing to deliver an unforgettable intimate performance at this Thursday’s Soundcheck event at Dubwise Café on Lady Musgrave Road. The artist, who dominated airwaves last year with hits including “Weh Yo Deh Pon,” “Balance (One Gyal Everyday),” and the “Tip” remix, promises attendees a deeply personal showcase sponsored by Wray and Nephew White Rum.

    In an exclusive statement to Observer Online, Ayetian emphasized the significance of performing in his hometown: “Soundcheck in Kingston carries profound meaning for me as it represents home territory. Performing locally generates a distinctive energy and sense of responsibility. My passion for music made this opportunity an immediate acceptance. Supporters can anticipate genuine emotion, authenticity, and a performance that encapsulates my artistic evolution.”

    The artist revealed his unique approach to preparing for this special engagement, where he’ll be accompanied by the renowned Dub Squad Band. Ayetian described treating Soundcheck as more than a conventional concert: “I approach these performances with personal investment because they transcend merely playing hits—they create immersive experiences. My preparation strategy differs significantly this time, intentionally incorporating tracks I rarely perform alongside audience favorites to guide listeners through my musical development from inception to current standing.”

    Ayetian further explained how the event will showcase his artistic roots: “My creative journey began with poetry long before recording music. This platform provides the ideal space to reconnect with that raw, expressive dimension and establish deeper connections with my audience.”

    Preceding Ayetian’s headline performance, musical selectors Carlos A-Team and Reiizzer will warm up the audience with curated sets. Event organizer Carleen Samuels highlighted the significance of their partnership with Wray and Nephew White Rum, noting: “This collaboration represents natural cultural synergy. Soundcheck has consistently provided a platform for both emerging and established Jamaican talent in intimate live settings, while Wray & Nephew has historically supported musical and cultural experiences island-wide. Our joint efforts reinforce a mutual dedication to authentic Jamaican creativity.”

    Samuels confirmed the partnership’s longevity: “Wray and Nephew has supported Soundcheck since its 2024 inception, continuing through our current 2026 events. Their early involvement helped shape the platform’s foundation, and this collaborative relationship will continue evolving alongside Soundcheck’s growth.”

    The announcement follows Ayetian’s recent collaborative success with Billboard-charting artist Moliy and rapper Tyga on the track “What I Like,” produced by Rvssian. The official music video, released one month prior, has already surpassed four million YouTube views.

  • Independence in ink: 10 Saint Lucian authors on why they write

    Independence in ink: 10 Saint Lucian authors on why they write

    A vibrant literary movement is flourishing in Saint Lucia as a diverse cohort of writers emerges, carrying forward the legacy of Nobel laureate Derek Walcott while forging distinctly contemporary paths. This cultural awakening, documented during last month’s Writers in the Spotlight event at the Nobel Laureate Festival, showcases how technology and post-colonial evolution have empowered local voices to share their stories with global audiences.

    The current generation of Saint Lucian authors demonstrates remarkable thematic diversity while maintaining deep connections to their cultural roots. Valyn Eugene, an environmental officer and published poet, explores self-discovery and spiritual connection through her collections ‘I Almost Loved You to Hate’ and ‘Sacred Waters.’ Her work embodies the introspective journey that characterizes much of the island’s contemporary literature.

    Performance poet Angella O’Brien, recognized with the 2024 National Youth Award for Literary Arts, has leveraged international opportunities including UNESCO’s Poetry Market in Paris to amplify Saint Lucian narratives. Meanwhile, 14-year-old Tevin Isaac represents the youngest generation of storytellers, already publishing children’s literature that encourages peer engagement with creative writing.

    The literary landscape reveals profound personal dimensions through writers like Shawill Flavius, who transformed personal trauma into a poetic trilogy exploring love’s complex manifestations. Caribbean executive Jonathan Johannes contributes leadership philosophy in ‘The Exception Code,’ while educator Albert Fevrier brings four decades of pedagogical experience to advocate for educational reform in his technical publication.

    Notably, technological accessibility has democratized publishing, enabling writers like Nadege Valcent to establish independent publishing ventures after years of seeking traditional pathways. This shift has empowered diverse voices including business student Cura Fedee, motivational writer Samson Wilson, and children’s author Sherma Thomas, whose work continues despite physical challenges.

    The collective output of these ten authors demonstrates how Saint Lucian literature has evolved beyond Walcott’s foundational explorations to encompass psychological thrillers, children’s fiction, educational theory, and inspirational guides—all while maintaining the cultural specificity that makes Caribbean literature unique.

