分类: entertainment

  • Tony Roy reflects on ‘I’d Love You to Want Me’

    Tony Roy reflects on ‘I’d Love You to Want Me’

    For Maryland-based Jamaican artist Tony Roy, 2025 is poised to be remembered as the year of his monumental career breakthrough. This milestone was achieved through his reggae cover of “I’d Love You to Want Me,” a reinterpretation of American singer Lobo’s 1972 hit, which has dominated reggae charts across key markets. Roy’s version ascended to the number one position on both the South Florida Reggae Chart and the Foundation Radio Network Chart in July and August, as officially compiled by esteemed broadcaster Clinton Lindsay. Adding to this achievement, the track secured a placement on the prestigious Jamaica Music Countdown Chart—a particularly meaningful accomplishment for the overseas-based artist. Roy expressed profound satisfaction with this recognition from his homeland, noting the significance of maintaining a musical impact in Jamaica despite his base in the United States. The journey to this hit began in 2021 during a Las Vegas vacation, where Roy first encountered a reggae version by the legendary John Holt. Captivated by the rendition, he later explored Lobo’s original, which had peaked at number two on the Billboard Hot 100. Roy collaborated with co-producer Wayne Holness, who contributed bass guitar and keyboards, to create his distinctive version. A native of St. Thomas parish in eastern Jamaica, Roy immigrated to the U.S. in the 1990s and has been a stalwart of the Baltimore/Washington DC reggae circuit for three decades. He has already followed this success with a new single, “On My Mind,” released on his Whylas Records label.

  • Fanatic taps Tommy Lee Sparta

    Fanatic taps Tommy Lee Sparta

    From its modest beginnings as a small club gathering three years ago, Fanatic has transformed into one of Kingston’s most eagerly awaited social events for the collegiate community. The upcoming edition, scheduled for December 20 at 36 Hope Road in St. Andrew, promises an elevated experience with a distinctive black theme and major dancehall star Tommy Lee Sparta as the headline performer.

    Event director Justin Campbell revealed to the Jamaica Observer the complexities involved in securing Tommy Lee Sparta’s participation, particularly given scheduling conflicts and the artist’s well-publicized rivalry with fellow dancehall figure Masicka. Through strategic networking and mutual connections, organizers successfully negotiated the booking. Campbell expressed profound gratitude to the artist and his management team, anticipating an ‘iconic’ performance that will define the event.

    The musical atmosphere will be maintained by an ensemble of premier DJs, including Fyahman x Vinchi, ZJ Romzii and Brush 1, A-Team, Kevi the Kinetic Kryptic, and Chiney K. Campbell emphasized that every component has been meticulously orchestrated to generate unprecedented excitement and energy, featuring dancehall-infused segments and a novel venue layout designed to captivate attendees.

    The distinctive black theme, long contemplated by organizers, was selected for its simplicity, dramatic suspense, and originality within the party landscape. This aesthetic concept has been integrated into all marketing materials and influenced artist selection, with the venue itself being transformed to fully realize the vision on event night.

    Since its inaugural edition in July 2022, Fanatic has experienced remarkable growth. The initial event, staged without performances, exceeded all expectations by attracting crowds that doubled venue capacity. This overwhelming response necessitated relocation to larger spaces and the incorporation of live performances by notable artists including Valiant, The 9ine, and Marksman.

    Currently drawing thousands of attendees per staging, Fanatic attributes its continued expansion to patron loyalty and an unwavering commitment to delivering unique thrills. In a strategic move to enhance accessibility, organizers are offering specially discounted tickets for University of the West Indies students, complemented by complimentary shuttle services to the venue.

  • Alethea Beharry hosts Melodies of December

    Alethea Beharry hosts Melodies of December

    Renowned Trinidadian vocalist and music educator Alethea Beharry is set to captivate audiences with her signature holiday concert “Melodies of December: A Christmas Celebration of Classics and Contemporary Music” on December 13th at the Curepe Presbyterian Church. The event promises an exquisite fusion of classical masterpieces, contemporary arrangements, and authentic Caribbean Christmas music, creating a unique auditory experience for attendees.

