分类: entertainment

  • Miss Dominica pageant slated for this evening

    Miss Dominica pageant slated for this evening

    The Windsor Park Sports Stadium, transformed into Carnival City, prepares to host the prestigious Miss Dominica Pageant tonight at 8:00 PM. This annual spectacle, a cornerstone of Dominica’s Carnival celebrations, features five remarkable contestants vying for the national crown while championing significant social causes.

    Representing diverse communities across the island, the contestants bring powerful advocacy platforms to the stage. Ardel Laurent (22, Mahaut) promotes sustainable fashion as a vehicle for confidence building. Dainisha Eusebe (24, Grandbay) advocates for improved animal welfare standards, while Daina Graneau (23, Atkinson/Kalinago Territory) focuses on protecting children from domestic violence.

    Darna Eugene (21, Grandbay) campaigns for mental health awareness and personal empowerment, and Sheraine Mills (24, Jimmit/St Joseph) raises awareness about Polycystic Ovary Syndrome (PCOS) and women’s health. Sanchia Tyson (19, Crayfish River/Kalinago Territory) emphasizes cultural preservation and identity among Kalinago and Dominican women.

    This year’s event embraces the vibrant theme ‘Bouyon Bloom,’ honoring Dominica’s distinctive bouyon music genre and its cultural contributors. The pageant offers tiered ticketing options with general admission at $65, reserved seating at $100, and comprehensive VIP experience at $250, making the event accessible to various audiences.

  • Valiant to serve dancehall in Colorado Springs for first-ever live show

    Valiant to serve dancehall in Colorado Springs for first-ever live show

    Colorado’s music scene is poised for an unprecedented infusion of authentic Jamaican culture as dancehall sensation Valiant prepares for his inaugural performance in the state on February 21st. The event, dubbed ‘Dis A Reggae’, represents a significant milestone in expanding Caribbean musical traditions beyond traditional East Coast markets.

    Event organizer Eton Pearcy of Jamrock Events revealed in an exclusive interview that response to Valiant’s Colorado debut has generated extraordinary anticipation. ‘The reaction has been overwhelmingly positive,’ Pearcy stated. ‘Colorado’s growing entertainment landscape has historically received limited attention from dancehall artists, making this performance particularly significant for cultural expansion.’

    While the event’s title suggests a reggae focus, Pearcy emphasized the curated experience will showcase Jamaica’s complete musical spectrum. ‘We intentionally present Jamaican culture holistically,’ he explained. ‘While distinctions exist between reggae and dancehall, both represent authentic Caribbean cultural products. Valiant embodies the modern evolution of this rich tradition.’

    The event carries significance beyond entertainment, serving as a fundraiser for Pearcy’s Partial Incentives Breakfast Programme targeting his alma mater, Windward Road Primary School. This initiative continues Jamrock Events’ tradition of community support, with Pearcy noting Valiant’s enthusiasm for both entertaining fans and supporting educational causes.

    Timed strategically during the post-Valentine’s period, the event promises to deliver a ‘dancehall love story’ experience for attendees. Pearcy highlighted Colorado’s underappreciated appreciation for Caribbean culture, noting that despite fewer Caribbean residents than coastal regions, the state demonstrates remarkable cultural awareness and support.

    The success of previous events, including Sould-out show with Sizzla Kalonji last August, demonstrates Colorado’s readiness for authentic Jamaican cultural experiences. Pearcy attributes this to the state’s diverse population of seasonal workers, military personnel, and genuine culture enthusiasts who consistently support quality representations of Caribbean traditions.

  • Adidas unveils Marley-inspired Jamaica home and away kits

    Adidas unveils Marley-inspired Jamaica home and away kits

    KINGSTON, Jamaica — In a groundbreaking fusion of sport and music culture, adidas has officially launched its collaborative Bob Marley Collection, featuring Jamaica’s 2026 home and away football kits. This innovative line represents a profound synthesis of athletic heritage and the enduring cultural legacy of the iconic reggae musician.

    Developed through an intimate creative partnership with The Bob Marley Foundation, the collection demonstrates meticulous attention to historical authenticity. Archival photographs and vintage tour garments from Marley’s personal wardrobe served as direct inspiration, most notably the legendary lilac firebird track pants worn during his European tours, which have been artistically reimagined for contemporary wear.