  • Chillin on the Farm celebrates 15 years

    Chillin on the Farm celebrates 15 years

    TOLLGATE, Clarendon—The acclaimed Jamaican cultural event, Appleton Estate Chillin’ on the Farm, prepares to commemorate its 15th anniversary with a landmark celebration on Sunday, March 1. Hosted at Murray’s Farm in Clarendon, this year’s edition introduces an ambitious new theme: ‘Gone Legendary’.

    Organized through a partnership between Wright Image Entertainment and Murray’s Fish and Jerk Hut, the event has evolved from a local gathering into a significant fixture on Jamaica’s cultural calendar. Reflecting on the journey, founder and producer PJ Wright expressed profound appreciation for the event’s organic growth. ‘Our initial vision was simply to craft an authentic, genuinely Jamaican experience,’ Wright noted. ‘Witnessing its evolution and the cherished memories forged here over 15 years underscores the power of consistency, quality, and deep community engagement.’

    A premier addition for the 2026 staging is the debut of the Legend Food Court, presented by Wisynco Group Limited’s Legend Beer. The brand, conceived to honor everyday Jamaican experiences, finds a natural synergy with the event’s milestone anniversary. This dedicated culinary zone will showcase expertly curated beer pairings alongside an extensive selection of traditional, farm-style Jamaican cuisine.

    Remaining central to the event’s allure is Murray’s world-famous Curry Goat, a culinary masterpiece that consistently attracts a diverse audience from across the island and international visitors. Further solidifying the event’s unique appeal is the return of its spectacular whole roast cow tradition. This immersive display, featuring slow roasting over an open fire throughout the day, offers a rare gastronomic spectacle that distinguishes Chillin’ on the Farm within Jamaica’s premium event landscape.

  • Jamaican and Japanese acts excite at Japan, Jamaica Link Up

    Jamaican and Japanese acts excite at Japan, Jamaica Link Up

    KINGSTON, Jamaica—A groundbreaking cultural exchange event has successfully merged Jamaican and Japanese musical traditions, celebrating six decades of diplomatic relations between the two nations. The inaugural Japan x Jamaica Link Up, held February 19 at Dubwise Café on Lady Musgrave Road, represented a significant milestone in cross-cultural collaboration.

    Mai ‘Okamai Okamoto, a Japanese cultural ambassador with 16 years of residency between both countries, partnered with the Japanese Embassy in Jamaica to orchestrate the event. As an established author and reggae enthusiast, Okamoto has dedicated years to promoting Jamaican culture in Japan while facilitating artist tours and cultural exchanges.

    The celebration featured an impressive lineup of performers from both nations. Japanese artists Ray, Chehon, and 775 delivered captivating sets, while Japanese sound system Jah Works, represented by selector Oga—recent winner of the Jamrock Cruise Sound Clash 2023—demonstrated exceptional musical craftsmanship. Jamaican music royalty including Grammy nominee Jesse Royal, the legendary Pinchers, and veteran singer Junior Reid delivered powerful performances that enthralled the audience.

    Okamoto explained the event’s significance: ‘The music industries of Jamaica and Japan share a uniquely strong connection that generates substantial economic impact globally. With 2024 marking the 60th anniversary of diplomatic relations between our nations, we sought to reinvigorate cultural exchanges through reggae music after travel restrictions during the pandemic.’

    The event, officially endorsed under Jamaica’s Reggae Month banner, successfully blended musical performances with cultural diplomacy. Okamoto revealed that based on overwhelming public response and support, the Japan x Jamaica Link Up will become an annual celebration, further strengthening the musical bond between these geographically distant but culturally connected nations.

  • Mighty Mic has the Formula

    Mighty Mic has the Formula

    Emerging gospel dancehall artist Mighty Mic, at 23 years old, is speaking out about the significant challenges confronting young Christians in contemporary society. In a recent Friday interview with the Jamaica Observer, the musician identified profound emotional wounds and intense societal pressures as primary issues affecting his generation’s faithful.

    The Spanish Town-based performer, baptized just five years ago, proposed that faith-based youth initiatives, targeted outreach programs, and strategic mentorship partnerships between elders and young believers could serve as vital solutions. Mighty Mic described his personal spiritual journey as both challenging and exhilarating, noting that connecting with supportive individuals has significantly enriched his Christian experience.

