标签: Jamaica

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  • LESSONS LEARNT!

    LESSONS LEARNT!

    Seven months after Hurricane Melissa swept through Jamaica’s southwestern parishes, leaving a trail of billions of dollars in damage and widespread service disruptions, the Caribbean nation is gearing up for the 2025 Atlantic hurricane season, which officially kicks off on June 1 and runs through November 30. Major public utility companies across the island say they have integrated hard-won lessons from last year’s storm into extensive upgrades, leaving them as prepared as possible to face whatever the new season brings.

    Forecasters at the United States National Oceanic and Atmospheric Administration (NOAA) are projecting a below-normal season for 2025, giving the island some breathing room after last year’s destructive storm. The agency’s latest outlook puts the probability of a below-normal season at 55%, compared to a 35% chance of near-normal activity and just a 10% chance of an above-normal season. In total, NOAA expects between eight and 14 named storms (systems with sustained winds of 39 mph or higher) to form this season. Of those, three to six are forecast to strengthen into hurricanes with winds of 74 mph or above, and one to three of those are expected to develop into major hurricanes carrying winds of 111 mph or higher.

    Last week, representatives from Jamaica’s four largest critical service providers — mobile and fixed network operators Digicel and Flow Jamaica, electric utility Jamaica Public Service Company (JPS), and the National Water Commission (NWC) — laid out their comprehensive preparedness plans during a Jamaica Observer Press Club held at the newspaper’s Kingston headquarters, confirming their infrastructure and response systems have been upgraded to withstand future storm events.

    For JPS, which suffered the most severe damage from Hurricane Melissa, the recovery and rebuilding process has been a transformative one. The storm caused an estimated $3.5 billion in damage to the company’s transmission and distribution networks, cutting power to more than 540,000 customers across the island. Speaking at the event, JPS Chief Operating Officer Lance Becca told reporters that power has now been restored to more than 99.9% of affected customers, with only a small number of isolated connections still pending work.

    Rather than simply replacing damaged infrastructure with identical materials, Becca explained that JPS has used the recovery period to build stronger, more wind-resistant systems. “We’re not just going back with the same old poles,” he said. “We’re using thicker poles, and we’ve adopted a new technology called PoleCrete, a rapid-setting backfill that secures pole foundations far more effectively than traditional materials. We’ve also added more storm guides to anchor poles, making them far more resistant to the high winds that come with hurricane systems.” All lessons identified during the response to Hurricane Melissa have now been integrated into the company’s new season planning, he added.

    Digicel’s Chief Executive Officer Stephen Murad noted that hurricane preparedness has become an ongoing, permanent part of the company’s operations rather than a pre-season activity. “I don’t think we have been out of hurricane preparation and execution for the past two years, so I don’t think hurricane prep really exists as a one-off phrase any more in our world,” Murad said, referencing back-to-back storm activity dating to Hurricane Beryl in July 2024.

    Within three months of Hurricane Melissa hitting Jamaica last October, Digicel had restored 100% service to both its mobile and fixed network customers. Since that recovery was completed, the company has focused on expanding and hardening its infrastructure. It has added 10 new communication towers, bringing its total network to 935 towers, with five more planned for construction this year to improve coverage amid Jamaica’s growing number of high-rise buildings, which can block wireless signals. The company has also laid additional fibre transport routes, deployed more solar-powered cell sites, and built out alternative connectivity options via satellite and microwave technology to keep networks running during extended outages. Operationally, Digicel has also refined its large-scale fuel distribution protocols to keep backup generators running for longer periods during grid disruptions.

    “Up to the hurricane we had 925 towers in Jamaica as part of this expansion programme…Every year we will build more towers, because we need more coverage. More high-rise buildings in Jamaica means coverage is intercepted by concrete and steel, so we need to continually expand our infrastructure to meet that need,” Murad explained. “I always think the most important thing is you have to learn and learn quickly, and do things differently, because I think the public would not forgive us if we didn’t learn from our experiences and adapt.”

    Flow Jamaica’s Vice-President and General Manager Stephen Price said the company has also poured hundreds of millions of dollars into infrastructure upgrades since Hurricane Melissa, adapting to a 60% jump in network demand as Jamaicans increasingly rely on digital services. As of the Press Club event, 100% of Flow’s mobile customers have had their service fully restored, while 82% of fixed network customers are back online, with remaining recovery work ongoing. Price noted that network traffic across Flow’s networks has grown roughly 60% since last October, reflecting a steady increase in digital adoption across the country.