    The Reggae Boyz, Jamaica’s national football team, modeled the collection which showcases a distinctive, flowing wave pattern throughout its designs. According to adidas, this visual motif serves as a symbolic bridge connecting the rhythmic essence of Marley’s music with the vibrant spirit of Jamaican culture.

    Central to the collection is the empowering “Football is Freedom” mantra, co-created with The Bob Marley Foundation. This philosophy is prominently displayed on key items including the golden yellow jersey and full-zip jacket, embodying Marley’s profound passion for football and his conviction in the sport’s capacity for liberation and unity.

    The comprehensive collection features standout pieces such as the signature “Football Freedom” jersey, a complete tracksuit with matching jacket and pants, alongside a diverse range of apparel including dresses, T-shirts, shorts, and complementary accessories.

    Sam Handy, General Manager at adidas, reflected on the creative process: “Bob Marley’s enduring legacy provided boundless inspiration. Collaborating with The Bob Marley Foundation to examine historical photographs and original tour clothing was an extraordinary privilege that ultimately guided us in creating a apparel range that honors his music, football passion, and Jamaican spirit.”

    Cedella Marley, Chief Executive Officer of The Bob Marley Foundation, emphasized the cultural significance of the partnership: “This collaboration transcends conventional branding—it represents a landmark moment celebrating unity, inspiration, and the global embodiment of Bob Marley’s spirit. His steadfast belief in the power of our people endures through this collection, enabling fans worldwide to carry Jamaica’s pride.”

    The adidas x Bob Marley collection is currently available for purchase worldwide through adidas.com and select retail partners.

  • Lion Face’s ‘Feel so Alive’ riding the charts a second week

    Lion Face’s ‘Feel so Alive’ riding the charts a second week

    A strategic collaboration between reggae icons Maxi Priest and Sean Paul has culminated in a chart-topping triumph. Their joint single, ‘Feel So Alive,’ has secured the number one position for two consecutive weeks on The Voice Of The Caribbean radio station’s prestigious Florida Reggae And Dancehall Top 20 Radio Singles Chart.

    The track was orchestrated by producer Lion Face (born in Trinidad), who envisioned the unique pairing long before its realization. In an exclusive discussion with Observer Online, Lion Face revealed his unwavering belief in the project, stating, ‘I believed in the song from day one. It’s only right, two reggae superstars. I decided on this collaboration because it wasn’t thought of before; I thought it would make sense. Even better, they are good friends of mine.’

    Released late last year under the Intercept Records label, ‘Feel So Alive’ exists in two distinct versions. The specific mix currently dominating airwaves was engineered by acclaimed mixer Stephen Stanley, whose renowned portfolio includes work with artists like Black Uhuru and Grace Jones.

    This hit marks the latest in a series of successful collaborations between Lion Face and Sean Paul, a professional relationship that predates the latter’s global breakthrough with anthems such as ‘Gimmie The Light.’ Their previous joint effort, ‘On My Way Back Home’ featuring Collie Buddz, was released last year.

    The success of ‘Feel So Alive’ carries profound emotional significance for its producer. The single was officially released on October 27th, just one day before Hurricane Melissa caused severe devastation across western Jamaica. Lion Face dedicated the song’s achievement to the international community, noting, ‘We are giving thanks to the world for its assistance with the Melissa recovery. We feel so alive and look forward to taking it to the next level,’ transforming the track into a symbol of resilience and unity amidst tragedy.

  • Gramps Morgan and Antigua PM Gaston ‘Gassy Dread’ Browne set to release Reparations

    Gramps Morgan and Antigua PM Gaston ‘Gassy Dread’ Browne set to release Reparations

    KINGSTON, Jamaica—In an unprecedented fusion of politics and music, internationally acclaimed Grammy-winning artist Gramps Morgan has joined creative forces with Antigua and Barbuda’s Prime Minister Gaston Browne, who performs under the moniker Gassy Dread, to release a powerful new single titled ‘Reparations’. The track is scheduled for official release this Friday, strategically timed to coincide with both Reggae Month and Black History Month observances.

