Kukudoo is dead

Jamaica’s celebrated gospel community is mourning the loss of one of its most distinctive and beloved voices, David ‘Kukudoo’ McDermott, who passed away after a short, aggressive battle with non-Hodgkin lymphoma. The singer’s family officially confirmed his death in a statement posted to his social media channels on Friday, bringing an outpouring of tributes from fans, peers and public figures across the island and beyond.

McDermott was 56 years old, and leaves behind three children who survive him. The family’s post conveyed profound grief while asking for privacy as they process their loss: “It is with a heavy heart that we, the family of David ‘Kukudoo’ McDermott, have to tell the public that he passed this morning…at this time we ask for grace and respect in our time of grief.”

The beloved performer was only diagnosed with the blood cancer in late February of this year. According to his long-time manager Nicholas Marks, who began working with McDermott in 2018, delays in critical testing and the singer’s rapidly declining health cut short any chance of life-saving treatment. Speaking to the Jamaica Observer in an emotional interview, Marks explained, “The tests were sent to Florida to determine the best course of action to treat him but we never got back the results in time, it was supposed to take six weeks. David was too weak to do chemotherapy…he just ran out of time.”

Non-Hodgkin lymphoma is a widespread form of blood cancer that develops in the lymphatic system, occurring when infection-fighting white blood cells called lymphocytes mutate and begin to multiply uncontrollably, often forming solid tumors in the lymph nodes.

Beyond his talent as a performer, Marks remembered McDermott as a deeply authentic, driven person who poured his entire heart into every project he took on, especially his music. For years, the pair had been working toward releasing McDermott’s final studio album, titled *Life’s Journey*, a project that was repeatedly put on hold as the singer’s health declined. Three years after work began, only 10 of the planned 12 tracks had been completed when McDermott died. Marks remains committed to releasing the unfinished project, saying he believes it carries a special, greater purpose: “This album must have some greater purpose. From we decided to do the album he began to get sick; yuh cyaan tell me it don’t have a purpose.” This year, the pair had ramped up efforts to complete the record before his passing.

McDermott’s road to gospel stardom began with humble roots. Before launching his full-time music career, he worked as a machine operator at the now-shuttered Bernard Lodge Sugar Estate. He got his start performing at traditional Jamaican nine-night funeral wakes, known locally as dead yards, performing under the early stage name King David. His breakthrough came by chance one evening when a church band was playing a nine-night gig: a sound engineer recorded his impromptu performance, pressed it to a CD, and within weeks, tracks like *See People Business* and *Leave It Alone* dominated local radio airplay, becoming staples on public transportation across Jamaica. The once little-known performer was now a rising star.

His career quickly grew into a full-time calling, and he became a permanent fixture at the annual Jamaica Independence Gala, where he won over crowds with his signature blend of rousing mento-influenced gospel music. He built a large international fanbase, particularly in the United States, and is widely recognized as one of the most influential Jamaican gospel artists of his generation. “When you mention any gospel artiste out of Jamaica, Kukudoo has to be part of the conversation, he has to be mentioned. He was a wonderful performer and a genuine individual,” Marks added.

Jamaica’s Minister of Culture and Entertainment Olivia Grange was among the public figures to share her sorrow at the news of McDermott’s passing, honoring his outsized impact on Jamaican culture. She hailed him as “a cultural force whose work celebrated African-derived spiritual traditions within Jamaican society.” Grange noted that his music resonated with people across every generation and social group, adding that his passing is “a great loss and he would be sorely missed.”