分类: entertainment

  • President Abinader receives Michel Camilo and Berklee College of Music delegation

    President Abinader receives Michel Camilo and Berklee College of Music delegation

    SANTO DOMINGO – In a significant cultural development, Dominican President Luis Abinader hosted an eminent delegation at the National Palace, featuring world-renowned pianist Michel Camilo and officials from Boston’s Berklee College of Music. The high-profile gathering served to evaluate advancements within the groundbreaking ‘Berklee in Santo Domingo 2026’ initiative, a collaborative effort designed to cultivate exceptional musical talent across the Caribbean nation.

    The program represents an extraordinary educational opportunity, providing intensive training to over 200 meticulously selected students from a highly competitive applicant pool. These young musicians are receiving instruction directly from Berklee’s distinguished faculty during the January 5-10 intensive session. As a highlight of the program, Maestro Camilo will conduct an exclusive masterclass at the National Theater on January 7, offering participants invaluable insights from his illustrious international career. The most promising participant will receive the program’s pinnacle award: a comprehensive scholarship to pursue studies at Berklee’s main campus in the United States.

    This ambitious cultural-educational project operates through a strategic alliance between Berklee College and several Dominican institutions, including the Ministry of Culture, the National School of Fine Arts, and the National Conservatory of Music. The collaboration signals a substantial investment in cultural infrastructure and demonstrates the administration’s dedication to creating international pathways for Dominican artists. The initiative not only enhances artistic education but also strengthens the global cultural presence of the Dominican Republic, positioning the nation as an emerging hub for musical excellence in the Caribbean region.

  • Nominations Open January 6 for the 2025 Antigua & Barbuda National Music Awards

    Nominations Open January 6 for the 2025 Antigua & Barbuda National Music Awards

    The Caribbean nation of Antigua and Barbuda has officially launched the nomination process for its prestigious 2025 National Music Awards (ABNMA), with submissions opening January 6, 2026. The Ministry of Creative Industries, through its Department of Culture, announced the commencement of the awards’ second edition, which will culminate in a grand ceremony on February 26, 2026, in St. John’s.

    This national initiative serves as the country’s premier platform for honoring exceptional achievements across the musical landscape. The awards recognize diverse contributors including performers, composers, educators, media specialists, producers, and cultural advocates who have significantly enriched the twin-island state’s musical heritage and entertainment sector.

    The 2025 edition introduces a substantially expanded awards framework designed to encompass a broader spectrum of creative and industry contributions. The comprehensive categories now include:

    – MUSICIAN OF THE YEAR honors covering instrumental excellence, steelpan performance, and vocal artistry across genres including Soca, Calypso, Reggae/Dancehall, and Gospel
    – Producer and Songwriter recognition awards
    – People’s Choice categories for Best Recording Artist, Band & DJ, Song & Sound, and Events
    – Emerging artist development awards including the Ricardo Drue Foundation Award for musicians aged 25 and under
    – Special Recognition Awards for individuals and organizations with over a decade of contribution
    – Lifetime Achievement Award honoring those with 20+ years of significant national impact

    The nomination process emphasizes accessibility and transparency, offering both online and in-person submission options through the Ministry of Creative Industries headquarters on Old Parham Road. The program welcomes nominations from the public, provided they have the nominee’s permission, ensuring both accuracy and willingness to participate.

    Nominees are encouraged to prepare comprehensive submission packages including tailored biographies, professional images, project summaries, and other supporting materials that demonstrate their qualifications for specific award categories. Detailed guidelines for each category will accompany the official nomination forms.

    This expanded awards framework reflects the nation’s deepening commitment to celebrating artistic excellence while simultaneously fostering innovation, education, cultural preservation, and industry development. The ABNMA continues to evolve as a unifying cultural force that inspires emerging creatives, showcases national talent, and enriches Antigua and Barbuda’s cultural identity on the global stage.

  • Three to compete for Carnival Princess 2026

    Three to compete for Carnival Princess 2026

    Roseau’s Rotaract Club has officially unveiled the three young contestants who will compete for the coveted title of Carnival Princess 2026 in an eagerly anticipated cultural event. Dubbed the “Fabulous Three” by organizers, these contestants were introduced to the public during a special Facebook Live launch event on Monday evening.