    The collaborative work represents more than mere entertainment—it serves as a profound musical manifesto addressing the enduring consequences of colonial exploitation throughout the Caribbean region. Through lyrical depth and rhythmic intensity, the artists channel reggae’s historic role as a medium for social justice and liberation theology.

    In an exclusive dialogue with the Jamaica Observer, Morgan emphasized the track’s significance as a continuation of essential dialogue. ‘This constitutes an ongoing conversation that must persist within our collective consciousness,’ stated the renowned musician. ‘As an artist, I view my contribution as fulfilling a responsibility to African descendants and the Caribbean diaspora across the Americas.’

    The artist further elaborated on the thematic substance of the work: ‘While the central message isn’t novel, artistic reinforcement remains crucial to prevent historical amnesia. We must eternally honor our ancestors’ struggles and insist upon rightful compensation for historical injustices.’

    Morgan characterized the partnership with Prime Minister Browne as remarkably synergistic, describing the Antiguan leader as ‘a genuine visionary and exceptionally gifted songwriter.’ He expressed admiration for Browne’s willingness to engage with such politically significant subject matter through artistic expression, noting ‘his heart is unequivocally oriented toward justice.’

    Production credits for ‘Reparations’ extend to Justin ‘Juss Buss’ Nation, with organizational coordination handled by Digital1 Music. The artists intend for the composition to resonate within international forums, specifically naming the United Nations as a target audience for their advocacy. The work specifically addresses nations historically implicated in transatlantic slavery—including Spain, the Netherlands, the United Kingdom, and Portugal—urging them to reengage with reparative justice discussions.

    Through what Morgan terms ‘Rhythms of Resilience,’ the collaboration transcends musical achievement to become a cultural petition for equitable future reconciliation, transforming historical trauma into a demand for contemporary justice.

  • Machel’s back for big Color Me Red encore

    Machel’s back for big Color Me Red encore

    Saint Lucian Carnival preparations have reached a fever pitch with the announcement that soca megastar Machel Montano will serve as the headline performer for the prestigious Color Me Red (CMR) event. The landmark 20th anniversary celebration will unfold on Carnival Friday, July 17th, at the Beausejour Grounds in Gros Islet, solidifying its status as the season’s premier live concert and fete.

    Event organizers from Red Carnival unveiled their ambitious plans during a media launch at M Motors, signaling a triumphant return to grand-scale production. Thaddeus Antoine, co-founder and director, emphasized the significance of securing Montano, who previously dominated the CMR stage for five consecutive years from 2011 to 2015. This booking represents a strategic move to recapture the event’s legendary atmosphere.

    With a history of attracting top-tier regional soca talent while simultaneously providing a crucial platform for local artists, CMR has consistently set the standard for carnival experiences. This year’s theme, ‘Encore,’ draws inspiration directly from Montano’s 2026 hit single, promising a nostalgic yet fresh musical journey.

    Addressing previous logistical shortcomings, organizers have committed to significant enhancements, particularly in VIP patron services. Learning from competitor events, the plan includes deploying multiple food stations and caterers to improve guest satisfaction. Notably, the upgraded experience will extend beyond VIP areas, with general admission attendees receiving branded glasses to foster inclusive participation in the curated ambiance.

    Bank of Saint Lucia has been confirmed as the platinum sponsor for this milestone event, with additional performer announcements expected in the coming weeks.

  • Brandy and Monica to headline 2026 Jazz & Arts Festival

    Brandy and Monica to headline 2026 Jazz & Arts Festival

    The Saint Lucia Tourism Authority (SLTA) has officially announced that iconic 1990s R&B sensations Brandy and Monica will serve as the headline act for the 2025 Saint Lucia Jazz & Arts Festival finale. This confirmation came during a media briefing held at Sandals Regency on Tuesday, generating significant excitement within the music community.

    The duo, currently preparing for their highly anticipated “The Boy Is Mine Tour” reunion in 2025, will bring their legendary star power to the festival’s closing night on May 10. Their participation adds substantial prestige to an already impressive roster of international and Caribbean performers that includes Tems, Branford Marsalis, Skip Marley & the Original Wailers, and Esperanza Spalding.