    To date, Flow has invested approximately US$85 million in core network infrastructure and an additional US$27 million to expand spectrum capacity. The company has also buried 80 kilometers of vulnerable transmission cables underground to protect them from wind damage, and reinforced critical sub-sea cable landing sites in storm-prone areas including Negril and Black River to reduce risk from storm surge. Through a new partnership with Starlink, Flow now has direct-to-cell satellite capabilities that support roughly 40% of its mobile network, dramatically expanding its disaster recovery options for both residential and business customers.

    “While no network is completely immune to any kind of extreme weather event, what is key is that we have robust business continuity plans in place to respond as quickly as possible when storms hit,” Price said. “We are as prepared as we can be for this season.”

    Even the National Water Commission, which is still completing repairs to some damaged infrastructure, says it is entering the new season in a far stronger position than it was ahead of Hurricane Melissa. NWC Acting Corporate Public Relations Manager Delano Williams told the Press Club that water service has been restored to between 98% and 99% of the commission’s 551,000 customers, though the storm caused such widespread damage that some communities still experience intermittent service while repairs are finalized.

    “Almost no infrastructure escaped unscathed from the scale of damage Hurricane Melissa brought. Even our 100,000-gallon storage tanks were decimated,” Williams said. “What that means is that even while we’ve restored most of our facilities, there are still places where water supply has not come back to its optimum regularity. Where residents used to get water seven days a week, they may now get it four or five days while we complete repairs to damaged pipelines and rehabilitate saturated wells.”

    To address these vulnerabilities, the NWC is investing approximately $1.2 billion in backup power and resilience projects. The commission has already begun procuring mobile backup generators, which will be deployed at both primary treatment plants serving major town centers and secondary distribution facilities that deliver water to inland and rural communities. It is also rehabilitating damaged wells and developing alternative water sources across the island to reduce reliance on single systems during storms. When asked if Jamaicans should feel confident heading into the new season, Williams gave a clear answer: “My short answer is yes.”

    The 2025 hurricane season comes as Jamaica continues to clean up and rebuild from the devastation of Hurricane Melissa, with utility companies across the island emphasizing that every lesson from the 2024 storm has been used to strengthen their ability to serve customers through future extreme weather events.

  • Norman Espeut of Kotch fame drops breezy new song, ‘Stress Free’

    Norman Espeut of Kotch fame drops breezy new song, ‘Stress Free’

    Four decades after topping global reggae charts as the frontman of iconic group Kotch, beloved Jamaican vocalist Norman Espeut is back with a soulful new release that blends feel-good rhythm with heartfelt life wisdom. His latest single, *Stress Free*, is a sun-drenched, uplifting anthem centered on one core message: protecting personal peace to build a long, joyful life.

    In an interview reflecting on the inspiration behind the track, Espeut explained that he set out to create music that contributes meaningfully to conversations around holistic wellness. Long guided by the belief that most chronic health issues stem from unmanaged stress, the reggae star has walked the walk he talks about in his new work. He has cut out harmful habits that damage physical and mental health — including excessive alcohol consumption and exposure to secondhand smoke — and built his current daily routine around intentional, balanced living.

    Recorded at Jamaica’s Sonic Sounds Studio, founded by former drummer Steve Lee, *Stress Free* was a collaborative project: Espeut co-wrote and co-produced the track alongside legendary keyboardist Hervey Harris, bringing together decades of reggae craft to create the track’s infectious, breezy sound.

    For generations of reggae fans, Espeut needs no formal introduction. He rose to fame in the early 1980s as the lead singer of Kotch, a reggae group that took regional and international charts by storm with his original composition *Jean*. More than 40 years after its release, the breakout hit still retains its magic, drawing adoration from fans wherever Espeut travels. “To date, everywhere I go, fans speak to that endearing love for *Jean*, which is a song that I wrote,” Espeut shared proudly.

    Kotch went on to earn international acclaim for their smooth, soulful reggae covers of classic tracks including Force MDs’ *Tears* and Smokey Robinson’s *Cruisin*, cementing the group’s reputation as one of the genre’s most polished vocal acts. Recalling the origins of the *Tears* cover, Espeut noted that the track was selected for the group by the late, iconic reggae producer and musician Sly Dunbar. Though *Tears* remains a firm fan favorite, Espeut says it has never outstripped the enduring affection fans hold for his original hit *Jean*.

