分类: entertainment

  • Winning season!

    Winning season!

    Jamaican entertainer Deno Crazy has officially launched his latest musical endeavor with the release of the “Winning Season” EP on January 16th. The seven-track collection represents a significant milestone in the artist’s creative journey from comedy content creation to serious musical artistry.

    Produced through a collaborative effort between Crazy Way Entertainment and Weekday of Tru Ambassador Ent., the project showcases Deno Crazy’s artistic evolution. “I would characterize this project as boundary-pushing; it’s a fusion of genres and styles designed for universal appeal,” the artist revealed in an exclusive interview with the Jamaica Observer’s Splash.

    The EP culminates from an intensive five-month creative process, resulting in a diverse auditory experience that promises to engage music enthusiasts across genres. Featuring two collaborative tracks with artist 450, including the previously released single “Thunda,” the project demonstrates Deno Crazy’s growing musical sophistication.

    This release builds upon previous successful collaborations with producer Week.Day, including tracks like “Shot Caller,” “Love Language,” and “Polo Fi Days.” The established creative synergy between artist and producer has contributed significantly to the EP’s cohesive quality and artistic direction.

    “The creative process of music genuinely invigorates me. Collaborating with Week.Day provided an exceptional experience; our chemistry generated unique vibrations and positive energy. With this EP, I simply want the global audience to experience my artistic voice,” Deno Crazy expressed, identifying the title track “Winning Season” as his personal favorite.

    Having spent five years developing his musical craft while maintaining his presence as a popular social media content creator known for comedic flair, Deno Crazy has successfully transitioned into the music industry. “Winning Season” signifies a new professional chapter, with the artist hinting at additional musical projects and collaborations currently in development.

    “I have numerous new works in progress, so anticipate what’s coming next. I’m prepared to let the work speak for itself,” Deno Crazy shared enthusiastically.

    The “Winning Season” EP is now available worldwide through major digital music platforms including Spotify, Deezer, Apple Music, and iTunes for both streaming and purchase.

  • Fire Tender pays tribute to Kitchener with Pan-Tune Father

    Fire Tender pays tribute to Kitchener with Pan-Tune Father

    Emerging calypso artist Fire Tender, known professionally as singer-songwriter Gillian Moore, is paying homage to the legendary Lord Kitchener through her latest Carnival composition titled ‘Pan Tune Father.’ Now in her third year within the kaiso arena and performing at the historic Kalypso Revue—founded by Kitchener himself—Moore brings academic rigor to her artistic pursuit as a graduate of the University of Trinidad and Tobago’s master of carnival arts program.

    Moore’s scholarly research focused specifically on the woman-themed works of Aldwyn ‘Lord Kitchener’ Roberts (1922-2000), analyzing approximately 175 calypsoes from his seven-decade career. ‘Kitchener remains an endless source of inspiration,’ Moore reflects. ‘His monumental repertoire represents the very foundation of our musical tradition. This composition serves as tribute to the cultural gifts he bestowed upon our nation.’

    The new calypso aims to revitalize appreciation for Kitchener’s pioneering pan compositions, characterized by their magical melodies, irresistible rhythms, and vibrant performance energy. Moore specifically intends to introduce younger generations to the Grand Master’s enduring legacy through contemporary interpretation.

    ‘Pan Tune Father’ emerged through collaborative excellence, initially arranged by acclaimed keyboardist and composer Philip Hill before his passing in November 2025—to whom the work is now dedicated. Producer Makesi Jawara Joseph subsequently shaped the track’s authentic Kitchener-esque sensibility, blending nostalgic elements with Fire Tender’s modern performance style. ‘Joseph possesses brilliant musical instincts supported by formal training and extensive experience,’ Moore affirms.

    The recording features an ensemble of accomplished musicians: bassist Joanna Hussain establishes danceable grooves, guitarist John Hussain contributes melodic drive, and saxophonist Tony Paul—who previously collaborated with calypso icons Clive Zanda and Ray Holman—adds soulful harmonic textures. ‘Working with Tony elevated the recording to unprecedented heights,’ Moore acknowledges.

    Early audience response has been overwhelmingly positive, with listeners reportedly connecting deeply with the embodied Kitchener energy. For Fire Tender, this release represents a strategic step in her mission to maintain calypso’s cultural relevance by emulating its finest exemplars. ‘Who could be finer than Kitch?’ Moore concludes, affirming the enduring influence of the pan tune father himself.