    SLTA Chairman Thaddeus M. Antoine emphasized the significance of this booking, stating: “Monica and Brandy’s inclusion elevates anticipation among music lovers, cultural tastemakers and international travelers alike. Their performances promise to blend nostalgia with contemporary flair, aligning seamlessly with the festival’s tradition of showcasing world-class talent across genres while celebrating Caribbean culture, artistry and creativity.”

    The festival, which officially launched its lineup announcement on January 22, will run from April 30 through May 10. The event will feature diverse thematic nights including Kingdom Night, Pure Jazz, Caribbean Fusion and World Beats, offering varied musical experiences throughout its duration.

    Early bird tickets are currently available for the 11-day cultural extravaganza. The opening night will showcase dancehall artist Capleton, Valiant, Asa Bantan, D’YANI, Shervon Sealy, LM Stone and American country artist Amber Digby. The grand finale, dubbed “The Ultimate Celebration,” will feature additional performances by Mervin Wilkinson & Friends and Billy Ocean preceding the headlining set from Brandy and Monica.

  • Legacy keeps vintage vibes alive

    Legacy keeps vintage vibes alive

    The ninth annual Legacy showcase, a cornerstone of Saint Lucia’s Independence celebrations, once again demonstrated the timeless appeal of vintage calypso and soca music. Held at the purpose-built Pavilion in Rodney Bay, the event featured an extraordinary lineup of both emerging local talents and legendary regional performers, creating an electrifying atmosphere that captivated audiences of all generations.

    This year’s edition gained special distinction with the appearance of Destra, widely celebrated as the undisputed queen of bacchanal, who headlined as the special guest. The event attracted enthusiastic fans who arrived early to secure seating, while a vibrant younger contingent infused fresh energy into what has rapidly become the most anticipated cultural event of the year. The audience included prominent national figures such as Prime Minister Philip J. Pierre and Education Minister Kenson Casimir.

    The evening commenced with newcomer Anwar delivering a contemporary interpretation of TC Brown’s classic ‘Where Are They Now,’ establishing an innovative tone for subsequent performances. Rising artists including De Vine (‘Not Built for Backup’), J’urgen (‘Boom Boom Bye Bye’), and Ti Carro (‘Where Do We Go From Here’) showcased their distinctive interpretations of the traditional art forms.

    Legacy maintained its reputation for unexpected moments with a surprise appearance by former Culture Minister Damian Greaves, who once performed under the stage name Short Pants. His rendition of the classic ‘Haiti’ resonated deeply with attendees, creating one of the evening’s most memorable interludes.

    The highly anticipated return of Black I and Yati with ‘Rambo Diplomacy’ received overwhelming applause, their prolonged absence from the stage rendering the performance particularly poignant. Educator followed with dynamic uptempo numbers including ‘Manifesto’ and ‘Calypso Tyson,’ demonstrating his remarkable versatility in both Kweyol and English while proving calypso’s capacity for both lyrical depth and dance-driven rhythm.

    By the time Ashanti, acclaimed as ‘the people’s calypso king,’ took the stage, the venue had reached standing-room-only capacity. His powerful set culminated with the profoundly moving ‘Sufferers Song’ (better known as ‘Malayway’), widely considered among the finest calypso compositions ever created.

    Additional highlights included a rare performance by X-Man delivering ‘De Speaker’ and Mantius, former OECS Soca Monarch, reviving road-march nostalgia with classics like ‘Fire Burn Dem,’ ‘She She,’ and ‘Making Love.’ Following a brief intermission, Ricardo presented a medley of iconic Caribbean soca hits that seamlessly transitioned into performances by Arthur and Teddyson John, who maintained the event’s relentless party momentum.

    The energy reached its zenith when MC Ezi Hall introduced Destra. Dressed in sheer black athletic wear, the soca superstar unleashed an explosive set featuring crowd favorites including ‘Lucy,’ ‘Bonnie & Clyde,’ ‘Tremble It,’ and ‘It’s Carnival.’ Her performance evoked nostalgic memories of traditional carnival attire before the era of smartphones and disposable cups. Audiences were additionally treated to her new track ‘Happy People (Sourness),’ which was enthusiastically received.