    Today, building his career as a solo artist, Espeut says the early response to *Stress Free* has exceeded all expectations. Streaming numbers have climbed steadily since the track’s release, and the reggae star is already gearing up to film a music video to amplify the single’s reach.

    For longtime fans holding out hope for a full reunion of the original Kotch lineup, Espeut says there’s no need to give up on the dream. “A Kotch reunion is a definite possibility,” he teased, adding, “I have been around long enough to know that you should never say never.” Even though the group has not performed as a collective for years, Espeut emphasized that all former members have stayed in close touch, maintaining what he calls a warm “good family relationship.”

    These days, family sits at the heart of Espeut’s life, and he calls fatherhood one of his greatest life achievements. Opening up about his bond with his children, he said, “I pride myself on having a great relationship with my kids. We converse a lot, do family holidays — the full 100.”

    With *Stress Free*, Espeut offers more than just another catchy reggae track: he delivers a gentle, soulful reminder that for modern life, peace of mind is the most valuable treasure we can cultivate.

  • ‘You are the Michelin’

    ‘You are the Michelin’

    For 27 years, the Jamaica Observer Table Talk Food Awards has stood as more than a celebration of Caribbean culinary excellence—it has served as a foundational pipeline for nurturing emerging Jamaican talent in the hospitality and food industries. This year, the long-running initiative continued its legacy of investment in local youth, awarding six students from the University of Technology (UTech) Jamaica’s School of Hospitality and Tourism Management with a combination of full scholarships and need-based bursaries.

    The six recipients—Khalisa McLean, Kanye Swaby, Yolan Davis, Tyssanne Thomas, Kia Campbell, and Anna-Kaye Doyle—earned their awards after a rigorous conversational interview process conducted by a panel of industry and academic leaders. Headed by Novia McDonald-Whyte, the award program’s founder and chair, the panel also included UTech Chief Technical Officer Dr Garcia Green, Jamaica Observer Managing Editor Miguel Thomas, and guest judge Angelique Beaubrun. Following the interviews, three students were selected for full scholarships, while the remaining three received partial bursaries to support their ongoing studies.

    Since the scholarship program was launched alongside the Food Awards nearly three decades ago, it has disbursed more than JMD $20 million in financial support to over 60 aspiring culinary professionals. McDonald-Whyte, who also serves as senior associate editor for lifestyle and social content at the Jamaica Observer and is a former UTech lecturer, framed the initiative as a natural extension of the publication’s core mission: lifting Jamaican communities, a philosophy first laid out by late chair Gordon “Butch” Stewart. For her, the program also addresses a gap she has observed throughout her decades in the industry: many talented local students lack the access to industry networks, fine dining experiences, and educational resources that their more privileged peers take for granted.

    In remarks to candidates ahead of the interviews, McDonald-Whyte emphasized a core expectation for the next generation of Jamaican culinary leaders: centering and elevating authentic local cuisine even as the global food landscape grows more interconnected. “We need to stop searching for the Michelin, because we are the Michelin here,” she told the aspiring chefs. “We need to really celebrate that which is ours, elevate that which is ours, and, obviously, we look to you guys to do that because you are the future. Don’t think that it’s exhausted, we’ve only just begun.”

    That vision resonated deeply with the three full scholarship recipients, each of whom brings a unique personal perspective and creative approach to Jamaican culinary arts.

    Tyssanne Thomas, a second-year student awarded the Novia McDonald-Whyte Scholarship, said her path to culinary arts grew out of a personal journey to rebuild her relationship with food. A self-described reformed picky eater, she developed a curiosity for the ingredients and processes that shape the food people eat every day. When asked to describe an original dish she might create for the panel, she outlined a creative reimagining of local staple ingredients: a cornmeal soufflé topped with caramelised plantains and bright passion fruit sauce. For Thomas, cooking is far more than following a recipe—it is an expression of individual identity. “We all are humans, but we have different fingerprints. You may be a chef, but your story is different from my story…a standard recipe, but the heart and soul that I put in it is different from what you put in it,” she explained. Eager to live up to the program’s expectations, she aims to serve as an inspiration for other young aspiring culinary professionals.