  • Amir “Drumzey” Ramjattan – the master of many drums

    Amir “Drumzey” Ramjattan – the master of many drums

    At just 25 years old, Amir ‘Drumzey’ Ramjattan has emerged as a transformative figure in Caribbean music, mastering an extraordinary array of percussion instruments that bridge traditional culture with contemporary sound. The Las Lomas native has become the most sought-after percussionist across Carnival and chutney soca scenes, demonstrating unparalleled versatility on instruments ranging from the dholak and tabla to congas and digital rhythm machines.

    Ramjattan’s musical journey began within his multigenerational household, where music permeated daily life from spiritual morning bhajans to evening chutney soca sessions. His immersion in percussion started organically while accompanying his mother, 2025 Chutney Soca Monarch Queen Reshma Ramlal, to performances. However, it was his grandfather’s gift of tabla drums on his ninth birthday that ignited his profound connection to rhythmic artistry, leading to formal training at The Mahatma Gandhi Institute for Cultural Co-operation.

    The young musician’s career breakthrough came in 2014 when he began recording live percussion tracks at prestigious studios like Pungalunks Factory and Maha Productions. His innovative approach transcended seasonal popularity, enabling artists to qualify for international competitions and claim monarch titles. Ramjattan’s artistic vision reached its pinnacle in 2025 when he managed and directed his mother’s victorious Chutney Soca Monarch campaign—a deeply personal achievement that represented years of shared dedication.

    Despite facing challenges including skepticism from veteran musicians and financial constraints, Ramjattan maintains an exhaustive performance schedule as core drummer with KI and the Band 3veni, while collaborating with major acts like Ravi B and Karma. His international presence has expanded significantly through Caribana performances and his inaugural Holland tour, where he played for audiences exceeding 25,000 people.

    Beyond the stage, Ramjattan maintains a sacred connection to music through performances at Hindu festivals, demonstrating his unique ability to navigate both spiritual and celebratory spaces. Looking forward, he aims to inspire younger generations through artistic direction, songwriting, and fostering unity within the industry—determined to create a legacy that eliminates doubts for aspiring musicians pursuing their cultural calling.

  • Drip Rick Vi and Byron Messia winning with melody

    Drip Rick Vi and Byron Messia winning with melody

    British dancehall sensation Drip Rick Vi is rapidly ascending as one of the genre’s most promising international talents, leveraging a series of successful singles and strategic collaborations that are expanding his reach beyond UK borders. The artist’s growing prominence stems from his partnership with Byron Messia on the track ‘NBA 2 (Killy Dem)’, which has demonstrated remarkable organic growth and chart potential.

    Drip Rick Vi attributes the collaborative success to the seamless fusion of captivating melodies and infectious rhythms that characterize the track. ‘The composition naturally invites audience participation while maintaining an exceptional flow,’ the artist explained. ‘The creative synergy was immediate and authentic, and we’re witnessing genuine organic expansion. I’m confident this track will achieve chart recognition shortly.’

    Beyond this collaboration, the UK-based performer maintains his upward trajectory with other notable releases including ‘Rule Book’ and ‘Ghetto Ute’, the latter featuring dancehall heavyweight Intence. The artist characterizes ‘Rule Book’ – the secondary single from his recently released EP ‘Vi’ – as arguably his most impactful work to date.

    ‘Rule Book transcends conventional music boundaries to serve as a philosophical compass for living,’ Drip Rick Vi elaborated. ‘This composition emerged from profound introspection and emotional authenticity, created specifically to inspire younger generations who represent our collective future.’

    The emerging dancehall star is currently dedicating his efforts to promoting his comprehensive 10-track EP ‘Vi’, which showcases his artistic evolution and establishes his distinctive position within the contemporary dancehall landscape.

  • Kranium’s Nobody Has to Know is now gold in the United Kingdom

    Kranium’s Nobody Has to Know is now gold in the United Kingdom

    Jamaican dancehall sensation Kranium has secured another major international milestone as his breakthrough single ‘Nobody Has to Know’ has been officially certified Gold in the United Kingdom. The British Phonographic Institute (BPI) formally awarded this prestigious certification on January 16, recognizing the track’s exceptional performance in exceeding 400,000 combined unit sales and streams.

