The dancehall scene has erupted into full-scale lyrical warfare as two of Jamaica’s most prominent artists, Masicka and Tommy Lee Sparta, exchange blistering diss tracks in what fans are calling the official start of the genre’s ‘war season.’ The escalating conflict began when Tommy Lee Sparta launched the opening salvo with his single ‘Control,’ released Monday afternoon, directly challenging Masicka’s credibility and status within the dancehall hierarchy. In his track, Tommy Lee dismissed Masicka as insignficant mosquito lacking authentic street credentials while warning him against comparing himself to Vybz Kartel, the recently crowned ‘King of Dancehall.’ The reference addressed circulating rumors about tensions between Kartel and Masicka, though neither artist has confirmed any direct conflict. Masicka responded with devastating efficiency early Tuesday morning through his five-minute lyrical counterattack titled ‘Vain.’ The Genasyde Records leader declared himself the ‘GOAT’ (Greatest of All Time) while strategically distancing himself from what he characterized as demonic associations—a clear reference to Tommy Lee’s ‘Uncle Demon’ persona. In his meticulously crafted response, Masicka accused the Spartan artist of riding Vybz Kartel’s coattails following his incarceration and revealed that he had rejected collaboration requests from Tommy Lee during his 2021-2023 imprisonment. The most cutting blow came when Masicka suggested his teenage son enjoys a superior lifestyle to that of the Sparta boss, implying Tommy Lee’s career has become ‘watered-down.’ The brewing tensions between their respective fan bases—Genasyde supporters and Gaza loyalists—reportedly intensified following Reggae Sumfest where Vybz Kartel received his official coronation as dancehall royalty. Masicka’s declaration during his performance that it would be his final appearance at the summer show, coupled with his self-proclamation as the ‘greatest of all time,’ created the perfect storm for the current feud. Both camps are now celebrating their artist’s verbal prowess while advocating for the conflict to remain strictly musical rather than physical. The dancehall community has largely welcomed the explosive exchange as a necessary injection of excitement into the scene, particularly as the Christmas season approaches. Social media platforms have erupted with commentary from enthusiastic fans who view the showdown as a return to dancehall’s classic era of competitive artistry.
分类： entertainment
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Melissa Wittet’s quilled Christmas ornaments
In the vibrant city of San Fernando, Trinidad, artist Melissa Wittet has transformed Christmas traditions into tangible works of art through her exquisite handmade ornaments. For eight consecutive years, the 33-year-old creative has dedicated herself to crafting delicate paper-quilled decorations that have become cherished family heirlooms across Trinidad and Tobago.
Wittet’s journey into seasonal décor emerged organically from a lifelong passion for creativity. “I’ve always been artistic since childhood,” she reflects, noting her early fascination with handmade creations. Her specialization in Christmas ornaments began when a family member encouraged her to participate in a seasonal market, initially leading her to create burlap wreaths and decorative centerpieces before discovering her true calling in paper quilling.
The self-taught artist developed a unique methodology through extensive experimentation. “I came across paper quilling online but developed my own distinctive technique through trial and error,” Wittet explains. Her process involves meticulously rolling, shaping, and assembling paper strips into intricate designs that reflect the spiritual significance of Christmas. “My ornaments, particularly the angels and crosses, celebrate Christ’s birth and my Christian heritage,” she shares.
Each piece demands exceptional patience and precision, with Wittet marveling at her own dedication to the time-consuming craft. Beyond their visual appeal, these ornaments serve as emotional touchstones for families. “They’re perfect keepsakes to remember loved ones absent during holidays or commemorate special life moments,” Wittet emphasizes.
The artist balances her ornament business with parallel careers as a certified nail artist, makeup specialist, and lash technician—all fields that channel her creative energy. While she primarily sells through Instagram (@littlemisscreative.mw) and prefers intimate seasonal markets over large vendor events, Wittet remains committed to supporting local artisans and contributing to Trinidad’s creative community.
Though uncertain about expanding into retail partnerships, Wittet affirms: “As long as there’s Christmas, I’ll continue creating these handmade treasures that transform holiday decorations into lasting memories.”
