作者: admin

  • Hantavirus ship evacuees begin returning home

    Hantavirus ship evacuees begin returning home

    GRANADILLA DE ABONA, Spain — A coordinated, multi-country repatriation operation launched Sunday to bring home nearly 150 passengers and crew members from the MV Hondius, a Dutch-flagged cruise ship impacted by a deadly hantavirus outbreak that has triggered international concern, after the vessel anchored off Spain’s Canary Islands.

    Three people on the ship have already lost their lives to the rare disease: a Dutch couple and a German national, with multiple other passengers testing positive for the virus, which is most commonly carried and spread by wild rodents. Unlike many common infectious diseases, hantavirus has no approved vaccine and no targeted treatment. The outbreak traces its origin to Argentina, where the ship began its trans-Atlantic voyage back in April, a region where the pathogen is endemic.

    Despite growing global attention to the incident, public health leaders have emphasized that the overall risk to global populations remains low, pushing back against unfounded comparisons to the far more transmissible Covid-19 pandemic.

    Spanish Health Minister Monica Garcia confirmed that repatriation efforts would extend through Monday, when the final chartered flight is scheduled to carry the last group of evacuees to Australia. On-the-ground reporting from Agence France-Presse correspondents documented the tightly controlled process: passengers clad in disposable blue medical protective suits disembarked the large cruise vessel via small transfer boats, which brought them to the Granadilla industrial port on the island of Tenerife. From the port, evacuees traveled in a sealed convoy of Spanish military buses to Tenerife South Airport, with impermeable protective barriers installed to separate passengers from the bus driver.

    Before boarding their repatriation flights, all evacuees switched to new sets of personal protective equipment. The first flight carried 14 Spanish citizens to Madrid, where they will complete a required quarantine period at a military hospital. Speaking to AFP shortly before his departure, French evacuee Roland Seitre reported that the process had proceeded smoothly, noting that “everything is going well” and that all personnel involved in the disembarkation had been exceptionally helpful.

    Virginia Barcones, head of Spain’s civil protection agency, told public broadcaster RTVE that a second flight bound for the Netherlands carried 27 evacuees of multiple nationalities, including citizens of Belgium, Greece, Germany, Guatemala, and Argentina. Additional chartered flights were arranged Sunday for passengers from Turkey, the United Kingdom, Ireland, and the United States.

    The operation is on a tight deadline: Canary Islands officials warned that all evacuations must be completed by Monday, when forecasted adverse weather conditions will force the empty vessel to leave its anchorage. Barcones confirmed that if the operation stays on schedule, the empty MV Hondius will set sail for the Netherlands at 7 p.m. local time Monday.

    Regional authorities had initially refused to allow the ship to dock at a Canary Islands port, only granting permission for it to anchor offshore. However, Garcia confirmed that all remaining passengers are asymptomatic and passed a final rigorous medical screening before disembarkation began. Spanish officials have also stressed that at no point during the transfer and airport processing will evacuees come into contact with the local Tenerife population.

    AFP reporters on site observed extensive security and infection control measures: white medical screening tents were erected along the port quay, and uniformed police, some in full protective medical gear, sealed off the section of the port being used for the operation. On Sunday, Spanish Prime Minister Pedro Sanchez defended the country’s response, saying “Spain is doing what it must do, with technical and scientific rigour and full transparency, with institutional loyalty and with international cooperation.”

    International concern rose after it was confirmed that the variant of hantavirus detected on the ship is Andes virus, the only strain capable of human-to-human transmission. The World Health Organization (WHO) released an update Friday confirming that six cases have been confirmed out of eight initial suspected cases, with no remaining suspected cases on the vessel.

    The MV Hondius reached its anchorage off Tenerife early Sunday after traveling from Cape Verde, where three already infected passengers were evacuated to Europe earlier this week. The vessel departed Ushuaia, Argentina on April 1 on a planned trans-Atlantic cruise bound for Cape Verde. The WHO’s current assessment is that the first infection occurred before the expedition departed, with subsequent secondary transmission between people onboard the ship.

    That assessment has been disputed by Argentine provincial health official Juan Petrina, who argued that based on the virus’s multi-week incubation period and other key factors, there is an “almost zero chance” that the Dutch man identified as the initial index case contracted the virus in Ushuaia. Currently, health agencies across more than a dozen countries are conducting contact tracing for passengers who disembarked the cruise before the outbreak was identified, monitoring anyone who may have had close contact with infected individuals.

  • Reggae Muma: A tribute to the pioneers

    Reggae Muma: A tribute to the pioneers

    To mark Mother’s Day, Jamaica-based Observer Online is shining a spotlight on five extraordinary women whose unheralded contributions laid the foundation and drove the evolution of reggae music, a cultural export that has resonated with audiences across the globe. These trailblazers, often overlooked in mainstream narratives of reggae history, shaped the genre from behind the scenes, on stages, and in recording studios, leaving an enduring legacy that continues to influence artists today.

    The first, Louise “Miss Lou” Bennett Coverley, is widely regarded by many cultural scholars as the world’s first dub poet. A fierce advocate for Jamaican identity, Miss Lou dedicated her career to normalizing the use of Jamaican Patois in broadcast media and formal education, breaking down longstanding social stigma around the nation’s native dialect. Her witty, incisive works including *Nuh Lickle Twang* and *Dry Foot Bwoy* offered unfiltered, vivid snapshots of the collective social consciousness of Jamaica in the years leading up to the nation’s independence. By the 1970s, her work had become a core inspiration for a new generation of revolutionary poets and reggae artists including Mutabaruka and Yasus Afari, both of whom also drew influence from Rastafarian teachings.

