Belmont-based independent mas band Vulgar Fraction is poised to introduce its groundbreaking 2026 Carnival presentation titled ‘TantiBlak’ through two significant events scheduled for January 21 and 28. Both gatherings will convene at 24 Erthig Road, Belmont commencing at 6:30 pm, featuring a live discussion and official band launch respectively.
According to founder and creative director Robert Young, TantiBlak represents an innovative cultural synthesis that channels the anti-anti-blackness movement through the symbolic Caribbean figure of the Tantie—a revered icon embodying care, truth, and resistance. This conceptual framework extends beyond mere opposition to racism, embracing a broader practice of refusal and reimagining societal structures.
The philosophical foundation positions Blackness not as a racial category but as a dynamic condition of becoming—characterized by fluidity, incompletion, and boundless potential. This perspective acknowledges how Blackness is shaped through historical loss, survival mechanisms, cultural improvisation, and the courage to transcend externally imposed limitations.
Young explains the conceptual origin: ‘The terminology emerged from contemplating our collective response to anti-blackness, which we term anti-anti-blackness. The phonetic resonance between ‘anti’ and ‘aunty’ naturally evolved into Tantie—the reassuring figure who affirms self-worth while teaching resistance without self-erasure.’
Vulgar Fraction deliberately grounds this global discourse in Caribbean vernacular through Carnival expressions, making complex theoretical concepts accessible through masquerade, kaiso, and local cultural frameworks. The project examines how blackness transcends identity politics, functioning as an experimental space that raises fundamental questions about power dynamics, historical erasure, and how marginalized communities navigate dominant systems.
Citing philosopher Bayo Akomolafe’s concept of cracks as spaces where new worlds are rehearsed, Young emphasizes: ‘We’re fascinated by the crack not as weakness but as intelligence—precisely where the Tantie demonstrates her resilience through strategic adaptation and skillful navigation of challenging circumstances.’
The band’s aesthetic approach will feature layered black textures creating simultaneous sensations of menace and intimacy. ‘I want the presentation to feel unsettling yet affirming,’ Young notes, ‘inviting participants to confront internalized anti-blackness while reflecting on self-definition and protection.’
The January 21 live talk will feature cultural practitioners Camille Quamina, Omari Ashby, and mental health professional Shivonne DuBarry. The band launch culminates in a procession led by moko jumbie king Adrian ‘Daddy Jumbie’ Young accompanied by Egbe Omo Oni Isese drummers, with presentations by researcher Abeo Jackson and cultural creative Marva Newton. A post-Carnival discussion featuring Professor Kevin Adonis Brown is scheduled for February.