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Dean Williams, John Hussain headline December Songshine
The Songshine Open Mic Series concludes its annual programming with an exceptional double-bill performance featuring two of Trinidad and Tobago’s most accomplished guitarists. Dean Williams and John Hussain will showcase their distinctive musical artistry on December 13 at Kafe Blue (also known as Kaiso Blues) on Wrightson Road in Port of Spain, beginning at 7 pm.
Founded and hosted by singer-songwriter Gillian Moore, the Songshine franchise has established itself as a premier platform for diverse performers including vocalists, poets, instrumentalists, and comedians. The event’s first segment remains open to all talented individuals seeking to share their gifts with the welcoming Songshine audience community.
Dean Williams brings formidable technical expertise honed through collaborations with both local and international music legends. His impressive performance history includes work with calypso pioneers Kitchener and Sparrow, soca superstar Machel Montano, Destra, Atlantik, and Xtatik, alongside international icons Shaggy, Wyclef Jean, and Sean Paul. His academic credentials include bachelor’s and master’s degrees in music from the University of Trinidad and Tobago complemented by jazz guitar certification from Berklee College of Music. Williams’ versatile repertoire spans pop, jazz, R&B, calypso, soca, world beat, rock/blues, classical, and folk genres.
John Hussain offers a contrasting yet equally compelling approach to guitar performance. Rather than simply delivering traditional covers, Hussain creates immersive sonic experiences characterized by unexpected twists and thrilling musical explorations. With over three decades of professional experience, he ranks among Trinidad and Tobago’s most versatile and respected instrumentalists. His extensive career includes tenures with prominent acts including Calypso Rose, Mungal Patasar’s Pantar, Gyazette, 12, and Buzzrock. Hussain’s international performance footprint encompasses tours across Europe, North America, the Caribbean, Australia, and New Zealand. He additionally holds a Master of Arts in Carnival Studies, reflecting his deep scholarly engagement with Caribbean cultural traditions.
Prospective open mic participants are advised to arrive early to secure performance placement. Additional information regarding the event is available by calling 741-1569.
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Jazz Vesper 2025 set to ring in Christmas spirit
The Bethesda Methodist Congregation, in collaboration with Wesley High School, has unveiled plans for its third annual “Advent Jazz Vesper 2025,” creating anticipation for an evening of musical celebration embracing the Christmas spirit. Scheduled for Sunday, December 7, 2025, at 5:00 p.m., the event will take place at the historic Bethesda Methodist Chapel on Cross Street in Roseau, Dominica.
This year’s musical extravaganza promises a vibrant showcase of local talent, featuring an impressive roster of performers including the acclaimed Sisserou Singers, solo artists Akim Ismael and Janae Jackson, vocalists Shanice, Shalina, Royette, and Starr, musician Phael Lander, performer Shadrach Ogbonna, the Grace Dancers, alongside the combined choral forces of the Bethesda Choir and Wesley High School Choir.
Event organizers describe the program as an inspirational fusion of traditional Christmas melodies reimagined through jazz interpretations, creating a reflective atmosphere that captures the essential themes of hope, love, and enlightenment characteristic of the Advent season. The carefully curated performance aims to provide both entertainment and spiritual contemplation as attendees prepare for the holiday period.
In keeping with the event’s charitable mission, all generated proceeds will be allocated to support educational initiatives and programs at Wesley High School. Ticket availability has been announced at two convenient locations: the Wesley High School administrative office and the Methodist Church Office, both situated in Roseau.
The community is encouraged to reserve the date and participate in what promises to be a memorable celebration of musical excellence and seasonal joy, welcoming families and friends to share in this annual tradition that combines cultural performance with philanthropic purpose.
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I And I Records Presents “No More Me, Me” – A Timely Christmas Single By Enoch
In a bold departure from traditional holiday music, independent label I And I Records has unveiled a provocative Christmas single titled “No More Me, Me” by artist Enoch. The release strategically counters the season’s characteristic commercialism with a message advocating for spiritual reflection and communal values.
The composition emerges as a conscious alternative to conventional Christmas music, blending contemporary production with lyrical themes that critique materialistic tendencies surrounding the holiday period. Enoch’s musical approach incorporates elements of soul, gospel, and conscious hip-hop, creating a soundscape that simultaneously honors holiday traditions while subverting expectations.
Industry analysts note the recording’s timing represents a significant strategic move within the independent music sector, offering consumers an antidote to the typically commercial nature of seasonal releases. The single’s thematic focus on selflessness and spiritual contemplation rather than gift-giving and consumption provides a distinctive narrative position within the holiday music market.
