Israelis dance on at Tel Aviv ‘bunker party’ as missiles fly

TEL AVIV (AFP) — Beneath the streets of Tel Aviv, where missile alerts have become routine, an unexpected phenomenon has emerged: underground raves transforming bomb shelters into pulsating dance venues. Approximately 200 young Israelis recently gathered in a downtown basement, their movements synchronized to thumping techno beats—a stark contrast to the conflict with Iran raging above ground.

The initiative began when a group of friends, stranded in Tel Aviv due to flight cancellations following the outbreak of hostilities, sought to reclaim nightlife from wartime restrictions. Ruben Chekroun, a French-Israeli organizer, explained the psychological motivation: “Dancing in difficult times is a relief. It gives us strength. It’s hard right now, so we might as well try to make the best of it.”

Since the conflict ignited on February 28 with US-Israeli missile strikes killing Iranian Supreme Leader Ali Khamenei—prompting Tehran’s drone and missile counterattacks—these semi-clandestine events have proliferated. Utilizing specially designated underground parking lots and club basements, organizers have hosted four “bunker parties” advertised through social media. Despite technically violating mass gathering restrictions, authorities have tolerated the events after police inspections confirmed their safety compliance.

Above ground, Tel Aviv maintains a paradoxical normality. Mediterranean joggers and beach yoga sessions continue alongside café culture at establishments like Chacho’s, where baristas serve lattes beneath tattooed forearms. Yet this veneer of calm is punctuated by daily missile alerts, sending residents to shelters stocked with table football and Harry Potter books—a testament to Israel’s long adaptation to security threats since the October 2023 Hamas attack.

The human cost remains ever-present: recent strikes north of Ben Gurion Airport killed two construction workers, bringing Israel’s death toll to twelve. Yet in the shelters-turned-dancefloors, participants like “Goldilocks” emphasize the dual purpose: “It’s just like being in a shelter. If there’s a siren, we’re protected from the bombing. It’s the place to be!”