    For Anna-Kaye Doyle, a 25-year-old third-year student who works full-time to support her son and mother as the household’s sole breadwinner, the full scholarship opens doors that have long been closed to her due to family responsibilities. She recalled the heartbreak of having to turn down a once-in-a-lifetime exchange program spot in Canada after being selected, saying “My fear is graduating as a ghost.” Still, she has continued to nurture her creativity, focused on reimagining familiar ingredients in unexpected new forms. “My whole goal when it comes on to food is to be out of the norm, it is to present what you already know in a way that you never thought of it,” she said.

    Kia Campbell, a third-year Japanese-Jamaican student and full-time worker who holds a first-degree black belt in karate, draws on her dual cultural heritage to create innovative fusion cuisine. When asked about an original dish concept, she described a fusion sushi roll blending Jamaica’s iconic ackee with Japanese natto—a creative combination that reflects her overlapping identities. For Campbell, the scholarship allows her to serve as an ambassador for young people from mixed and multicultural backgrounds, embodying Jamaica’s national motto “Out of Many One People.” “To show young people from different backgrounds and ethnicities that wherever you want to be, no matter where you come from, you can be…if you really want it,” she said.

    McLean, Swaby, and Davis rounded out the group of awardees as bursary recipients, bringing their own innovative ideas to the table. Looking back at the program’s 27-year history, McDonald-Whyte noted how far the culinary industry has come in Jamaica. When the Food Awards first launched, working in a professional kitchen was not seen as a prestigious or desirable career path. Today, she pointed out, local caterers and chefs are celebrated stars—proof that the program’s decades of investment in lifting local talent have already yielded transformative results for the nation’s culinary landscape.

  • Reggae artiste sparks national conversation with viral ‘Woman Killer’ freestyle

    Reggae artiste sparks national conversation with viral ‘Woman Killer’ freestyle

    A raw, unflinching freestyle from Jamaican reggae performer Kuanna has set social media alight this week, igniting a urgently needed national dialogue about the escalating crisis of violence against women and children across the island nation.

    Titled *Woman Killer*, the track is layered over the beloved, iconic Hill and Gully Riddim created by producer Stephen “Di Genius” McGregor. It first debuted on Kuanna’s Facebook page, and within just a few days, racked up more than 300,000 views and over 1,000 comments from engaged Jamaican audiences both on the island and in the global diaspora.

    Unlike most viral content that dominates social media timelines today, built on catchy dance challenges or manufactured celebrity controversy, *Woman Killer* takes a deliberately hard-hitting approach, confronting some of Jamaica’s most painful, underdiscussed public crises: pervasive domestic abuse, systemic femicide, and the widespread sexual exploitation of children.

    In an interview following the track’s viral spread, Kuanna made clear she has no regrets about stepping into this charged conversation. “It’s all around us. Women are being killed by their partners, who are supposed to be protecting their homes. We have situations where kids are being sexually abused by their fathers, stepfathers, uncles and others. Our future is being tampered with big time because killing the nurturers — mothers — is a flagrant abuse of the future,” she said.

    The freestyle dropped at a moment of already boiling public anger across Jamaica, following a string of high-profile, brutal femicides that have dominated national headlines in recent weeks. The list of tragedies includes Melissa Kerry Samnath, a 37-year-old accountant based in New York who was killed on her birthday in St James; Latoya Bulgin, 45, who was fatally shot during a community protest in Granville, St James; Kadene Beswick, a hotel worker murdered in Catherine Hall; and Nordraka Williams-Burnett, an attorney stabbed to death in St Andrew.

    For Kuanna, who was born and raised in Trelawny, this issue is far more than a public policy talking point — it is deeply personal. As a mother to a young daughter, remaining silent in the face of these ongoing atrocities was never an option. “I have a beautiful daughter. She’s the head girl for her school and her classmates are very beautiful and brilliant as well,” she explained. “I cannot keep silent. I have to be one of the voices for the voiceless and the minors.”

    That unapologetic call to action has resonated far beyond the reggae music community, touching audiences across every demographic. Since the freestyle was posted, Kuanna says she has been inundated with personal messages from survivors of abuse and worried family members, who have opened up about their own unspoken experiences with gender-based and sexual violence. “I have been getting a lot of positive feedback and some touching responses too,” she said. “I have women reaching out to me saying that they were being molested. I even had one message stating that she lives in the USA but her 12-year-old niece here in Jamaica is being molested by her stepfather.”