    Beharry, a 32-year-old musical prodigy from Chaguanas, describes Christmas as “a season of reflection and gratitude” where music possesses extraordinary power to evoke nostalgia, warmth, and healing. This year holds particular significance as she celebrates her first Christmas as a new mother, adding profound personal meaning to the performance.

    The concert represents Beharry’s musical identity—elegant, heartfelt, and joyful. “I wanted a show that feels like home,” she explained, emphasizing Christmas as the ideal season to blend tradition with creativity while using music as a vessel for love, peace, and hope.

    Beharry’s distinguished career includes her breakthrough single “Back to You” which earned her a top-eight finalist position in MusicTT’s Project Spotlight. Her theatrical credits include starring as Christine in Brian MacFarlane’s Spectacular Broadway production of The Phantom of the Opera, a role she describes as “life-changing” for pushing her vocal and emotional boundaries.

    Her musical journey began in childhood, nurtured by her opera-singer mother who constantly sang to her and a father who provided her first toy piano with unwavering encouragement. Beginning formal piano lessons at age four, Beharry quickly demonstrated exceptional talent by winning third place at the Yamaha Keyboard Music Festival shortly thereafter.

    What distinguishes Beharry is her remarkable versatility across genres including classical, gospel, Broadway, jazz, rock, and pop. “Each genre strengthened a different part of my voice,” she noted, attributing her wide vocal range to disciplined classical training combined with continuous exploration of diverse musical styles.

    The concert will feature collaborations with esteemed artists including LeAndra Head, Michelle Xavier, Sean Sadaphal, and Gregory Pantin. Most notably, Beharry will share the stage with several of her music students, providing them with their first major performance opportunity. “My students worked incredibly hard this year, and they deserve a stage to shine on,” she stated with evident pride.

    Balancing her roles as performer, educator, and mother, Beharry emphasizes intentional planning, prayer, and self-care. Her future aspirations include releasing more original music, expanding internationally, and establishing a larger training facility for aspiring musicians.

    For aspiring performers, Beharry offers heartfelt advice: “Start where you are. Use what you have. Don’t compare your journey to anyone else’s. Your gift is uniquely yours, and the world needs the story only you can tell.”

    Audiences can anticipate an evening of emotional resonance and musical excellence that captures the true spirit of Christmas—offering comfort, joy, nostalgia, and perhaps a touch of magic.

  • Jahmiel releases ‘Don’t Miss Me Now’

    Jahmiel releases ‘Don’t Miss Me Now’

    Dancehall artist Jahmiel has unveiled a poignant new single titled ‘Don’t Miss Me Now,’ featured on the collaborative ‘Mix Feelings’ riddim produced by Flip Money Records and VX Records. The track appears on a compilation released approximately one month ago under the creative direction of renowned producer and performer Flippa Moggela (also known as Flippa Mafia).

    The emotionally resonant composition forms part of a strategic curation that brings together several prominent dancehall talents, including Chronic Law, Nhance, Tishaine, and Flippa Moggela himself. According to Moggela, the project specifically sought out lyrical specialists to ensure depth and connectivity in the musical offerings.

    ‘This compilation demanded exceptional songwriting prowess,’ Moggela explained. ‘I intentionally selected artists who would dedicate time to crafting meaningful content. Jahmiel’s contribution particularly stands out for its melodic sophistication and emotional depth, exploring the complexities of romantic relationships—a thematic area I believe deserves more attention within contemporary dancehall.’

    The producer emphasized his commitment to providing each track with substantial promotional support, noting the project’s significant mainstream potential. Moggela’s own collaboration with Lawboss addresses reality-based themes, while other artists on the riddim have contributed distinctive topical perspectives.

    Jahmiel, celebrated for previous hits including ‘Gain The World,’ ‘U Me Luv,’ ‘Strongest Soldiers,’ and ‘Where Were You,’ continues to demonstrate his artistic versatility with this latest release. ‘Don’t Miss Me Now’ is now available across all major digital streaming platforms.

