Cultural Minister Michelle Benjamin faces mounting pressure to address the funding crisis threatening Trinidad’s steelband tradition, as revealed in a recent editorial published by Newsday. The scathing critique exposes what the author describes as corporate exploitation of Carnival celebrations without adequate financial support for the cultural foundations that make the festival possible.
The editorial, submitted by Gordon Laughlin via email, presents a compelling case against what he characterizes as corporate Trinidad’s imbalanced relationship with Carnival. According to the analysis, numerous commercial entities—including hotel chains, event promoters, tourism operators, chambers of commerce, and even energy corporations—significantly profit from the international attention and cultural capital generated by the festival. Despite this financial benefit, these organizations allegedly provide minimal support to the steelbands that create the musical backbone of Carnival celebrations.
Steelbands represent more than mere entertainment, the piece emphasizes. They constitute both the rhythmic heartbeat of Trinidad’s most famous cultural export and a historically significant musical innovation—the only instrument invented during the 20th century that has achieved global recognition. Despite this cultural importance, steelbands reportedly face persistent financial challenges, forced to assemble limited resources annually while corporate entities generate millions in revenue from Carnival-associated activities.
The editorial issues a direct appeal to the Ministry of Culture for immediate intervention, demanding the establishment of mandatory long-term sponsorship contracts for corporations benefiting from Carnival. The author argues that sustained financial commitment represents an essential requirement rather than an optional contribution, framing corporate support as an ethical obligation rather than charitable donation.
The piece concludes with an ultimatum for commercial entities: either provide substantial support to preserve Trinidad’s cultural heritage or relinquish their profitable association with Carnival. The criticism highlights growing concerns about cultural sustainability amid commercial exploitation, presenting a challenge for cultural authorities to balance economic interests with cultural preservation.