分类： entertainment

British-Jamaican dancehall artist Kurtici has transformed professional disappointment into musical inspiration with his latest release ‘Chip To Di Code’. The track, produced by Money Code Records, emerged from the artist’s personal experience of investing in business ventures that failed to deliver expected financial returns.

Kurtici, born Kerrick Bartley, creatively employs modern banking terminology as a metaphor for the universal struggle to secure rightful compensation for hard work. ‘The song represents that essential transaction between effort and payment—much like how you need both chip and code to access your funds,’ the artist explained from his London base in Brixton.

With thirteen years of professional musical experience, Kurtici has developed a distinctive style that blends authentic dancehall roots with contemporary relevance. His latest work demonstrates particular skill in translating street experiences into culturally resonant narratives that connect with diverse audiences worldwide.

Despite building his career primarily in the United Kingdom, the artist maintains strong connections to dancehall’s Jamaican origins and champions artistic authenticity. His personal journey through the music industry has included significant challenges, which he now channels into his creative process and mentorship message to emerging artists: maintain self-belief and cultural integrity regardless of commercial pressures.

The release marks another milestone in Kurtici’s ongoing mission to preserve dancehall’s traditional essence while adapting its expression to modern contexts and global audiences.

In a significant collaboration within the reggae music scene, celebrated roots-reggae artist Ras-I has joined forces with Grammy Award-winning musician Kabaka Pyramid to release a potent new single titled ‘These Are the Days.’ The track emerges as a powerful call to action, moving beyond mere spiritual contemplation to emphasize the necessity of tangible effort and determination in achieving one’s goals.

Centered on the compelling refrain that ‘prayers alone can’t do it,’ the song delivers a resonant message tailored for dreamers and creators actively engaged in pursuing their purpose. Ras-I describes the release as a profoundly personal milestone in his artistic evolution, reflecting a period of significant professional momentum. ‘This song felt right for this moment because I know that I am on the cusp of something great,’ he revealed, underscoring the philosophy that aspiration must be coupled with practical application.

The single’s emotional core is drawn from Ras-I’s personal history, with the chorus echoing exchanges he shared with his mother during pivotal moments in his career. Musically, the track is anchored by authentic roots-reggae instrumentation, featuring live drums by producer Keniel Drumz of Koastal King, alongside guitar work by Nnamdi Robinson, keyboard by Oniel Keys, and bass by Joshua Jones.

Kabaka Pyramid’s feature enriches the narrative with perspectives from his own unconventional journey to success. He emphasizes the value of perseverance and mentorship, stating, ‘I bring my unique journey, challenges, and experiences to the song. Collaborations helped me on my journey, so I feel a duty to do the same for the younger generation.’ Ras-I acknowledges this, noting that Kabaka’s career serves as an inspirational model of discipline for emerging artists.

‘These Are the Days’ also acts as the second preview of Ras-I’s forthcoming third studio album, ‘Heart of Love,’ scheduled for release on May 15, 2026. The album aims to explore the multifaceted nature of love, with this single focusing specifically on devotion to music, the artistic journey, and the inner passion that sustains creators through challenges. The track is now available across all major digital streaming platforms.

Emerging from a period of relative quiet, Rawyard Records has reestablished its presence in the music industry with a series of new releases throughout 2025, signaling a major comeback. The label, with deep roots in Kingston’s Cockburn Gardens, is now setting ambitious plans for 2026, focusing on a strategic push for its core artists.

Founder Neziah Nesbeth revealed in an interview with the Jamaica Observer that the label’s primary objective is to reintroduce its flagship act, Hot Frass, to the market. The St Thomas-born deejay achieved viral fame in 2019 with the massive street hit ‘Polo’. Nesbeth confirmed that the artist is preparing for a significant return with new material designed to create an even greater impact than his previous work. Hot Frass’s most recent single, ‘Bad Party’, has already been produced and released by the label.

Beyond its headline act, Rawyard Records is cultivating a roster of homegrown talent. Nesbeth is actively developing artists Activ and Sleepy Don, who both had releases in late 2025. Furthermore, the label has invested in three promising talents from the local community: Sleepy Don, KQ6, and Jah Be, each slated to release new singles in the coming year.

The label’s ethos is deeply intertwined with the rich musical heritage of its surroundings. Nesbeth himself was raised in Cockburn Gardens, an area renowned for its vibrant sound system culture during the 1970s and 1980s. This environment was dominated by legendary outfits like Stur Gav, operated by the iconic toaster U Roy and featuring talents such as deejays Josey Wales and Charlie Chaplin, alongside selector Inspector Willie.

This profound exposure to music legends directly inspired Nesbeth’s entry into the business. Prior to founding Rawyard Records in 2008, he built an impressive reputation as a producer, working with reggae and dancehall heavyweights including Anthony B, Sizzla, Lutan Fyah, and Fantan Mojah. This experience now informs the label’s artist-driven strategy as it positions itself for a dynamic year ahead.

Los Angeles-based deejay, rapper, and actor E-Dee has adopted an ambitious release strategy since establishing his Clarendon Records imprint in early 2025, demonstrating remarkable productivity with multiple singles and an EP release within a condensed timeframe. Contrary to industry concerns about market oversaturation, the artist argues that his approach of delivering four tracks in just three months has generated significant benefits by maintaining audience engagement and building sustained momentum.