    The overwhelming public response has convinced the artist that *Woman Killer* has grown far beyond a passing viral moment, evolving into a grassroots movement for change. Audiences have already begun calling for an official mastered release, so they can purchase the track and keep its message circulating in their homes and communities. Kuanna also publicly thanked social media influencers Rawpa Crawpa and Bergus for amplifying the track’s message to their large existing audiences, helping the conversation reach far more people than it would have on its own.

    Amid the groundswell of public support, however, one notable silence has stood out: Kuanna says she has yet to hear from Stephen “Di Genius” McGregor, the producer behind the original Hill and Gully Riddim that forms the backbone of her freestyle. “A lot of people have commented stating it’s the best song on the rhythm — lyrics, melody, message — but so far no link from Di Genius,” she said. “I do hope he will reach out as this song is here to make awareness and save lives. Women and children are suffering and dying. We need to raise awareness and protect the innocents.”

    Kuanna argues that this silence reflects a broader, longstanding discomfort within the Caribbean entertainment industry when it comes to addressing sensitive, high-stakes social issues like gender-based violence. This is not the first time the artist has gone viral for her uncompromising work on this topic: back in 2021, her track *Pedophile Warning*, which condemned child sexual abuse and called for harsher punishments for perpetrators, also sparked national debate, and industry pushback followed then too. “I am not surprised because it was the same way when I went viral back in 2021 with *Pedophile Warning*,” she said. “I am not sure why the industry is so afraid of this topic — stop the violence against women and children.”

    That 2021 track established Kuanna as one of reggae’s most unapologetic, prominent social commentators, a reputation that aligns with the artistic perspective she has built throughout her career. Raised in Deeside, Trelawny, immersed in the spiritual traditions of the Pocomania revival church, her work is rooted in a roots reggae ethos shaped by spirituality, community accountability, and a commitment to social justice. Her 2021 album *Love Journey* already showcased this approach, weaving personal storytelling with sharp commentary on the most pressing issues facing Jamaican communities.

    With *Woman Killer*, however, Kuanna has delivered what may be her most culturally significant work to date. At a moment when calls for action to end gender-based violence dominate Jamaican public discourse, the artist has leveraged her platform to break the culture of silence, demand systemic accountability, and lift up the voices of those who have long been ignored.

    Whether the freestyle ever receives an official commercial release, one fact is already undeniable: the message has cut through. And as hundreds of thousands of viewers across the island and the globe share, comment, and engage with the track, it is clear that Jamaican audiences are ready to listen, and ready to demand change.

  • Tower Band to launch mixtape at Supa Heavy Wednesdays

    Tower Band to launch mixtape at Supa Heavy Wednesdays

    Since bursting onto Jamaica’s live music landscape in 2015, Tower Band has steadily built a reputation as a must-see act, cutting their teeth backing some of the biggest names in reggae and dancehall over the past eight years. Now, the ensemble, celebrated for its high-octane stage presence, dynamic showmanship, and one-of-a-kind take on reimagining dancehall through a full live-band setup, is gearing up to unveil its highly anticipated new project, *Dancehall Future*, at the popular Supa Heavy Wednesdays event series on June 3. The launch will take place at Jangas Soundbar and Grill, located in the heart of New Kingston.

    In an exclusive interview with Observer Online earlier this week, bandleader and drummer Andre “Kryss Ras” Barnes promised attendees an unforgettable evening of entertainment. “You can expect a night of nonstop energy, live performances, and pure fun,” he said. “It’s going to be a night packed with incredible music, thoughtful lyrics, and guest appearances from some amazing artists. We’re going to bring the house down.”

    The 16-track mixtape will see its full official release right on the night of the launch event, and features a stacked lineup of collaborative tracks with some of dancehall’s most prominent current names, including Charly Black, Rytikal, 10Tik and Yaksta. The project is co-produced by Rayon “Prof” Smith and Barnes, with mixing work completed by DJ West of Jamaica’s leading Zip FM radio station.

    Smith shared that the tracklist spans a wide range of lyrical themes to resonate with diverse listeners. “The songs on the mixtape cover everything from romantic matters of the heart to uplifting anthems and motivational, inspirational messages that we hope connect with people across generations,” he explained.

    *Dancehall Future* is backed by two local Jamaican partners: Winchester Xavier Associates Jamaica Limited and Stage Sound Solution, and will be distributed via Tower Band’s own in-house imprint, Tower Music Group.