    The distinguished contestants include Shanell Benjamin from Woodfordhill Primary School, sponsored by Morancie and Sons; Arianna Challenger representing Paix Bouche Primary School, backed by the Stephen Paboy Thomas Foundation and Belle Lavi Villa; and Fanayé Shillingford of Bagatelle Primary School, supported by Springfield Trading.

    Event organizers are mobilizing community support, urging Dominica residents to attend in significant numbers to cheer on these talented young ambassadors of culture. The grand Carnival Princess Show is scheduled for Sunday, February 1, 2026, at the Carnival City venue, with festivities commencing at 3:00 PM. The competition represents a cherished tradition that highlights cultural pride, youthful talent, and community spirit through vibrant performances and presentations.

  • Courtney Wilson returns to stage with Boopsie’s Homecoming

    Courtney Wilson returns to stage with Boopsie’s Homecoming

    Courtney Wilson, a foundational pillar of Jamaica’s theatrical scene, marks his triumphant return to the stage in Jambiz International’s newest comedic production, ‘Boopsie’s Homecoming’. Having originated his iconic Shaggy character in the company’s ‘Cinderellisha and the DJ Prince’ 24 years ago, Wilson now embodies Larry, the scheming accomplice to his sister Petal in this domestic drama unveiled on Boxing Day at Kingston’s Courtleigh Auditorium.

    The narrative centers on Boopsie (portrayed by Glen Campbell), a Jamaican expatriate residing in the United States who has diligently financed the construction of his dream home through years of remittances to his wife. His anticipated homecoming transforms into profound disillusionment upon discovering the funds have mysteriously vanished with minimal construction progress to show.

    Though Wilson confesses to never personally participating in such financial deception, he channels profound empathy for Boopsie’s betrayal, drawing upon analogous personal experiences of familial trust violation in business contexts, as revealed in his Jamaica Observer interview.

    His extensive collaborative history with Campbell—Jambiz’s perennial lead—and playwright Patrick Brown (company co-founder and principal writer) creates exceptional synergistic dynamics. Wilson attributes their sustained success in productions like ‘Indecent Proposal’, ‘Room 513’, ‘Windscream Posse’, and ‘Lockdown’ to this deeply ingrained professional familiarity, noting their mutual awareness of each other’s artistic strengths and vulnerabilities both onstage and off.

    Hailing from West Kingston and raised in the McIntyre Villa community (colloquially termed Dunkirk), Wilson’s artistic journey commenced at Excelsior High School through Jamaica Cultural Development Commission events before formalizing his craft with a performing arts degree from Excelsior Community College.

    His uninterrupted tenure with Jambiz since 2002 has provided both artistic refinement and economic stability—a crucial combination for a family man within the acting profession. Wilson emphasizes his enthusiasm for challenging, diverse roles that maintain his creative engagement and financial security.

    The production features Daindra Harrison and Renae Williams alternating as the duplicitous Petal, with David Crossgill completing the ensemble as Papa. Performance schedules maintain Wednesday-through-Friday evening showings at 8:00 PM, supplemented by dual Saturday and Sunday performances at 5:00 PM and 8:00 PM.

  • UB40’s Labour of Love revisits Billboard

    UB40’s Labour of Love revisits Billboard

    Four decades after its initial success, UB40’s iconic reggae album ‘Labour of Love’ demonstrates remarkable staying power on music charts worldwide. The British band’s fourth studio recording, originally released in 1983, has re-entered Billboard’s Reggae Albums chart at number nine this week, nearly 40 years after its debut. This chart reappearance follows the album’s peak performance in 2022 when it reached number six—its highest position to date on this particular chart.

    The ten-track collection, consisting primarily of covers originally performed by Jamaican artists, includes celebrated renditions of ‘Sweet Sensation’ by The Melodians, Jimmy Cliff’s ‘Many Rivers to Cross,’ Eric Donaldson’s ‘Cherry Oh Baby,’ and Winston Tucker’s ‘Please Don’t Make Me Cry.’ The album’s enduring appeal is further evidenced by its platinum certification status across multiple nations including the United States, New Zealand, Canada, and the Netherlands.