Early critical reception has highlighted the track’s artistic courage in addressing the tension between modern holiday commercialization and the original spiritual significance of the Christmas season. Music critics have particularly praised Enoch’s authentic delivery and the production’s ability to balance festive atmosphere with thoughtful social commentary.
The release demonstrates how independent artists and labels are increasingly using holiday themes to communicate substantive messages rather than simply pursuing commercial success. This approach reflects a growing trend within the music industry of leveraging seasonal platforms for artistic expression and social commentary.
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Students Celebrate Youth Day at the Art & Cultural Village at Julees
The Art & Cultural Village at Julees became a dynamic hub of youthful creativity as over 80 students from seven Antiguan and Barbudan schools gathered for an immersive Youth Day celebration. This art-infused experience, designed to ignite creative expression and foster national pride, transformed the venue’s parking lot into a spectacular “Art Alley” adorned with vibrant chalk illustrations depicting cultural motifs.
Coinciding strategically with World Illustration Day on November 28th, the event served as both a tribute to visual storytelling and a platform for emerging talent. Participants explored a comprehensive art exhibition featuring approximately 100 works by local and regional artists while simultaneously engaging in a competitive Youth Chalk Art Contest. Their collaborative creations formed an elaborate colorful “welcome mat” that will greet visitors throughout Antigua and Barbuda Art Week 2025.
Guiding the young artists was Odessa Whitlock, an aspiring art educator from New Jersey who returned to her native Antigua specifically to contribute to Art Week. Having attended Kids Unlimited elementary school on the island, Whitlock emphasized the significance of mentorship in artistic development. “I am happy for the opportunity to help inspire the next generation of artists,” she noted, highlighting the importance of cultivating supportive environments where youth can explore and refine their creative gifts.
The Art & Cultural Village stands as a cornerstone venue for the ongoing Art Week 2025, showcasing more than 25 visual artists and artisans alongside culinary creators presenting authentic Antiguan and Barbudan flavors. Beyond merely displaying talent, the Youth Day event powerfully demonstrated the Village’s broader mission: establishing an inclusive, dynamic space where color, culture, and creativity converge to inspire both present and future generations.
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Bands heat up the Savannah at 2026 Panorama Single Pan finals
The Queen’s Park Savannah in Port of Spain transformed into a pulsating epicenter of musical excellence on November 29th as steelpan orchestras converged for the highly anticipated 2026 Panorama Single Pan Finals. In a spectacular display of rhythmic mastery and cultural celebration, defending champions San Juan East Side Symphony successfully retained their crown, delivering a captivating arrangement of Machel Montano’s “Jumbie” that mesmerized judges and audience alike.
The competition showcased extraordinary talent from across Trinidad and Tobago, with Diego Martin-based La Creole Pan Groove securing second position and San Juan Chord Masters Steel Orchestra claiming third place. The event featured breathtaking performances from numerous ensembles, each bringing unique interpretations of classic and contemporary Caribbean compositions.
Hope Pan Groovers from Tobago energized the crowd with their rendition of “Like Ah Boss” by Machel Montano, arranged by Ojay Richards. Arima All Stars Steel Orchestra delivered a memorable performance of “Caribbean Connection” by Merchant, arranged by Gillian Tobias. LA 47 Steel Orchestra from La Brea captivated audiences with their arrangement of “Showdown” by Machel Montano with Xtatik ft Burning Flames, orchestrated by Shaquille Forbes.
The evening witnessed several standout moments, including D’Original Woodbrook Modernaires Steel Orchestra’s performance of “Ah Cyah Wait” by Shurwayne Winchester, which featured the artist himself joining the ensemble onstage. Another highlight came when East Phonics Steel Orchestra from Valencia performed “Swing” accompanied by soca legend Austin “SuperBlue” Lyons.
Photographer Lincoln Holder documented the electrifying atmosphere, capturing the vibrant energy and technical precision that defined this celebration of Trinidad and Tobago’s rich musical heritage. The Panorama competition continues to serve as a premier platform for showcasing the evolution and enduring appeal of steelpan music, drawing participants and spectators from across the Caribbean region and beyond.