  • Macoy releases Birds of a Feather

    Macoy releases Birds of a Feather

    Richard ‘Macoy’ Valentine, the celebrated winner of Synergy Soca Star 2009 previously known by his stage name Chynee, has announced the forthcoming release of his inaugural studio album scheduled for next year. This significant career milestone follows his recent launch of the 2026 soca single ‘Birds of a Feather’ on December 1st, a vibrant anthem promoting the celebration of life and unwavering friendship.

    Macoy’s artistic journey demonstrates strategic development through diverse collaborations and commercial adaptations. His soca parang single ‘Lopinot’ gained remarkable traction, ultimately capturing the attention of Bhagwansingh’s Hardware which transformed the composition into a commercial jingle. This corporate partnership significantly expanded his audience reach, motivating the artist to pursue similar brand collaborations for promotional opportunities.

    The Trinidadian performer emphasizes that strategic partnerships have been instrumental throughout his career evolution. He acknowledges substantial support from a local comedian who provided performance platforms within comedy events, enabling Macoy to showcase his talent to audiences across Port of Spain, San Fernando, Chaguanas and Chaguaramas throughout this year.

    His collaborative network extends to seven years of work with Chainlinxx Productions, alongside creative partnerships with graphic artist Timothy Bootan, Unique Productions, and multimedia company Akua Ltd. Macoy has consciously utilized constructive criticism to refine his artistry, focusing particularly on vocal technique enhancement as advised by his professional circle.

    Further expanding his creative scope, the artist has partnered with Black Hat Designs to promote a children’s book centered on ‘paying it forward’ principles. While currently focused on Carnival preparations, Macoy aspires to achieve the versatility of dancehall/reggae icon Busy Signal. His debut album will feature 10-15 tracks spanning soca, afrobeats, reggae and dancehall genres, including several collaborative performances.

  • D’ All Starz lays new path for 2026

    D’ All Starz lays new path for 2026

    PORT OF SPAIN – In the heart of Trinidad and Tobago’s vibrant music scene, the legendary D’ All Starz Band is undertaking a profound transformation. For over four decades, this musical institution—first known as Roy Cape’s All Starz—has been synonymous with the nation’s sound. Now, under the stewardship of musical director Carlyle “Juiceman” Roberts and manager Richard Gordon, the ensemble is meticulously rebuilding its identity for a new generation while honoring its storied past.

    The band’s journey has been marked by both triumph and tragedy. Founded in 1980 by the late Roy Cape, who passed in 2024, the group earned numerous accolades and released eight albums before his 2017 retirement. The subsequent rebranding to D’ All Starz brought new leadership but was soon challenged by the untimely death of lead vocalist Dexter “Blaxx” Stewart in 2022—a loss that profoundly impacted Roberts and temporarily halted performances.

    From their new base at Beats on Tragarete, the leadership reveals a strategic vision balancing tradition with innovation. The band has recruited fresh talent including College Boy Jesse as the new frontman and singer Anika Berry, while maintaining the foundational structure established by Cape—rigorous rehearsals, mentorship programs, and an unwavering commitment to live instrumentation.

    “We try to pass on our legacy which Roy Cape gave to us,” Roberts emphasized during an exclusive interview. “Music has no ego—you’re never too old to learn.” This philosophy extends to reciprocal knowledge exchange, where younger members educate veterans on technological trends while receiving guidance on musical craftsmanship.

    Facing the dual challenges of artificial intelligence’s rise in music and market penetration difficulties, the band remains committed to organic sound. “Horns are something we will never, ever abandon,” Gordon stated, highlighting their distinctive use of brass sections as a competitive advantage. The management strategy involves Roberts preserving the band’s acoustic integrity while Gordon pursues new audiences.

    Despite acknowledging that Blaxx’s absence has hindered market expansion, the team expresses confidence in their Carnival 2026 offerings. Original compositions like College Boy Jesse’s “BenOva” with Sackie and “Vitamins” are anticipated to drive musical ascendancy. Gordon likens their creative process to “a hand-crank ice cream maker”—methodically churning hits until market penetration is achieved.

