Carl Meeks rides timeless beats with ‘Classeeks’

Veteran dancehall artist Carl Meeks has unveiled his latest musical project, “Classeeks,” marking his second album release for 2025. The collection debuted on December 12th under the RubADub MKRT label, with production handled by French music producer Cedrik “Kiko” Ynesta.

True to its evocative title, the album serves as a deliberate homage to dancehall’s foundational years. Meeks and Ynesta have carefully selected thirteen tracks built upon iconic riddims that have shaped the genre across four decades. These include legendary rhythmic patterns such as Throw Me Corn, Movie Star, and Mr Bassie—each reimagined for contemporary audiences while preserving their original character.

The conceptual framework originated from Ynesta, who proposed revisiting these timeless musical foundations that first captivated Meeks during his regular attendance at dancehall events in 1970s and 1980s Kingston. The North Carolina-based artist acknowledged the emotional resonance of these productions, stating: “These riddims are so special because that’s where dancehall music started, so it gives me that vibe.

Among the standout tracks is “What’s Going On,” a collaborative piece with deejay Screechy Dan currently gaining traction within music circles. The album also features previously released singles including “No Regrets,” “Ram Dance Master” featuring Johnny P, and “Walking Dead” with Derrick Parker.

Meeks first rose to prominence in the late 1980s through hits like “Weh Dem Fah” and “Youthman,” both produced by Hugh “Redman” James during the peak era of Redman International’s influence. This new release follows Meeks’ “Legendary” album from eight months prior, produced by Big Bout Ya Records.

Ynesta’s production strategy deliberately bridges generational divides, seeking to introduce classic sounds to newer audiences while allowing longtime fans to rediscover their musical heritage through fresh compositions. Meeks explained the curator’s vision: “He wanted to capture the younger audience and let the older ones indulge in the new songs on these riddims. I select the artistes knowing that they are vintage singers just like the riddims and also artistes I admired.”