The Remembrance Day parade serves as a solemn occasion to honor those who made the ultimate sacrifice in service to their nation, protecting citizens from tyranny. This year, however, marked a notable absence of key political and security figures, including the Prime Minister, the Leader of the Opposition, the Homeland Security Minister, and the Commissioner of Police, who traditionally lay wreaths in their official capacities. While the absence of these leaders may have been due to valid reasons, it raises concerns about the diminishing presence of dignitaries at such significant events. The author, Gary Griffith, emphasizes that this ceremony is not merely a military affair but a national observance that requires the participation of all leaders. The Prime Minister, as chair of the National Security Council, and the Opposition Leader, as an alternate commander, hold direct responsibilities over the military. Similarly, the Homeland Security Minister and the Police Commissioner play crucial roles in supporting the Defence Force and protective services. Griffith appeals to those in authority to prioritize this event, dedicating just one hour annually to honor the fallen. Such attendance not only pays respect to past sacrifices but also inspires current members of the Defence Force and protective services, reinforcing the nation’s commitment to those who serve.
作者： admin
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Kairi People hosts Runaway all-inclusive fete on November 12
Kairi People, a renowned event management and promotion company, has unveiled its latest venture, ‘Beats,’ located at the intersection of Tragarete Road and White Street in Woodbrook. This vibrant new venue combines food, drinks, and entertainment under one roof, offering a convenient and accessible hotspot for locals and visitors alike. Additionally, ‘Beats’ will function as a ticket outlet for all Kairi People events, further enhancing its utility and appeal. The launch of ‘Beats’ follows the official commencement of Carnival 2026, which was celebrated last Friday at the Brian Lara Promenade in Port of Spain.
In preparation for Carnival 2026, Kairi People is set to host its highly anticipated ‘Runaway’ event on November 12 at the Southern Ranch in Debe. The event promises an impressive lineup of soca stars and entertainers, including Voice, Patrice Roberts, D All Starz band, College Boy Jesse, Viking Ding Dong, Mical Teja, The Freetown Collective, Blaka Dan, Sackie, Anika Berry, Sekon Sta, and Yung Bredda. Notably, the top-rated A Team Band will make its debut performance at ‘Runaway,’ with its all-new frontline cast officially launching on November 13 at The Bungalow Restaurant and Lounge in St Clair.
These developments underscore Kairi People’s commitment to delivering exceptional entertainment experiences and solidifying its reputation as a leading force in Trinidad and Tobago’s vibrant cultural scene.
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Orlando Griffith’s journey back to purpose
After a 20-year hiatus from the art world, Orlando Griffith, known professionally as ‘Morpheus,’ is making a triumphant return with his debut solo exhibition, ‘Lucid: Dreams Don’t Sleep.’ The exhibition, set to open on November 21 at Arnim’s Art Gallery in Port of Spain, delves into themes of memory, grief, and the profound power of presence. Griffith’s journey back to art was sparked by the loss of his father in January 2022, who, in his final days, affirmed Griffith’s artistic vision. This blessing reignited a dormant passion, transforming art into a medium for healing and rediscovery. Griffith’s creative process is deeply rooted in reflection and gratitude, with each piece serving as a tribute to the time shared with his father. The exhibition features 60 works, including 30 paintings and 30 fine-art photographs, each capturing moments of stillness and presence in Caribbean nature. Griffith’s unique approach to art, which seamlessly blends painting and photography, invites viewers to slow down and observe the often-overlooked beauty of the world around them. The title ‘Lucid: Dreams Don’t Sleep’ reflects Griffith’s belief that dreams, both literal and symbolic, continue to live within us even when we’re awake. The exhibition is not just a return to art for Griffith but a lifelong conversation with presence, evolving into a series that explores different aspects of stillness and observation. Griffith’s work is a testament to the quiet, reflective side of Trinidad and Tobago, offering a counterpoint to the high-energy Carnival culture. His advice to emerging Caribbean artists is to build from what feels honest to them, trusting that small beginnings can carry global weight. ‘Lucid: Dreams Don’t Sleep’ runs until December 5, with extended viewing hours on Mondays and Wednesdays.
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Shaw Peters on show at Studio Joli
Studio Joli is proud to present Shawn Peters’ latest exhibition, ‘I Think in Line and in Colour,’ opening on November 13. Now in his 50s, Peters is widely regarded as an established and accomplished artist, with a career spanning over two decades. His works are prominently displayed in prestigious locations such as the Prime Minister’s Diplomatic Centre, various government departments, and major collections across Trinidad and Tobago, including Angostura, the Central Bank, and the National Museum. Peters has also showcased his art internationally, with exhibitions in the Caribbean, including Cuba, and around the globe.