    His musical career ignited following his religious commitment in 2020, though he had long possessed artistic capabilities. His latest single, ‘Formula,’ released on February 16th through a collaborative production between Daleybeatz and Crosslinks Production, emerged from a period of personal doubt about his place as a believer. The track aims to reignite recognition of spiritual strength in Christ while encouraging listeners toward faith through its intentional lyrical architecture.

    Mighty Mic promises to bring authenticity, energetic versatility, and a unique flow to gospel dancehall music. The Tarrant Baptist Church worshipper also announced plans to release his debut EP, ‘The God Life,’ within the coming months, indicating 2024 will bring substantial new content from the rising artist.

  • ‘Touter’ — more than 50 years of talent

    ‘Touter’ — more than 50 years of talent

    In 1976, at just 21 years old, keyboard virtuoso Bernard “Touter” Harvey cemented his legacy by contributing to three landmark albums that would define reggae’s golden era. The young session musician from Whitfield Town, Kingston, left his indelible mark on Bob Marley and The Wailers’ ‘Rastaman Vibration,’ Bunny Wailer’s ‘Blackheart Man,’ and Burning Spear’s ‘Man In The Hills.’

    Harvey’s collaboration with these icons began even earlier, having played on Marley’s seminal ‘Natty Dread’ in 1974 and performed with The Black Disciples band on Burning Spear’s majestic ‘Marcus Garvey’ the previous year.

    In an exclusive retrospective with the Jamaica Observer, Harvey revealed the distinct creative approaches behind each project five decades later. “We operated within an incredibly creative period, though artistic boundaries were often set by the performers or producers,” Harvey recalled. “Bob Marley personally discouraged synthesizer use, yet producer Lee Perry introduced his Elka piano/string machine that became integral to ‘Rastaman Vibration.’”

    Contrasting these experiences, Harvey noted: “Jack Ruby, producing Burning Spear, granted us complete creative freedom. Conversely, Bunny Wailer arrived meticulously prepared with demo cassettes but remained open to collaborative compromise.”

    All three albums were distributed by Chris Blackwell’s Island Records, the London-based label founded in Kingston years earlier. Among them, Marley’s ‘Rastaman Vibration’ achieved greatest commercial success with radio-friendly anthems like ‘Roots, Rock, Reggae’ and ‘Who The Cap Fit.’

    Since 1974, Harvey has been integral to Grammy-winning group Inner Circle, contributing to global hits like ‘Bad Boys’ and ‘Sweat.’ Reflecting on his early accomplishments, the musician expressed pride: “Occasionally revisiting these recordings, I’m surprised by my performances. While I’ve grown musically, why alter what fans have cherished? Hearing musicians replicate my work brings profound accomplishment.”

  • Iconic Reggae Weekend features Johnny Clarke honours

    Iconic Reggae Weekend features Johnny Clarke honours

    Jamaican music icon Johnny Clarke, whose energetic performances defined the roots-reggae era of the 1970s, is being celebrated during the Iconic Reggae Weekend from February 20-22. The celebration marks a special tribute to Clarke’s influential career and his seminal partnership with legendary producer Bunny Lee.

    The commemorative events, organized by Bunny Lee’s family, honor a musical partnership that produced an extraordinary catalog of hit singles fifty years ago. On February 20th, Clarke became the inaugural recipient of the Bunny Lee Lifetime Achievement Award during a ceremony at the Bunny Lee Museum in Duhaney Park, St. Andrew.

    Bunny Lee Jr. emphasized the appropriateness of Clarke being the first honoree of an award named for his father, who passed away in October 2020 at age 79. ‘Johnny Clarke stood among the pivotal artists who collaborated with Bunny Lee to elevate reggae into a globally powerful musical force,’ Lee Jr. told the Jamaica Observer. ‘Their 1970s partnership yielded some of Jamaican music’s most enduring compositions, including the classics None Shall Escape The Judgement and Rock With Me Baby, which garnered international acclaim.’

    Clarke’s remarkable journey saw him transition from working at Grace Kennedy in 1974 to reggae stardom with his breakthrough interpretation of Earl Sixteen’s None Shall Escape The Judgement. The unassuming artist, who was also Lee’s brother-in-law, further solidified his legacy with definitive tracks like Move Outa Babylon and African Roots under Lee’s Striker label.

    The weekend celebration extended beyond the award ceremony with significant events including the relaunch of Augustus Pablo’s historic Rockers International record store on Orange Street and an gathering at Randy’s Museum in downtown Kingston, the former home of Randy’s Records and studio.