    Billboard’s current reggae chart landscape continues to be dominated by Bob Marley and the Wailers’ ‘Legend,’ which maintains its extraordinary reign at number one for an unprecedented 312 non-consecutive weeks. The chart’s upper ranks feature Shaggy’s ‘Best of Shaggy: The Boombastic Collection’ holding steady at number two, followed by Sean Paul’s ‘The Trinity’ and ‘Dutty Rock’ at three and four respectively. Stick Figure claims three consecutive positions with ‘World on Fire,’ ‘Wisdom,’ and ‘Set in Stone’ occupying spots five through seven.

    Regional charts show significant activity with Neto Yuth and Anthony B’s ‘So Long’ continuing its leadership on the Rebel Vibez Top Ten Canadian Reggae chart. In New York, Sherell Rosegreen’s ‘Come Jesus Come’ retains the top position for a second week, while White Mice’s ‘One Blood’ and Busy Signal’s ‘Conscious Vibes’ show upward movement. South Florida’s reggae chart welcomes a new number one with the Mr Vegas-produced remix of ‘Pitta Patta’ by Ernie Smith and Ed Robinson.

  • “Born females” invited to register for Miss Anguilla Pageant

    “Born females” invited to register for Miss Anguilla Pageant

    The search for Anguilla’s next cultural ambassador has officially commenced with the opening of registration for the 2026 ‘Once Upon a Queen’ pageant. Organizers have announced a nationwide call for aspiring contestants who embody the values of elegance, intelligence, and national pride.

    Prospective candidates must meet specific eligibility criteria to participate in the prestigious competition. Applicants must be born female between the ages of 18 and 27, never married, and without children. Additionally, requirements include Anguillian citizenship or legal residency, English fluency, and a minimum of four Caribbean Secondary Education Certificate (CSEC) passes including English language proficiency.

    The competition framework emphasizes personal development and cultural representation rather than conventional beauty standards. The thematic concept ‘Once Upon a Queen’ invites participants to envision their potential reign as a transformative journey of self-discovery and national service.

    Registration will remain open through January 31st, 2026, providing ample time for qualified individuals to complete the application process. The selected queen will assume responsibilities as a cultural representative and role model for Anguillian youth and women.

    This biennial event forms part of Anguilla’s broader efforts to promote cultural diplomacy and youth empowerment through traditional pageantry formats. The competition aims to showcase the island’s talent while maintaining international pageant standards aligned with contemporary values of education and social responsibility.

  • Dominica Music Awards 2025: A night of pride, legacy, and global vision

    Dominica Music Awards 2025: A night of pride, legacy, and global vision

    The InterContinental Dominica Cabrits Resort & Spa served as the magnificent backdrop for the 2025 Dominica Music Awards (DMA), an evening that brilliantly showcased the island nation’s rich musical heritage and contemporary creativity. Produced by Creole Heartbeat, this prestigious event united artists, producers, cultural ambassadors, industry specialists, and enthusiastic music aficionados in a grand celebration of Dominican music’s dynamic spirit and international influence.

    The ceremony distributed honors across 24 competitive categories while simultaneously presenting Lifetime Achievement Awards and Special Honours, highlighting the extraordinary depth and diversity of Dominica’s musical landscape. From promising emerging artists to established legendary figures, the DMA reaffirmed music’s dual role as both cultural bedrock and significant economic contributor to the island nation.

    Among the evening’s most celebrated winners were Shelly, who secured both Male Artist of the Year and Songwriter of the Year awards, while Bouyon Barbie Faithii earned Female Artist of the Year honors. The collaborative album ‘Electric Room’ by Shelly & Signal Band received Album of the Year recognition, with the same artists winning Music Video of the Year for ‘Bye to the Old Me.’ Signal Band themselves claimed Band of the Year honors.

    The awards spanned multiple genres including Soca, Bouyon, Reggae/Dancehall, Calypso, Cadence-Lypso, and Kompa/Zouk, demonstrating the remarkable variety within Dominican music. Additional category winners included Pudaz (Bouyon Artist), Colton T (Reggae/Dancehall Artist), Joy (Calypso Artist), and Extasy (Kompa/Zouk Artist).