The Jamaican-born artist, who has resided in Los Angeles for over fifteen years, recently unveiled ‘She’s Loyal’ in February as the follow-up to his previous singles ‘Pretty Girl,’ ‘Tough Road,’ and ‘We A Rebuild.’ In an exclusive interview with Observer Online, E-Dee elaborated on his strategic approach: ‘Releasing four songs in three months has been hugely beneficial for me. It keeps the momentum going, builds buzz in the dancehall and reggae scenes, and lets me connect with fans consistently.’ He further noted the tangible results of this strategy, citing increased streaming numbers and expanded audience reach while maintaining creative productivity.

E-Dee emphasizes artistic diversity within his release catalog, explaining that each track serves a distinct purpose and embodies different thematic elements. ‘Pretty Girl’ presents as an up-tempo, rap-heavy celebration of beauty and enjoyment, while ‘Tough Road’—a collaborative effort with Edley Shine, Beniton, and Honorebel—captures raw dancehall energy centered on street culture. By contrast, ‘She’s Loyal’ represents a deliberate shift toward smoother, more romantic dancehall sounds with lyrics exploring loyalty and authentic relationships, creating a radio-ready yet introspective composition without compromising rhythmic integrity.

Beyond his musical endeavors, E-Dee maintains an acting career with appearances in films including ‘Out The Gate’ and ‘Temperature Rising.’ His December release ‘We A Rebuild’ carried particular significance, inspired by the devastation wrought by Hurricane Melissa which struck Jamaica in October. Earlier in his release schedule, the artist dropped the five-song EP ‘Grateful,’ featuring collaborations with Ginjah and Jah Malo, further demonstrating his commitment to both solo and collaborative projects within the genre.

KINGSTON, Jamaica — Symphony B Records, founded by seasoned music producer and publicist Ralston Barrett, is preparing to launch a significant new reggae compilation titled “Jailhouse Set Me Free Rhythm Vol 1.” This meticulously curated project showcases an impressive ensemble of reggae artists who contribute their voices to create a collection of spiritually conscious and socially resonant music. Scheduled for global release on March 27, the album will be distributed internationally through ONErpm, ensuring its accessibility to reggae enthusiasts worldwide.

The artist roster includes renowned names such as Turbulence, Ginjah, DYCR, Kuanna, Ras Fraser Jr, SPayde 876, Wise Wurdz, Johnson Code, Jah Single, Septimus, and Ajaisaint Jude. Each performer brings distinctive vocal artistry to the project while maintaining cohesion through the foundational one-drop rhythm—a quintessential reggae beat pattern known for its cultural authenticity and melodic steadiness.

Barrett describes the production as a profound labor of love, emphasizing his dual dedication to musical craftsmanship and his desire to leave a meaningful legacy for his daughter through Symphony B Records. “Producing this rhythm was truly a labor of love for me,” Barrett stated. “I have always had a deep passion for music production and creating songs that people can feel and connect with.”

Thematically, the compilation explores issues of cultural identity, social justice, personal resilience, and hope. It follows Barrett’s earlier successful project, the 2021 “Sobriety Test Rhythm,” which featured performances by Capleton, Delly Ranx, Ffurious, and Tellah. This new volume continues Barrett’s mission to preserve traditional reggae sounds while providing a platform for both established and emerging talents within the genre.

Kingston prepares to transform into a vibrant poetry hub from March 15-21 as the inaugural Kingston Poetry Week launches with an ambitious program designed to appeal to diverse artistic tastes. Conceptualized by JAIKU founder Kacy Garvey, the festival emerged from her observation of fragmented poetry events occurring simultaneously throughout the city.

Garvey identified a critical need to consolidate Kingston’s poetry scene after noticing multiple organizations hosting isolated events during World Poetry Day celebrations. “I just thought it was ridiculous because we’re all trying to get the same people in the same room,” she explained to Observer Online. Her solution—creating a unified promotional platform—previously demonstrated remarkable success, tripling participation for writing workshops through centralized marketing.

This year’s comprehensive schedule showcases poetry’s multifaceted nature, ranging from technological innovation to traditional performances. The program includes a blockchain publishing symposium led by an IT specialist from the United Arab Emirates, contrasting with rootsy dub poetry nights and artsy gallery exhibitions. The week will feature cross-disciplinary collaborations with filmmakers, storytellers, jazz musicians, and visual artists, demonstrating poetry’s interdisciplinary potential.

International contributors from Bermuda, New York, and Uganda will join Jamaican poets in events carefully curated around the theme “Poetry that Builds Bridges.” Each event has been designed to ensure every poetry enthusiast finds their preferred expression, from spiritual gatherings at Fellowship Tabernacle to unfiltered discussions on masculinity at the US Embassy’s Robeson American Centre.

Garvey envisions the festival transforming public perception of poetry from academic obligation to dynamic art form and viable income source. “We want to take poetry off the page… and show it as a dynamic, exciting form of expression and income generation,” she emphasized. The festival culminates with a grand finale pop-up event in downtown Kingston’s artistic epicenter, Water Lane, symbolizing poetry’s return to public spaces.