    For Barnes, what sets Tower Band apart from other contemporary musical acts in the region is its unwavering focus on elevating live dancehall performance, a niche he says the group has carved out uniquely for itself among current generation ensembles. “We are first and foremost a dancehall performing band,” he emphasized. “We’re the only band of our generation that centers dancehall music as our core identity, and our goal is to grow into an undeniable, formidable force that leaves a lasting impact on this generation of fans. We take our craft seriously, and our top priority is making sure every song we create and perform connects deeply with audiences. That’s what we’re all about.”

  • Causion promotes Antigua in ‘Feels Like I’m Dreaming’ set for June release

    Causion promotes Antigua in ‘Feels Like I’m Dreaming’ set for June release

    Longtime Antiguan reggae artist Causion has returned to his Caribbean homeland to shoot a new music video for his upcoming single, *Feels Like I’m Dreaming* — a heartfelt track crafted to shine a global spotlight on the beauty and culture of Antigua and Barbuda. Co-written and co-produced alongside Maurice Gregory, who is best known for his work as keyboardist for iconic reggae group Third World, the new track is scheduled for a June release. The upcoming music visual is backed and produced by Elite Island Resorts, a leading firm that markets the twin-island nation’s world-class tourism offerings to travelers around the globe. For Causion, this collaboration marks his fifth project dedicated to boosting the country’s leisure sector — Antigua and Barbuda’s largest source of foreign exchange.

    Now based in South Florida after decades of living and working in the United States, Causion, whose legal name is Gregory Bailey, has never strayed far from his roots, making regular return trips to his home country and leaning into his role as a passionate advocate for its growth. Unlike paid promotional campaigns that feel scripted, the artist emphasizes that his work is rooted in unfiltered patriotism, not a paid gig.

    “I’m not a spokesperson hired to sell an idea — I’m an Antiguan who genuinely loves his home,” Causion explained in an interview with Observer Online. “Working with Elite Island Resorts has allowed me to do something rare: use music to tell an authentic story about a place, and watch that story reach people across the world who then book a flight and come experience it themselves.” That organic connection, he argues, is far more than traditional marketing: “That’s not marketing. That’s music doing what it’s always done — moving people. And when it moves them all the way to Antigua, that’s deeply satisfying.”

    The new single follows four previous successful collaborative projects between Causion and Elite Island Resorts: *Antigua Me Come From*, *Caribbean Vacation*, *Sunny Day*, and *Tropical State of Mind*, all of which have helped draw international attention to the island’s appeal. Early tourism data reflects the growing momentum of Antigua and Barbuda’s travel sector: official figures from the Antigua Tourism Authority show that more than 1.5 million international visitors vacationed in the country in 2025, and first-quarter 2026 numbers continued that upward trend. Authority CEO Colin James reported that the nation welcomed 110,832 stay-over visitors between January and March 2026, marking record-breaking arrival numbers for all three months of the quarter.

    While soca remains the most popular musical genre in Antigua, Causion’s sound was shaped by a childhood spent listening to legendary reggae acts including Third World and Culture. That early influence opened professional doors later in his career: he has toured across Europe and the United States alongside Third World, performing alongside collaborator Maurice Gregory. Causion’s contributions to his homeland have not gone unrecognized: he holds the official title of Antigua’s Reggae Ambassador, and in 2024, he was awarded the Commander of The Most Precious Order of Princely Heritage (CH), the country’s fourth-highest national honor for outstanding service.

  • WATCH: Mandeville restaurant and bar gutted by fire

    WATCH: Mandeville restaurant and bar gutted by fire

    MANCHESTER, Jamaica — A destructive overnight fire ripped through two commercial properties on Mandeville’s Ward Avenue on Saturday, leaving two local entrepreneurs facing combined losses topping $20 million and disrupting utility service for dozens of nearby businesses.

    Emergency dispatchers at the Mandeville Fire Station got the alert at approximately 4:15 a.m., confirming that two adjacent establishments — Newsman Fry Chicken, a quick-service fried chicken restaurant, and No Traction Chill Spot, a local neighborhood bar — were engulfed in flames.

    Responding crews worked quickly to corral the spread of the fire, completing full cooling-down operations and extinguishing the blaze entirely just after 6 a.m. In initial assessments released after the fire was put out, the Jamaica Fire Department pegged total property and asset losses at roughly $20 million.

    Adeka Miller, the owner of Newsman Fry Chicken, told reporters his eatery had only been open to the public for one month before the fire hit. He estimated his personal losses alone come out to around $10 million.