    The organization fosters innovation through an open-door policy encouraging contributions from all members, regardless of tenure. This collaborative environment aims to discover breakthrough talent similar to Blaxx, whose eventual rise to acclaim demonstrated the band’s eye for potential.

    As Carnival 2026 approaches amidst venue restrictions and rising alcohol prices, D’ All Starz reaffirms its commitment to delivering authentic performances that honor Trinidad’s musical heritage while evolving for contemporary audiences.

  • Celebrating the season with the Marionettes Chorale

    Celebrating the season with the Marionettes Chorale

    Queen’s Hall Winifred Atwell Auditorium resonated with festive melodies from December 5-7 as the renowned Marionettes Chorale presented their annual Christmas concert series. The ensemble showcased an eclectic musical repertoire that spanned traditional carols, classical compositions, gospel harmonies, musical theater numbers, calypso rhythms, and authentic parang selections.

    The production demonstrated notable community engagement through a dedicated matinée performance exclusively arranged for care home residents. This special presentation underscored the chorale’s commitment to inclusive cultural outreach during the holiday season.

    Artistic excellence was evident throughout the performances, featuring accomplished soloists Jacqueline Johnson, Debbie Nahous, Errol James, and Khadija Huggins. The event also highlighted emerging talent from the Youth Chorale program, providing a platform for the next generation of performers. The production was further enhanced by guest appearances from acclaimed artists Nigel Floyd and Payge Turner, whose contributions added distinctive vocal dimensions to the program.

    Newsday photographer Ayanna Kinsale documented the December 5 performance, capturing visually compelling moments that reflected the production’s artistic energy and audience engagement. The photographic record serves as a testament to the cultural significance of this annual holiday tradition within Trinidad and Tobago’s performing arts landscape.

  • Puddles of Light raises funds for needy families

    Puddles of Light raises funds for needy families

    In a heartfelt tribute to his late daughter Demi, entertainer Damion Melville has established Demi Melville Entertainment as a dual-purpose initiative that simultaneously showcases young talent and supports families in need. The organization’s fourth annual Christmas edition, “Puddles of Light 4,” took place on December 7 at the Mon Repos Regional Complex, featuring 21 emerging performers.

    The event serves as both a platform for undiscovered young artists and a fundraising mechanism for families requiring assistance throughout the year, particularly in the Point Fortin region and surrounding communities. The concerts honor the memory of Demi Melville, who passed away at age ten and was known for her generous spirit and habit of sharing personal belongings with friends she believed needed them more.

    Since its inception in April 2021, the initiative has made significant impacts on over 30 families through three annual concerts held in April, August, and December. While the events were initially streamed via Wack 90.1 FM’s virtual platforms during the pandemic, they have transitioned to in-person performances at community centers since December 2023.

    The recent Christmas showcase featured diverse performances including Lisa-Joe Boodhoo’s pan rendition of “Baron’s Come Go,” Abigail Asson’s poetic recitation of “Christmas Time,” Stephne Figaro’s vocal performance of “Mary Did You Know,” and Ethan Gosine’s interpretation of Luther Vandross’ “Every Year, Every Christmas.” Supporting acts included Gabriella Henry, Junior Calypso Monarch Xhaiden Darius, Trevor Barrow, Alyssa Joseph, Eunice Peters, and DJ Tony Dee.

    The program continues to receive support from viewers both locally and internationally as children demonstrate their talents through song, monologues, steelpan performances, poetry, and dance. Melville’s dedication to nurturing young abilities while supporting vulnerable families ensures his daughter’s legacy of compassion continues to create positive community impacts.

  • Althea Beharry hosts Melodies of December

    Althea Beharry hosts Melodies of December

    Renowned Trinidadian vocalist and music educator Alethea Beharry is set to captivate audiences with her signature holiday concert, “Melodies of December: A Christmas Celebration of Classics and Contemporary Music.” The event will take place on December 13 at the Curepe Presbyterian Church, offering a unique musical experience that merges classical masterpieces, contemporary arrangements, and authentic Caribbean Christmas melodies.