    The Bunny Lee Museum, which opened officially one year ago in Lee’s former recording studio, houses an extensive collection of memorabilia including the producer’s flamboyant stage outfits, portraits of iconic producers Clement Dodd, Prince Buster, and Duke Reid, and instruments used by the pioneering musicians who developed the distinctive Greenwich Farm sound.

  • Juan Luis Guerra and 4.40 deliver a historic night at Cibao Stadium

    Juan Luis Guerra and 4.40 deliver a historic night at Cibao Stadium

    SANTIAGO DE LOS CABALLEROS – Dominican music legend Juan Luis Guerra captivated thousands of fans with a spectacular performance at Cibao Stadium, launching his highly anticipated concert series with an unforgettable evening of musical brilliance. The event commenced with an atmospheric light show before Guerra launched into his opening number “Rosalía,” immediately igniting crowd euphoria that would sustain throughout the two-hour musical journey.

    The maestro treated attendees to an extensive repertoire spanning his legendary career, delivering iconic tracks including “La travesía,” “La llave de mi corazón,” “Vale la pena,” and “Como yo.” The performance masterfully blended romantic ballads with infectious merengue and bachata rhythms that had the entire stadium moving in unison.

    Special guest appearances elevated the concert experience, beginning with Frank Ceara joining Guerra for a heartfelt rendition of “Así de bonito” that earned thunderous applause. Venezuelan artist Beto Montenegro of Rawayana brought contemporary energy to the stage, collaborating on “El Niágara en Bicicleta” before performing his own hit “Feriado” to connect with younger audience members.

    Technological innovation merged with musical tradition as a synchronized drone display created dazzling aerial formations during a bachata medley featuring “Bailo mi bachata,” “A bailar contigo,” “Qué me des tu cariño,” “Frío, frío,” “Quisiera ser un pez,” and “Como tú.” The production also showcased material from Guerra’s latest album, including the contemporary bachata fusion “DJ Bachata” and the melodic “Para ti.

    The evening’s most poignant moment arrived when Guerra reunited with original Juan Luis Guerra 4.40 members Maridalia Hernández, Mariela Mercado, and Roger Zayas for a performance of “Tú,” recreating the group’s 1984 formation and triggering waves of nostalgia across generations of fans.

    The setlist paid particular homage to Santiago with dedicated performances of “Santiago en coche” and collaborations with El Blachy on “Visa para un sueño.” Additional highlights included “Noviecita” with Sandy Gabriel, “El farolito” featuring both Gabriel and El Prodigio, plus crowd favorites “Mambo 23,” “Como abeja al panal,” “Las avispas,” “A pedir su mano,” “Ojalá que llueva café,” and “El costo de la vida.”

    Musical director Janina Rosado and producer Víctor Rizek contributed significantly to the orchestral richness throughout the performance. Guerra brought the monumental evening to a breathtaking close with “La Bilirrubina” accompanied by a pyrotechnic display that illuminated the stadium. The artist prepared to repeat the magic with a second consecutive performance on February 21st, produced by Saymon Díaz.

    Opening act Martox effectively warmed up the audience with an energetic preliminary performance that set the stage for the historic main event.

  • Belizean Students Turn Nora Parham Tragedy into Musical

    Belizean Students Turn Nora Parham Tragedy into Musical

    Two Belizean graduate students at Austin Peay State University are channeling their nation’s profound historical trauma into a powerful theatrical production. Cameron Tillett and Alysia Norales have undertaken the monumental task of transforming the tragic story of Nora Parham—Belize’s first and only executed woman—into an original musical theater piece.

    The production represents years of meticulous research and creative development, with Tillett having conceptualized the project for over five years before formally committing to paper. The musical delves into the heartbreaking case of a mother wrongfully convicted and hanged decades ago, a story that remains etched in Belize’s collective memory.

    Artistically, the production promises an authentic cultural experience by incorporating traditional Belizean musical styles including bruk down and punta, while simultaneously integrating contemporary theatrical elements. This fusion creates a unique soundscape that honors Belize’s cultural heritage while appealing to modern audiences.

    The creators have received notable recognition from their university’s theater faculty, particularly impressive given their lack of formal theater experience. However, as international students facing funding challenges due to work restrictions, Tillett and Norales have established a dedicated email (themusicalnora@gmail.com) to solicit donations for production costs, props, and staging requirements.

    The upcoming university festival will serve as the production’s debut platform, with campus auditions scheduled for next week. Ultimately, the artists aspire to bring their culturally significant work back to Belize, sharing this important historical reckoning with their homeland audience.