    Miller explained he first got word of the emergency around 4:25 a.m., when a caller notified him flames were erupting from the bar next door to his restaurant. When he arrived on scene, he initially thought only the bar had been completely destroyed, with his restaurant suffering only partial external damage. A closer look inside confirmed the entire restaurant had been gutted.

    “I lost everything. I would say about $10 million, including equipment, stock and cash, was in there; it is a great loss, a great blow,” Miller said. The new restaurant employed four local workers, leaving their employment status uncertain in the wake of the disaster.

    As of Saturday, officials have not confirmed a cause for the fire, with active investigations still ongoing to pinpoint what sparked the blaze.

  • More than 3,000 guns, 56 tonnes of drugs seized in Interpol-led operation

    More than 3,000 guns, 56 tonnes of drugs seized in Interpol-led operation

    A sweeping cross-border law enforcement initiative led by the International Criminal Police Organization (Interpol) and backed by the Organization of American States (OAS) has delivered landmark results against transnational organized crime, with authorities across 20 nations in Central America, South America and the Caribbean removing thousands of illegal firearms and tens of tons of contraband drugs from circulation. Christened Operation Orca XI, the coordinated crackdown ran from October 15 to November 30, 2025, with Interpol managing global operational coordination and the OAS working to deepen regional collaborative ties. Financial backing for the initiative was provided by the European Union, enabling unified action against interconnected criminal networks operating across the Americas.

    The operation aligns with core security priorities advanced by the OAS under the Inter-American Convention against the Illicit Manufacturing of and Trafficking in Firearms, Ammunition, Explosives, and Other Related Materials (CIFTA). This framework has recently renewed its focus on targeted criminal investigations into the origin, illegal diversion and trafficking of illegal weapons and related materials, framed as a critical strategy to dismantle transnational criminal groups at their root.

    By the close of the operation, participating law enforcement agencies had recorded 8,701 arrests on charges ranging from weapons possession and drug trafficking to a range of other felony offenses. In addition to the 3,308 seized illegal firearms, authorities confiscated close to 200,000 rounds of unregulated ammunition, $256,025 in untraced cash, and 210 vehicles linked to criminal operations.

    OAS officials emphasized that illicit firearms trafficking in the Western Hemisphere is deeply intertwined with nearly every other form of transnational criminal activity, including drug trafficking, human trafficking, migrant smuggling and cybercrime. Organized criminal syndicates and street gangs that oversee these operations routinely repurpose the same smuggling routes to move multiple types of illicit goods, creating interconnected networks that challenge individual nations’ law enforcement capacities.

    These overlapping criminal links were clearly reflected in the scale of drug seizures from Operation Orca XI. Contraband confiscated included 6.9 metric tons of cocaine, 659,403 harvested coca plants, 9.3 tons of cocaine base paste, 38.5 tons of marijuana, 2 tons of methamphetamine, and 11 kilograms of ketamine.

    OAS Secretary General Albert R. Ramdin framed the operation as a clear demonstration of the power of coordinated hemispheric action. “This is what success looks like when hemispheric coordination and world-class technical and operational capacity join forces: thousands of firearms off the streets, drugs seized and safer communities,” Ramdin said. “Operation Orca XI proves that international cooperation and information sharing get results—and our security frameworks must continue delivering. The OAS stands ready to continue supporting member states with partners like Interpol for the benefit of the Americas.”

    Interpol Secretary General Valdecy Urquiza echoed that assessment, calling Orca XI a watershed milestone in global efforts to counter organized criminal networks. “Interpol’s commitment remains to support law enforcement agencies with the intelligence, tools and coordination they need to stay ahead of these evolving threats,” Urquiza said.

    The operation was planned and executed in close partnership with the Commission of Central American, Mexican, Caribbean, and Colombian Police Chiefs and Directors. The 20 participating nations were Argentina, Belize, Bolivia, Brazil, Chile, Colombia, Costa Rica, the Dominican Republic, Ecuador, El Salvador, Guyana, Guatemala, Honduras, Mexico, Nicaragua, Panama, Paraguay, Peru, Suriname, and Uruguay, uniting a broad cross-section of the Americas to confront shared security threats.

  • WHO chief arrives at epicentre of DRC’s Ebola outbreak

    WHO chief arrives at epicentre of DRC’s Ebola outbreak

    In a high-stakes visit aimed at accelerating the global response to one of Africa’s most pressing public health crises, World Health Organization Director-General Tedros Adhanom Ghebreyesus touched down Saturday in Bunia, the capital of Ituri province—eastern Democratic Republic of the Congo’s region worst impacted by the spiraling Ebola outbreak, an Agence France-Presse journalist on the ground confirmed.