Throughout his artistic journey, Peters has collaborated with and been influenced by renowned artists such as Emheyo Bahabba, Guy Beckles, the Boothman brothers, Edward Bowen, Holly Guyadeen, Shastri Maharaj, Gregory Williams, and Che Lovelace. He has also maintained friendships with artists from Barbados, Suriname, and other regions. Leroy Clarke, Carlisle Harris, Ken Crichlow, and Makemba Kunle are among his key mentors, shaping his unique artistic voice.
Peters’ work is characterized by distorted figures and cubist tendencies, a signature style that has earned him recognition and acclaim. As Kunle once noted, ‘He is meticulous in his rendering of line, colour, and texture, often achieving a sleek appearance. For those who know him, slickness is his dress code.’
When asked for his artist statement for this collection, Peters offered a profound reflection: ‘I would not wish myself on anyone else, and yet, I would not wish to be anyone else but myself.’ This sentiment encapsulates the individuality and authenticity that define his art.
The exhibition will run from November 13 to November 27 at Studio Joli, located at 21 Henry Pierre Street, St James. Opening hours are 10 am to 6 pm Monday to Friday and 10 am to 2 pm on Saturdays. For more information, contact 705-7907 or 705-7909, email studiojoli.tt@gmail.com, or visit their website at www.studiojoli.net.
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Latapy: We’re building and getting better
As Trinidad and Tobago’s men’s national football team prepares for a pivotal Concacaf World Cup qualifier against Jamaica on November 13, assistant coach Russell Latapy reflects on the team’s progress under head coach Dwight Yorke. Appointed just over a year ago, Yorke has instilled a new philosophy and style of play, aiming to achieve two primary objectives: qualifying for the 2026 FIFA World Cup and restoring stability to the nation’s football. Currently third in Group B with five points, the team faces a must-win match at the Hasely Crawford Stadium in Mucurapo to keep their World Cup dreams alive. The top team in each of the three final-round groups will secure a spot in the World Cup, with the two best second-placed teams advancing to an intercontinental playoff. Latapy emphasized the importance of defensive solidity and clinical finishing, acknowledging the team’s improvement but highlighting the need for better conversion of chances. Despite scoring only four goals in four matches, compared to Jamaica’s ten and Curacao’s six, Latapy expressed satisfaction with the team’s progress and their commitment to Yorke’s methods. The inclusion of uncapped forward Roald Mitchell and other fresh talents underscores Yorke’s strategy to strengthen the squad. With the ultimate prize of World Cup qualification still within reach, Latapy remains optimistic about the team’s potential to achieve their goals.
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Legal obstacles to revitalisation plan
The success of any revitalisation plan, particularly one aimed at attracting substantial domestic and foreign investment, hinges on a supportive legal and regulatory framework. In Trinidad and Tobago (TT), the Exchange Control Act, Foreign Investment Act, and the role of the Industrial Court are pivotal components of this framework. However, these legal instruments, while designed to protect national interests, may inadvertently create barriers for potential investors. This analysis delves into how each of these mechanisms can hinder investment flows and the broader revitalisation agenda.
The Exchange Control Act, established to regulate the flow of foreign currency, aims to protect reserves and maintain economic stability. Yet, stringent controls on profit repatriation, capital transfers, and currency conversion can lead to uncertainty and operational challenges for investors. Delays in profit repatriation, limited access to foreign exchange, and increased administrative burdens can deter both local and foreign investors, prompting them to seek more flexible environments.
The Foreign Investment Act, intended to regulate foreign participation in TT’s economy, particularly in sensitive sectors, introduces several obstacles. Ownership caps, approval requirements, and policy unpredictability can discourage large-scale investments and joint ventures. These limitations may lead foreign investors to perceive TT as a less open and predictable market, diverting capital to more liberalised jurisdictions.
The Industrial Court, crucial for maintaining industrial harmony and upholding workers’ rights, can also present challenges for investors. Rigid labour regulations, delays in dispute resolution, and increased operational costs can deter investors who prioritise labour flexibility and certainty. While the court’s mandate is to ensure fairness, the perception of a pro-worker bias and unpredictable outcomes may hinder investment.
In summary, while the Exchange Control Act, Foreign Investment Act, and the Industrial Court serve important national objectives, their cumulative effect can obstruct investment into revitalisation plans. Regulatory uncertainty, administrative burdens, and perceived inflexibility may drive potential investors to seek alternative destinations. To attract and retain investment, policymakers may need to reassess these instruments and consider reforms that balance national interests with the need for economic dynamism and growth.