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Christmas with the Ramsinghs at Naparima College
Theater enthusiasts are in for a nostalgic journey to 1960s Trinidad as Total Chaos Productions presents “Christmas with the Ramsinghs” at Naparima College Auditorium on December 6th. This theatrical experience promises to transport audiences to a bygone era of traditional Caribbean Christmas celebrations.
Written, directed, and produced by Paul Bansilal, the production serves as an enhanced version of the popular “A Window to the Past” series, specifically tailored for Ramsinghs franchise enthusiasts. Set in 1961 within the authentic backdrop of Sea Village in southern Trinidad, the play meticulously recreates the challenges and charms of Christmas preparations during that period.
The narrative captures the resourcefulness of the Ramsingh family as they navigate the limitations of their time, including the labor-intensive process of washing salt butter for baking and using sugarcane tops to beat common fowl eggs—a testament to traditional culinary methods before modern conveniences.
A talented ensemble of twelve actors brings the production to life, featuring Simone Ramrattan in the lead role of Joyce, while Bansilal himself portrays the miserly character of Ramsingh. The cast includes Cindy Seepaul as Sita and Nazim Mohammed as Boysie, supported by accomplished performers Hubert Ramlal, Willard Gopaul, Pschie Haynes, Ian Wason, Anamarina Mohan, Lee Mohammed, Sabrina Ali, and Merlyn Jinkoo.
Tickets for the 7 PM performance are available at multiple locations including Valani’s Drugs in San Fernando, Pharmacy Décor and Beyond in Palmiste, RIK Bookstore branches at Gulf City and Price Plaza, Mohammed’s Bookstore in Teddys Mall and Princes Town, Ramsingh’s Sports World in Couva, and Charran’s Bookstore in Chaguanas.
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Yung Ras scores a double on Jamaica YouTube Trending chart
Emerging Jamaican recording artist Yung Ras has accomplished a significant milestone in his musical career by securing two simultaneous placements on YouTube’s Jamaica Trending chart. His tracks ‘Confident’ and ‘We Shall Rise’ both captured audience attention, demonstrating his growing influence in the digital music landscape.
During the latest tracking period, ‘Confident’ ascended to the 11th position while ‘We Shall Rise’ made an impressive debut at number 19. Both productions were crafted by the renowned Butler Brothers production team. The viral momentum has been substantial, with ‘Confident’ accumulating over 700,000 views and ‘We Shall Rise’ gathering more than 331,000 views within just two weeks of its release.
The artist expressed profound satisfaction with this career development, stating: ‘This achievement marks a pivotal moment in my professional journey. While it demonstrates there are greater heights to reach, I remain deeply grateful for this current accomplishment. Having two compositions trend simultaneously confirms that my artistic message resonates with listeners and validates my creative direction.’
Yung Ras provided insight into the distinct inspirations behind both tracks. ‘Confident’ emerged from cherished memories of a meaningful relationship and shared experiences with a remarkable individual. Conversely, ‘We Shall Rise’ was conceived as a response to the devastation caused by Hurricane Melissa, expressing solidarity with affected Jamaicans and offering musical comfort during challenging times. The artist emphasized his commitment to using his platform to provide inspiration and support to communities facing adversity.
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Masicka’s new EP Her Name is Love to be released on December 19
Jamaican dancehall sensation Masicka is preparing to unveil his latest musical offering, the EP ‘Her Name is Love,’ through Def Jam Recordings on December 19. This release marks the artist’s first project since his critically acclaimed 2023 album ‘Generation of Kings,’ which achieved notable commercial success by securing the number two position on Billboard’s Reggae Albums chart.
The upcoming EP follows a pattern of strong chart performances for Masicka, whose 2021 album ‘438’ similarly debuted at number two on the same chart. However, his 2018 effort ‘Start From The Grung’ did not achieve similar chart recognition.
Ahead of the full EP release, Masicka unveiled the lead single ‘Keys,’ which quickly captured audience attention by dominating both YouTube’s Trending chart and the Magnum Top Twenty charts. The track has demonstrated significant streaming momentum, accumulating over one million plays on Spotify within weeks of its release.
Artistically, ‘Her Name is Love’ represents a thematic exploration of femininity, romantic desire, and interpersonal relationships. The project signals Masicka’s continued creative evolution within the dancehall genre and his growing international presence through partnership with the legendary Def Jam Recordings label.