    Tedros had publicly signaled his upcoming trip in advance, stating his core goals were to extend support to affected communities and hear directly from people on the frontlines of the outbreak who have borne the brunt of the epidemic’s impact.

    The highly transmissible hemorrhagic fever, which triggers severe internal bleeding and carries a high mortality rate, has already spread across three eastern provinces of the DRC and crossed the border into neighboring Uganda. Ugandan health authorities have logged nine confirmed infections to date, including one recorded fatality.

    Data released Thursday by the Africa Centres for Disease Control and Prevention places the scale of the outbreak at a minimum of 1,077 suspected Ebola cases in the DRC since it was formally declared on May 15, with 246 confirmed deaths linked to the virus.

    Speaking to reporters shortly after his arrival, Tedros emphasized that global health efforts are being coordinated under the leadership of the DRC national government, while noting that local community buy-in and leadership remain a critical, non-negotiable component of effective outbreak mitigation. “That’s why we are here: to discuss with the community, to assess how the response is progressing, and to address any unmet challenges that require additional support,” he explained.

    However, the World Health Organization has issued a stark warning that the actual scope of the epidemic is almost certainly far larger than official counts indicate. Health officials believe the virus was circulating undetected in the region for some time before it was officially identified, and systemic weaknesses in local health infrastructure have hampered full surveillance.

    The DRC, a vast Central African nation grappling with decades of chronic instability, faces particularly steep barriers to controlling the outbreak: its impoverished eastern region has been battered by 30 years of armed conflict, leaving the country with severely limited capacity to carry out the widespread laboratory testing needed to confirm suspected cases and track transmission chains.

  • Dublin protest urges probe into ‘George Floyd’-style death

    Dublin protest urges probe into ‘George Floyd’-style death

    DUBLIN, Ireland — Hundreds of demonstrators gathered in Ireland’s capital Saturday, united in a call for accountability over the death of 35-year-old Yves Sakila, a Congolese man who had built his life in Ireland since 2004, after he died while being restrained by private security personnel earlier this month. Protesters have drawn a stark parallel between Sakila’s death and the 2020 murder of George Floyd at the hands of U.S. police, a killing that ignited the global Black Lives Matter movement and brought worldwide attention to systemic anti-Black violence.

    The fatal incident unfolded on May 15 on one of central Dublin’s busiest shopping streets, outside a popular department store. Viral video footage shared widely across social media platforms captured the sequence of events: security workers pinned Sakila to the ground, holding him in that position for nearly five full minutes. Shortly after the restraint, Sakila lost consciousness, and he was pronounced dead after being rushed to a local hospital.

    Irish law enforcement has launched an official inquiry into all circumstances surrounding the restraint and subsequent death, but as of Saturday’s demonstration, no findings have been made public, and no charges have been filed against any of the security personnel involved. A post-mortem examination carried out by the state’s chief pathologist has been completed, though the official results remain under wraps pending further investigation.

    Approximately 100 attendees turned out for the peaceful demonstration, where speakers highlighted growing community concerns over excessive force, inadequate training for private security staff, and systemic racial inequity in Ireland. “We need justice for Yves Sakila. We need a proper investigation into his death,” Eoghan O Ceannabhain, a Dublin-based musician and protester, told reporters. He went on to note that the incident raises urgent questions about the quality and anti-bias training provided to private security operatives working in public spaces.

    The killing has resonated deeply across Ireland’s Black and African communities, especially among the country’s Congolese diaspora, which has long highlighted unaddressed issues of racial profiling and discrimination. “We are standing for the community to ask for justice,” Ono Tambura, a 60-year-old Congolese woman who has resided in Ireland for years, said on the protest lines.

    Beyond calls for a full investigation into Sakila’s death, organizers have laid out a clear set of demands for Irish authorities. They are calling for an independent, fully transparent probe that includes a full review of all existing security camera footage and witness testimony. Demonstrators are also pushing for the immediate public release of forensic post-mortem results, and full legal accountability for any individual found to have acted unlawfully in the incident. On a systemic level, campaigners are urging the Irish national government to finally address longstanding complaints of racial profiling and institutional discrimination raised repeatedly by members of racial minority communities across the country.