The Caribbean music scene has achieved a remarkable crossover success with the viral hit ‘Shake It To The Max (Fly) Remix,’ a collaborative track featuring artists Moliy, Silent Addy, Skillibeng, and Shenseea. The infectious fusion of dancehall and Afrobeats rhythms has earned prestigious recognition from two of America’s most influential music publications, with Rolling Stone ranking it at #52 and Pitchfork at #72 on their respective ‘100 Best Songs of 2025’ lists.
The track’s chart performance has been nothing short of extraordinary, dominating multiple Billboard categories including Rhythmic Airplay, World Digital Song Sales, and US Afrobeats Songs charts. It achieved top-10 placements across several key metrics including Hot R&B/Hip Hop Songs, Radio Songs, and Pop Airplay, while peaking at #44 on the all-genre Billboard Hot 100.
Lionel Ridenour, Executive Vice President of Promotions at gamma, celebrated the achievement: ‘What an amazing year for these artists. A record born in January became one of the top global songs of the summer, reaching #1 on US Urban & Rhythm radio formats while continuing to grow with over a billion streams.’
Industry veterans are recognizing the track’s cultural significance beyond its commercial success. Willie Daniels, a respected American radio programmer known for promoting Caribbean music, declared it ‘the song of the summer’ that dominated both clubs and radio rotations.
The success has sparked important conversations about Caribbean music’s place in mainstream media. Tamara Hernandez, Lead of Mixshow Radio Promotions at Atlantic Records, views the track as ‘more than just a big hit—it’s a statement proving that dancehall and Afro fusion are potent, boundary-breaking genres capable of crossing continents and mixing cultures.’
However, industry experts caution against viewing this as an automatic gateway for broader Caribbean music acceptance. Hernandez notes that ‘US radio moves slow with dancehall because many program directors still see it as ‘specialty’ content. They follow data first—Shazam numbers, streaming metrics, and TikTok trends—rather than cultural momentum.’
An anonymous Warner Records executive provided historical context: ‘Reggae and dancehall have had global presence for decades, particularly during summer seasons. This success reminds us that Caribbean producers and artists can create global impact, but the genre needs continued hits that expand beyond niche markets.’
The track’s organic growth pattern—beginning with viral dance challenges online before gaining radio traction—demonstrates the evolving pathway for Caribbean music penetration. The remix has already earned gold certifications in Greece, New Zealand, and the United Kingdom, with platinum status in France, cementing its status as a genuine international phenomenon.