    Beharry, a 32-year-old Music Festival champion from Chaguanas, describes Christmas as a profoundly meaningful season that evokes both reflection and gratitude. “Christmas music carries nostalgia, warmth and healing all at once,” she revealed, noting that this year holds special significance as she celebrates her first Christmas as a new mother. The concert represents what she calls “a season of hope, light and renewal.”

    The artist’s musical journey began in childhood, nurtured by her opera singer mother and supportive father who gifted her first toy piano. Formal training commenced at age four, leading to an early achievement of third place in the Yamaha Keyboard Music Festival. “Music never felt like a hobby; it felt like home,” Beharry recalled of her formative years.

    Her professional credentials include reaching the top eight finalists in MusicTT’s Project Spotlight with her single “Back to You” and standout performances as Christine in Brian MacFarlane’s Spectacular Broadway production of The Phantom of the Opera. Beharry credits MacFarlane with significantly pushing her artistic growth, alongside mentors including Glenda Collens, Dr. Charles Brunner, and the late Lenore Mahase-Samaroo.

    What distinguishes Beharry is her remarkable versatility across genres—classical, gospel, Broadway, jazz, rock and pop. “Each genre strengthened a different part of my voice,” she explained. “It taught me flexibility, emotional honesty, and storytelling.” This adaptability earned her the career-defining role of Christine, which she describes as “life-changing” for revealing her previously unrealized capabilities.

    The December concert will feature collaborations with esteemed artists including LeAndra Head, Michelle Xavier, Sean Sadaphal, and Gregory Pantin. Most notably, the event will showcase performances by Beharry’s own students, some making their major debut. “My students worked incredibly hard this year, and they deserve a stage to shine on,” she stated, emphasizing her commitment to nurturing new talent.

    Balancing her roles as performer, educator, and mother, Beharry emphasizes intentional planning and self-care. “When I take care of myself, I’m able to give my best to my students, my audiences and my family,” she noted.

    Looking forward, Beharry envisions international expansion, more original music releases, and establishing a larger training facility for aspiring musicians. Her advice to young performers emphasizes authenticity: “Your gift is uniquely yours, and the world needs the story only you can tell.”

    Audiences can anticipate an evening of emotional resonance and musical excellence on December 13. “I hope they leave with full hearts,” Beharry shared. “I want them to experience comfort, joy, nostalgia and a little bit of magic.”

  • Stevie P showcases British reggae voices on new 12-track album

    Stevie P showcases British reggae voices on new 12-track album

    Veteran UK producer Stevie P has launched a compelling new project aimed at reconnecting reggae music with its message-driven roots. His freshly released compilation album, ‘Pages Volume I,’ stands as a testament to the genre’s enduring power as a vehicle for storytelling and social commentary.

    Released on November 24th through his own Stevie P Music Productions, the album is a curated collection of 12 distinct tracks. Stevie P describes the work not merely as a musical arrangement but as a rich narrative tapestry. “Reggae has always been more than just music. It’s a heartbeat, a message, a movement. These are 12 powerful tracks, each with their own stories to tell. This project is a tapestry of perspectives woven from the threads of love, war, and life,” he explained in an interview.

    The album exclusively features artists based in the United Kingdom, showcasing the depth of homegrown talent. Notable contributions include Sabrina Diva’s ‘Move Over,’ Granite Asher’s ‘Girl of My Dreams,’ Sydney Prince’s ‘My Best Friend’s Girl,’ and Robert Emanuel’s ‘The Grass is Greener.’ The selection process was intentionally personal; Stevie P curated the lineup based on long-standing professional relationships forged over his 13-year career in production.

    Stevie P’s own musical journey deeply informs this mission. Born in London to Antiguan parents, he was profoundly shaped by the militant messages of the 1970s British reggae scene and the smooth stylings of lovers rock pioneers like Sugar Minott. After years of performing as a keyboardist and vocalist, he transitioned into production with a clear objective: to restore UK reggae to its former glory and secure its rightful recognition. “I don’t think British reggae gets the props it deserves. Its influence extends far beyond Jamaica, inspiring countless subgenres and fusion styles worldwide,” he stated, highlighting a core motivation behind the project.