    A particularly moving segment featured the Office of the Prime Minister Lifetime Achievement Awards, which paid homage to seven cultural pioneers whose contributions have fundamentally shaped Dominican music: Ophelia Olivacce-Marie and Fitzroy Williams (Cadence-Lypso), David Benjamin (Traditional Music), Nasio Fontaine (Reggae), Ian Jackson (Calypso & Songwriting), Jerry Lloyd (Gospel), and Keith Goddard (Bouyon).

    Special Honours included the Felix Henderson Award presented to Sonia Magloire Akpa and the Iconic Award bestowed upon Khrisna ‘Dada’ Lawrence. The event also recognized contemporary influencers including DJ MJ (DJ of the Year), Jael Joseph (Social Media Influencer of the Year), and Asa Bantan (Promoter/Event of the Year for Breakfast Fete).

    The successful execution of the DMA was made possible through substantial support from numerous sponsors including the Office of the Prime Minister, Republic Bank Limited, KFC Dominica, Dexia, Josephine Gabriel, NCCU, Q95, and many others, reflecting a collective dedication to advancing Dominican music on the world stage.

    Established with the mission to celebrate, honor, and professionalize Dominican music, the Dominica Music Awards continues to elevate local talent while strategically positioning the island’s music industry within global markets. Through its recognition of artistic excellence, cultural preservation, and industry innovation, the DMA plays a crucial role in strengthening Dominica’s creative economy and inspiring future generations of musical talent.

  • Boats, Goats & Dancing Ladies: A Caribbean Cacophony

    Boats, Goats & Dancing Ladies: A Caribbean Cacophony

    The Gallery of Caribbean Art is currently hosting “Boats, Goats & Dancing Ladies: A Caribbean Cacophony,” a spectacular solo exhibition featuring Grenadian artist Susan Mains. This presentation continues the artist’s longstanding relationship with the gallery, where she has consistently exhibited her work for nearly two decades since 2003.

    Mains masterfully transforms the Caribbean landscape into a dynamic visual symphony through her vibrant paintings. Her expressive brushwork captures boats gliding across turquoise waters, goats roaming sun-drenched hillsides, and dancing women moving rhythmically through fields bursting with color. The artist skillfully incorporates auditory elements—the flapping of sails in the breeze, the distinct bleating of goats, and the compelling beat of drums—creating an immersive multisensory experience that celebrates everyday island life.

    “In this time of world tension, art can give a respite, a moment away to remember the good things all around us,” Mains explained, highlighting the therapeutic value of her joyful artistic expressions.

    Beyond her studio practice, Mains has established herself as a significant cultural ambassador for Caribbean art. She recently played a pivotal role at Carifesta in Barbados this past August, where she championed Grenadian artists and facilitated broader regional dialogue about contemporary Caribbean art. Her global influence extends through her remarkable nine-time appointment as Commissioner of the Grenada Pavilion at the prestigious Venice Biennale, where she has consistently elevated Grenada’s presence on the international art stage.

    The exhibition serves as both a celebration of Mains’ artistic vitality and her enduring commitment to Caribbean cultural exchange. It offers viewers an invitation to experience the islands through a lens of color, memory, and movement. Those visiting Grenada can view her work permanently at the Susan Mains Gallery at Spiceland Mall or Art House 473 in Calliste.

    “Boats, Goats & Dancing Ladies: A Caribbean Cacophony” remains open to the public with free admission through February 5th, operating daily from 10:00 AM to 4:00 PM.

  • Rishi Gayadeen celebrates 40 years in music

    Rishi Gayadeen celebrates 40 years in music

    As Carnival preparations reach fever pitch in Trinidad and Tobago, veteran musician Rishi Gayadeen stands at the helm of both studio productions and live performances, marking an extraordinary 40-year career that has shaped the nation’s soundscape. The 51-year-old musical director, currently leading preparations as bandleader for the Chutney Soca Monarch competition, has already completed approximately 35 productions this season while balancing numerous private engagements.

    Gayadeen’s musical journey represents more than professional achievement—it embodies a lifelong dedication rooted in childhood discipline. Growing up surrounded by his father’s orchestra, The Gayatones, he describes music as haunting his soul from birth. “Being around that band room and rehearsal was a calling for me,” he reflects. “It haunted my soul. Every opportunity I got, I watched them rehearse and I soaked in everything.”

