Cuba’s National Union of Artists and Writers (UNEAC) has conferred its highest dance distinction upon Argentine ballerina Marianela Núñez, recognizing her as one of the most exceptional dance artists of the contemporary era. The prestigious award, established in 2008, honors iconic figures who have made extraordinary contributions to the world of dance.
Critic Ahmed Piñero, in his official declaration, described Núñez as “perhaps the most extraordinary ballerina of our time,” emphasizing her profound artistic impact. The recognition comes shortly after Núñez’s remarkable performances in Havana, where she partnered with Cuban dancer Patricio Revé in a celebrated production of the classic ballet Don Quixote.
The collaboration between Núñez and Revé—a principal dancer with both London’s Royal Ballet and Australia’s Queensland Ballet—demonstrated exceptional artistic chemistry and technical mastery. Their performances with the National Ballet of Cuba were met with widespread acclaim from audiences and critics alike.
Piñero further reflected on Núñez’s deep connections to Cuban ballet traditions, noting that the Argentine dancer considers dance her true homeland. “For Marianela,” he asserted, “ballet has always been more than just her profession; it’s a calling.”
The ballet specialist highlighted Núñez’s rapid ascent to the pinnacle of her art, achieving the coveted rank of prima ballerina with Britain’s Royal Ballet at just twenty years of age. In a significant comparison, Piñero drew parallels between Núñez’s artistry and that of Cuban ballet legend Alicia Alonso, noting that both dancers prioritize expressive interpretation over technical display, subordinating virtuosity to dramatic authenticity.
This honor adds to Núñez’s recent recognitions, including the Most Excellent Order of the British Empire bestowed by King Charles III, cementing her status as a truly global ballet icon.