    The celebration concluded with former Soca Monarch Alpha delivering a compact but immensely crowd-pleasing set that included ‘Cyar Wait,’ ‘Freedom,’ and ‘In De Ark,’ leaving audiences on their feet demanding encore performances even as the final curtain descended.

    Now firmly established as an integral component of Saint Lucia’s entertainment calendar, Legacy has transcended its Independence celebration origins to become a year-round cultural phenomenon that continues to honor the enduring power and relevance of Caribbean musical heritage.

  • Dgcine and ACU partner to strengthen Dominican documentary cinema

    Dgcine and ACU partner to strengthen Dominican documentary cinema

    SANTO DOMINGO – In a significant move to bolster the nation’s cinematic landscape, the General Directorate of Cinema (Dgcine) has entered into a formal partnership with the Dominican Association of Documentary Filmmakers (ACU). This collaborative agreement is strategically designed to enhance the visibility and distribution of indigenous non-fiction films while cultivating a more profound engagement with domestic audiences.

    The pact, formally executed at the Dgcine headquarters, represents a pivotal institutional effort to champion the expansion of the documentary genre. It focuses on creating robust platforms for exhibition and broadening the reach of Dominican narratives.

    A cornerstone of this initiative is the establishment of a dedicated monthly documentary forum at the Dominican Cinematheque. Each curated event will feature a film screening succeeded by an interactive dialogue session with attendees, fostering a dynamic environment for critical discourse. ACU and the Cinematheque will co-manage the programming to ensure a high-caliber and coherent lineup.

    Further provisions within the agreement facilitate ACU’s inclusion in a wider array of film cycles, exhibitions, and festivals orchestrated by Dgcine. The directorate will also extend technical and logistical resources for screenings. Moreover, the alliance paves the way for future cooperative ventures with international embassies and cultural bodies to stimulate cross-border professional dialogue and cultural interchange.

    Marianna Vargas Gurilieva, General Director of Dgcine, articulated that forging enduring audience relationships remains a primary hurdle for documentary filmmaking. She stressed that this initiative is a direct response, aiming for sustained audience development through consistent public events.

    Echoing this sentiment, ACU President Ingrid Cruz Espinal endorsed the creation of a permanent exhibition venue as a crucial step. She emphasized that such a space will not only solidify the bond between filmmakers and their viewers but also ensure the continued evolution and maturation of the documentary form within the country.

    Collectively, this endeavor seeks to democratize access to documentary content and encourage synergistic interactions among creators, institutional frameworks, and the public. This is envisioned to underpin the cultural sustainability of the Dominican documentary tradition and cement its integral role within the national cinema ecosystem.

  • With limited local support, Anatole crowdfunds next short film

    With limited local support, Anatole crowdfunds next short film

    Independent filmmaker Elijah Anatole, founder of Artlas Studios in Saint Lucia, has initiated a crowdfunding initiative through Greenlit to secure $15,000 in production funding for his upcoming short film ‘Letters From Ava.’ This move comes as his recently acclaimed project ‘Omyra’ continues to receive international recognition through film festival circuits.

    Anatole’s decision to pursue community-funded financing stems from what he describes as systemic lack of support for cinematic arts within Saint Lucia. Despite approaching numerous corporate entities and government agencies, the filmmaker reported that 99% of potential sponsors declined to provide assistance for distribution and festival participation costs.

    ‘There isn’t any substantial support mechanism for filmmakers in Saint Lucia,’ Anatole revealed to St. Lucia Times, highlighting that previous projects including ‘Me’ and the feature-length ‘Heartfall’ were primarily self-funded despite some collaborative partnerships.

    The new project, ‘Letters From Ava,’ will explore deeply human themes of familial bonds, mortality, and the grieving process through the intimate story of two sisters. Anatole emphasizes that the film remains intrinsically connected to Saint Lucian cultural context while addressing universal emotional experiences.

    Through the Greenlit campaign page, Anatole positions the funding drive as more than financial support: ‘You’re contributing to storytelling that values emotional honesty and reflection over spectacle. You’re supporting independent filmmaking from Saint Lucia and helping ensure Caribbean stories reach global audiences.’

    The filmmaker intends to leverage the international film festival circuit to showcase Caribbean narratives worldwide, viewing the project as an opportunity to strengthen the region’s presence in global cinematic discourse.