    His formal training began at six years old under his father’s strict guidance: “We were taught to play original East Indian music by dad who told us ‘If you can’t play it close to the record, then don’t play it.’” This foundation in musical authenticity would later expand through exposure to soca, chutney, and reggae artists, sparking what he describes as a fascination with understanding the structure and swing of all genres.

    The pivotal moment arrived when young Gayadeen first entered a recording studio. Witnessing technology transform creative vision into recorded art, he knew music would define his path. By 12, he was performing professionally; by 15, he had entered studio production. This evolution from keyboardist to producer, musical director, and mentor now includes nurturing emerging artists like Avinash Maharaj and Divya Gocool—a responsibility he embraces as repayment for opportunities received.

    Gayadeen’s career highlights include winning the Mastana Bahar competition in 2011 as a solo keyboardist, claiming a $75,000 prize that fulfilled a childhood dream. He credits mentor Kenny Phillips of KMP Studios for crucial guidance, particularly when installing Logic Pro Digital Studio on his laptop with the instruction: “go home and study this until you get it right.”

    Now leading RG The Band—a rebranding effort after 33 years in the industry—Gayadeen emphasizes the importance of evolution while preserving authenticity. “Never forget where you started,” he advises. “Building a foundation and preserving it will always keep you going.”

    Despite four decades of performances, Gayadeen’s passion remains undiminished. With a new recording studio under construction, upcoming tours, and year-round bookings, he affirms: “The stage is my home and I’ll play music till my last breath.” His commitment will culminate on March 22 with “RG Musical Journey,” a live performance showcasing his evolution through Bollywood, chutney, soca, and parang genres.

    Reflecting on his legacy, Gayadeen hopes to be remembered for quality, humility, and helping others achieve their dreams. For aspiring musicians, he offers tempered advice: “Set goals, focus on what you want and work hard toward it. There will be obstacles in your path, but don’t allow it to break your focus.”

    Having dedicated his life to music, Gayadeen concludes with profound certainty: “Music is who I am. I believe people were born to do certain things in this life. I feel blessed and grateful to be still on those stages…making our fans happy.”

  • Partygoers toast new year at Sunrise

    Partygoers toast new year at Sunrise

    Jamaica’s premier New Year’s Day celebration, Sunnation’s Sunrise breakfast party, successfully launched 2026 with an extraordinary fusion of luxury entertainment and authentic Caribbean atmosphere at its new Campion College venue. The exclusive all-inclusive event delivered premium experiences as revelers raised champagne glasses skyward in celebratory toasts to the promising year ahead.

    New York transplant Ronique Goodhall revealed to media that the Sunrise event has become her essential annual tradition since 2019. ‘The plane ticket is always worth it because there’s no party like a party at home,’ Goodhall expressed, highlighting the event’s exceptional value through gourmet dining experiences and performances by A-list DJs. ‘Sunrise always provides the perfect backdrop for spectacular photos and a food village that satisfies every craving.’

    Local attendee Antoine Livingston described the gathering as their designated annual reunion space, emphasizing how the January 1st timing creates ideal conditions for celebrating friendships, new beginnings, and previous accomplishments. ‘We consistently depart with the most incredible euphoria after sharing laughter, dance, and memory-making moments,’ Livingston noted.

    The musical atmosphere reached peak intensity through masterful sets by renowned selectors including Bloodline Franco, DJ Tyler, DJ Mac, Ricky Platinum, and DJ Quan. Their curated playlists generated such energetic response that female attendees strategically exchanged heels for comfortable sandals, preparing for extended morning dancing sessions.

    Dancehall anthems from icons Vybz Kartel, Lady Saw, and special guest Aidonia prompted spontaneous partner dancing throughout the venue. Particularly, Popcaan’s ‘Pretty Crew’ ignited enthusiastic reactions as women captured celebratory selfie videos celebrating friendship and beauty.

    Between musical engagements, patrons explored the extensive food court featuring succulent ribs, creamy pasta selections, and signature desserts from Devon House Ice Cream. Service staff remained consistently engaged throughout the afternoon as attendees fully utilized the unlimited dining offerings.

    The 2026 edition ultimately established Sunnation’s Sunrise Breakfast Party as Jamaica’s definitive New Year’s Day experience, combining gourmet catering, elite musical programming, and authentic cultural celebration in one prestigious package.