    Originally released in 2013, the Havendale-produced track gradually built international momentum, previously achieving Platinum status in Canada (2021) and Gold certification in the United States (2019). The song’s remarkable journey included climbing Billboard’s Hot R&B/Hip-Hop Airplay chart in 2015, where it peaked at position #44.

    In exclusive interviews, Kranium (born Kemar Donaldson) revealed his unwavering confidence in the track’s potential from its inception. “I was 100 percent sure that it would’ve been a hit,” the artist stated, emphasizing his mission to represent dancehall music on global platforms. The St James-born artist approaches his craft with purposeful intention, noting: “I do music for a cause. I’m representing dancehall music overseas.”

    The success story carries a family legacy—Kranium is the nephew of renowned 1980s singjay Screwdriver, who achieved fame with the hit ‘Sharon.’ This latest certification reinforces the enduring appeal of properly executed dancehall music and demonstrates the genre’s capacity for cross-border success when supported by both artists and audiences.

  • Spanish singer Julio Iglesias says abuse allegations ‘absolutely false’

    Spanish singer Julio Iglesias says abuse allegations ‘absolutely false’

    MADRID, Spain—Global music icon Julio Iglesias has publicly refuted serious allegations of misconduct brought forward by two former employees. The 82-year-old recording artist, recognized as one of Latin music’s most accomplished performers, took to Instagram to address the claims that have captivated Spanish media.

    In a formal statement, Iglesias asserted: “I categorically deny having abused, coerced, or disrespected any woman. These accusations are not only completely untrue but have caused me profound distress.” The singer, whose career has spanned decades with over 300 million records sold worldwide, expressed his dismay at the allegations.

    The complaints originated from a domestic worker and physiotherapist who alleged they experienced various forms of abuse while employed at Iglesias’s residences in the Dominican Republic and Bahamas during 2021. Their accounts, compiled by advocacy organizations Women’s Link Worldwide and Amnesty International, were formally presented to Spanish prosecutors on January 5.

    The submitted documentation outlines alleged behaviors that could potentially constitute “human trafficking for forced labor” and “crimes against sexual freedom” under Spanish law. Specific claims include allegations of sexual harassment, communication monitoring through phone checks, movement restrictions, and demanding work schedules extending to 16-hour days without time off.

    Iglesias responded emotionally to the allegations, stating: “It is with deep sorrow that I address these accusations from individuals previously in my employ. While I’ve never encountered such malice before, I retain sufficient resolve to reveal the complete truth and protect my reputation against these grave charges.” He additionally acknowledged receiving numerous supportive messages during this period.

    The allegations against the renowned crooner have generated significant political and social reactions throughout Spain. Left-leaning government representatives have expressed support for the complainants and called for thorough investigation. Meanwhile, Alberto Nunez Feijoo, leader of the conservative Popular Party and personal acquaintance of Iglesias, described himself as “exceptionally surprised” while cautioning against premature speculation.

    Adding perspective to the character assessment, Iglesias’s former manager Fernan Martinez acknowledged the artist’s affectionate nature and comfort with physical contact but emphasized he never witnessed aggressive behavior from the music legend.

  • Tami Chin Mitchell announces departure from CVM’s morning show

    Tami Chin Mitchell announces departure from CVM’s morning show

    KINGSTON, Jamaica—Prominent television personality and businesswoman Tami Chin Mitchell has officially declared her exit from CVM-TV’s flagship morning program, Sunrise, concluding her two-year tenure as host. The announcement was made through her official Instagram account this past Friday, marking a significant transition in her professional career.

    In a thoughtfully composed social media post, Mitchell expressed profound gratitude for her experiences on the show. She extended appreciation for the early morning commitments, engaging dialogues, and the dedicated team of co-hosts, producers, crew members, and stylists who transformed weekly appearances into a genuinely enjoyable endeavor.

    Addressing potential perceptions of her departure, Mitchell reframed the narrative, characterizing her decision not as resignation but as a conscious response to an internal directive. She described it as heeding a ‘quiet inner nudge’ signaling the existence of uncharted territories and new professional dimensions awaiting exploration. This move follows her initial recruitment to the program alongside other notable personalities, including Miss Kitty, as part of a strategic refresh of the morning show’s lineup.

    The departure raises questions about Mitchell’s forthcoming projects, potentially spanning her entrepreneurial interests or new media ventures, though specific details remain undisclosed. Her exit represents a notable shift for Sunrise, which now faces the task of filling a void left by a host recognized for her articulate presence and connection with viewers.

