In the traditional arena of Trinidadian stickfighting, known as the gayelle, 35-year-old O’Neil Odle from New Grant has established himself as a living legend. The four-time National Carnival Commission’s King of the Rock champion continues his dominant streak in 2026, securing victories at both the Debe Junction and Moruga competitions in January.
Odle’s connection to the sport runs deeper than mere competition—it represents a profound family legacy. His late grandfather, Middle ‘Congo Bara’ Odle, and father, Middle Jr Odle, were both revered figures in the stickfighting community. Despite this heritage, Odle initially pursued boxing during his school years, maintaining an undefeated record across regional matches.
The transition to stickfighting at age 18 came after boxing coaches rejected his aggressive training style. His mother expressed concerns about the violent nature of the sport, but Odle remained determined to follow his destiny. Sixteen years later, he has sustained numerous injuries, including four significant head wounds, yet his passion remains undiminished.
Beyond the physical aspects, Odle emphasizes the mental discipline required for success. ‘You must control frustration and anger. Complete focus is essential—any distraction or emotional turmoil makes you vulnerable to strikes,’ he explains, noting how top fighters maintain remarkable calmness in the arena.
Odle’s life outside the gayelle reflects similar resilience. Forced into maturity at 13 when his father passed away, he worked cutting cane to fund his education while supporting his six siblings. Now working in construction and father to two daughters, Odle views stickfighting as cultural preservation. ‘This tradition comes from our Merikin ancestors in the 1800s conflicts. It’s about lineage—it’s in our blood,’ he states, connecting his personal journey to broader historical narratives.
With the National Stickfighting Finals approaching on February 9, Odle stands as the competitor to beat, embodying both athletic excellence and cultural continuity in Trinidad’s traditional martial art.