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More nauseating US visa rules
The Trump administration has introduced stringent health-based criteria for legal migrants, sparking controversy and criticism. According to a directive reportedly issued on November 5 to US embassies worldwide, individuals seeking to immigrate to the United States through formal channels can now be denied entry based on pre-existing medical conditions or obesity. The guidelines cite conditions such as cardiovascular diseases, respiratory illnesses, cancers, diabetes, and mental health disorders, which could potentially incur significant healthcare costs. This move has drawn sharp scrutiny, particularly given President Donald Trump’s own history of obesity and his recent diagnosis of chronic venous insufficiency, a cardiovascular condition. Despite his health challenges, Trump has consistently portrayed himself as fit and capable of fulfilling his presidential duties. Critics argue that the new policy reflects a double standard, as Trump’s ailments are deemed inconsequential, while migrants with similar conditions are labeled as burdens on the public healthcare system. Public health experts have countered this narrative, with a July 2024 analysis by Drishti Pillai and Samantha Artiga revealing that immigrants generally incur lower healthcare costs than US-born citizens. The policy also raises concerns about the arbitrary nature of decision-making, as visa officers, rather than medical professionals, are tasked with assessing applicants’ long-term health viability. This development marks another chapter in the Republican Party’s contentious approach to immigration, which has increasingly targeted legal migrants, including college students and others, under the guise of fiscal responsibility.
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Tobago Visual Arts Association elects new executive board
The Tobago Visual Arts Association (TVAA) has unveiled its newly elected executive board for the 2025-2027 term, following a pivotal election held at the historic Kimme Museum in Mt Irvine, Tobago. The election, conducted on October 5, underscores the association’s unwavering commitment to nurturing and promoting the visual arts and artists of Tobago. The newly appointed leadership includes Martin Superville as president, Arletys Arias Valdespino as vice president, Natasha Amber Shaw as secretary, Latoyaa Roberts-Thomas as assistant secretary, Duneski Lora Pileta as treasurer, Nicolas McKenna and Kemo De Leon as ordinary members, and Dr. James Armstrong as immediate past president. Martin Superville, a self-taught artist with over three decades of experience and the owner of an art gallery in Tobago, expressed his enthusiasm for his new role. ‘It is an honor to lead the Tobago Visual Arts Association during such a transformative period for our creative community,’ Superville remarked. ‘My goal is to fortify the connection between Tobago’s artists, our institutions, and the broader Caribbean art world. Together, we will continue to narrate our stories through color, movement, and imagination, celebrating Tobago’s unique spirit with every brushstroke.’ The TVAA extended its gratitude to the outgoing members and past leadership for their invaluable contributions to the local arts community. The new board has vowed to enhance creativity, collaboration, and opportunities for Tobago’s artists through exhibitions, educational initiatives, and advocacy for the visual arts sector. The association remains steadfast in its mission to cultivate a vibrant and inclusive artistic community that mirrors Tobago’s cultural richness and diversity. For more information, contact the TVAA via email at tobagovisualarts@gmail.com, call 771-5455 or 709-9988, or visit their Facebook page.
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Final chance to see Yuh Doh Leave Fowl To Watch Corn!
After months of captivating audiences with its uproarious humor and sold-out shows, RS/RR Productions’ acclaimed play, ‘Yuh Doh Leave Fowl to Watch Corn!’, is set to conclude its run with two final performances on November 15 and 16 at Cipriani College. The play, a riotous comedy, takes viewers through a day of escalating chaos, featuring women waking up in the wrong beds, men vehemently denying their involvement, and a maid who struggles to keep secrets. As the Trinidadian proverb suggests, leaving a fowl to watch corn is a recipe for disaster, and this production delivers an evening of unbridled mischief and laughter. The stellar cast includes Richard Ragoobarsingh, Leslie Ann Lavine, Zo Mari Tanker, Kala Neehall, Benita Wilson, and Andrew Friday, under the co-direction of Debra Boucaud Mason and Ragoobarsingh. The box office opens on November 12 from 12 pm to 6 pm, with showtimes scheduled for November 15 at 8:30 pm and November 16 at 6:30 pm. For ticket inquiries, contact 481-2185, 338-6024, or 744-7581.
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Jackie Hinkson launches Sketchpad Collection at Nalis on November 12
The National Library and Information System Authority (Nalis) has partnered with renowned artist Jackie Hinkson to present an interactive exhibition featuring The Jackie Hinkson Sketchpad Collection. The event, scheduled to commence on November 12, will be held at the Rotunda, National Library of Trinidad and Tobago, located at 23 Abercromby Street, Port of Spain, starting at 5:30 pm. This exhibition will display over 210 sketchpads, offering a glimpse into Hinkson’s creative process and preliminary artistic perspectives. Among these, 60 items were generously donated by Hinkson and are now part of The University of the West Indies’ collection. For more than six decades, Hinkson has significantly enriched Trinidad and Tobago’s cultural landscape through his street art, large murals, and wood sculptures. His contributions were internationally recognized in 2010 when over 100 of his sketchpads were inscribed by UNESCO into the Local Memory of the World Register. Additionally, he was awarded the Chaconia Medal (Gold) for his outstanding contributions to the nation’s cultural heritage. Hinkson believes that drawing is the most direct and intimate way to respond to the physical and social environment, and he aims to inspire future generations of artists through his work. The exhibition will remain open to the public until November 22, during regular library hours at the Rotunda, Nalis.