  • Cabinet Says One Nation Festival Was Well Organized

    Cabinet Says One Nation Festival Was Well Organized

    The Antigua and Barbuda Cabinet has formally recognized the One Nation Caribbean Music Festival as an exemplary model of event organization, setting new standards for cultural productions within the nation. During Thursday’s post-Cabinet media briefing, Maurice Merchant, Director General of Communications in the Prime Minister’s Office, conveyed the government’s commendation of Festival Minister Daryll Matthew for the flawlessly executed two-day event.

    Merchant characterized the festival as “a shining example of excellence in planning, coordination, and execution,” with Cabinet members unanimously regarding it as among the most impeccably organized festivals ever hosted in Antigua and Barbuda. The government’s assessment highlighted how the event’s operational framework, audience turnout, and artistic presentations demonstrated clear strategic vision, effective leadership, and meticulous preparation.

    The festival’s success extended beyond logistical achievements, serving as a catalyst for national unity and cultural pride. According to official statements, the event showcased the nation’s capability to produce world-class cultural experiences while simultaneously strengthening community bonds and elevating the country’s profile as a premier destination for entertainment and cultural tourism.

    Cabinet members extended particular recognition to Festival Commission Chairperson Ambassador Elizabeth McCool and her entire team, acknowledging their dedication and professionalism as instrumental components of the event’s triumph. The government also expressed gratitude to the thousands of attendees whose enthusiastic participation and strong turnout generated the festival’s vibrant atmosphere and contributed substantially to its overall success.

    Appreciation was further directed toward service providers, security personnel, vendors, technical crews, volunteers, and support staff whose collective efforts ensured a safe, well-managed, and enjoyable experience for all patrons. Regarding future developments, government officials confirmed there are presently no discussions about expanding the festival or relocating its venue, asserting that the current format possesses the ideal components for continued success.

  • Miss St. John’s Rural West Pageant set for Feb. 7

    Miss St. John’s Rural West Pageant set for Feb. 7

    The cultural landscape of St. John’s Rural West is set to be revitalized with the official return of its longstanding beauty pageant tradition. Scheduled for February 7, 2026, the Miss St. John’s Rural West Pageant will make its celebrated comeback under the evocative theme “Rekindled,” signaling the renewal of a cherished constituency institution dedicated to cultural expression and community pride.

    The evening event will commence at 7 p.m. within the Multipurpose Cultural Centre, serving as both a talent showcase and cultural revival. According to event coordinators, the pageant’s reinstatement aims to honor local artistry and restore a significant platform for community representation after a period of absence.

    Ticket acquisition is available for $40 at designated community outlets including Cool & Smooth, Bridge Service Station, Mr. Garfield, and Roti King. Cool & Smooth has been announced as the title sponsor for the occasion.

    The production is organized in partnership with the Fire Phoenix Foundation and will operate under the patronage of Senator Michael Joseph. Organizers characterize the 2026 edition as a renaissance of constituency pageantry, emphasizing the dual celebration of tradition and civic engagement through this eagerly anticipated return.

  • Reigning Carnival Queen Kia Kirwan to Compete for Miss OECS Title in Dominica

    Reigning Carnival Queen Kia Kirwan to Compete for Miss OECS Title in Dominica

    Kia Kirwan, the reigning Carnival Queen of Antigua and Barbuda, is poised to represent her nation in the prestigious Miss OECS pageant. The regional competition is scheduled for January 30th in Dominica, where delegates from across the Organization of Eastern Caribbean States will convene at the Windsor Park Sports Stadium.

    Kirwan brings a formidable pedigree to the contest, having previously secured the Miss Antigua and Barbuda Labour Queen title in 2016. Her participation marks a significant moment as she endeavors to claim the regional crown currently held by Dominica’s Kyanna Dyer. The event symbolizes cultural celebration and diplomatic camaraderie among Eastern Caribbean nations, showcasing not only beauty but also intelligence and cultural awareness among its participants.

    The Miss OECS pageant serves as a platform for promoting regional integration and highlighting the diverse talents within the member states. Kirwan’s journey from national titleholder to regional contender underscores the interconnected nature of Caribbean cultural festivities and the importance of such events in fostering unity and shared identity across the islands.