    Speaking to the *Jamaica Observer* in 2019, the centenary year of Miss Lou’s birth, Afari reflected on her unparalleled impact: “Miss Lou is the neuro-linguistic mother of the Jamaican language and culture, so we have to honour her every morning when the sun rises and in the evening when the moon goes down. This year marks 100 years since her birth; it’s a landmark year, and we are the beneficiaries of her brilliance and advocacy.” Though Miss Lou never recorded her own reggae tracks, she played a critical role in elevating the genre and lifting up young Jamaican talent through her popular weekly variety show *Ring Ding*, which aired on the Jamaica Broadcasting Corporation throughout the 1970s. She passed away in Toronto, Canada, in July 2006 at the age of 87.

    Next is Doris Darlington, a descendant of Jamaica’s legendary Maroon community and mother of Clement “Coxson” Dodd, who is widely considered one of the most influential producers in reggae history. Known affectionately as Nanny, in honor of the iconic Maroon freedom fighter and Jamaican National Hero, Darlington was a silent but foundational partner in her son’s pioneering Studio One sound system and record label. Before her work in music, she operated a well-known restaurant and liquor store in downtown Kingston, later opening Music Land, a popular record shop in Spanish Town.

    Dodd consistently credited Darlington as the “founding mother” of reggae. For decades, she was a constant, familiar presence at Studio One’s Brentford Road headquarters in Kingston, helping to sell records from the label’s now-iconic catalogue of releases. She was even at Dodd’s side when he closed a landmark distribution deal with U.S.-based label Heartbeat Records, which brought Studio One’s vast reggae catalogue to mainstream audiences across the United States and Europe. Darlington passed away in 1998, leaving behind a legacy that shaped the genre’s global reach.

    Patricia “Miss Pat” Chin, the matriarch of two of reggae’s most influential labels, Randy’s Records and VP Records, built the world’s largest reggae distribution empire alongside her husband, Vincent “Randy” Chin. Born to a Chinese family that settled in Jamaica’s Portland parish in the early 1900s, Chin was working as a trainee nurse when she met Vincent in the late 1950s, at a time when he was repairing jukeboxes across Kingston and preparing to launch his own music production business.

    The pair quickly formed a formidable partnership, opening Randy’s recording studio and record label in downtown Kingston. The space soon became a creative hub for some of reggae’s biggest emerging acts, including The Wailers, Lord Creator, The Skatalites, Augustus Pablo and Burning Spear. After the couple migrated to the United States, they launched VP Records in Queens, New York, in 1979. Today, the company stands as the world’s largest distributor of dancehall and reggae music globally. Last February, Chin was honored at the Embassy of Jamaica’s inaugural “Reggae Night” event in Washington, D.C., where she received a formal citation from Jamaica’s Ambassador to the U.S., Major General Antony Anderson, recognizing her “extraordinary contribution to the island’s music and culture”. Her memoir, *Miss Pat: My Reggae Music Journey*, was published in 2021 to wide acclaim.

    Sonia Pottinger made history as reggae’s only major female producer during the genre’s golden age, building an impressive, genre-defining catalogue of releases through her three labels: Tip Top, High Note and Gay Feet. Pottinger entered the music industry in the late 1960s, scoring her first hit with Joe White’s ballad *Every Night*. She learned the ins and outs of music production from her husband, fellow producer L.O. Pottinger, and quickly built a reputation for spotting hit talent. Her early chart-topping releases included *Swing And Dine* by The Melodians, *Hard to Confess* by The Gaylads, *That’s Life* by Delano Stewart, and *Guns Fever* by The Silvertones.

    A sharp, savvy businesswoman, Pottinger made one of the most important moves of her career in 1974, when she purchased the entire Treasure Isle catalogue from the estate of iconic producer Arthur “Duke” Reid, shortly after Reid’s death, preserving a critical collection of early reggae recordings for future generations. Throughout the 1970s, she scored dozens of hit releases with legendary artists including Marcia Griffiths, for whom she produced tracks like *Dreamland*, *Hurting Inside* and *Stepping Out of Babylon*, and Culture, who recorded *Natty Never Get Weary* and *Stop The Fussing and Fighting* under her label.

    Errol Brown, Pottinger’s lead engineer throughout the 1970s, recalled her no-nonsense, passionate approach to music production in a 2003 interview with the *Jamaica Observer*: “She loved the music … loved it too much. She knew what she wanted in the studio, and had a lot of respect for the musicians.” A recipient of Jamaica’s Order of Distinction for her contributions to national culture, Pottinger passed away in November 2010 at the age of 79.

    The most contemporary figure on the list, Sister Nancy, pioneered the path for women in the deejay space, and her iconic work continues to gain new audiences decades after its release. In April 2025, VPAL Music reissued her groundbreaking 1982 debut album *One, Two*, which features her career-defining breakthrough hit *Bam Bam*. Produced by Winston Riley for Techniques Records, one of the leading Jamaican labels of the 1980s, *One, Two* marked the first mainstream breakthrough for a female deejay, setting a template for generations of women in reggae and dancehall including Lady G, Sister Charmaine, Shelly Thunder, and Lady Saw.

    Like her brother Brigadier Jerry, Sister Nancy got her start performing on Kingston’s sound system circuit. When *Bam Bam* dropped more than 40 years ago, it was an immediate hit in Jamaica, as well as in reggae communities across the United States and United Kingdom. The track’s surprising cultural resurgence began in 1998, one year after Sister Nancy migrated to the U.S., when it was featured in the hit film *Belly*. In 2007, it found a new, younger audience among skateboarders when it was included in the soundtrack for the popular video game *Skate*. Since then, *Bam Bam* has appeared in a national Reebok television commercial, major feature films including *The Interview*, and the hit Netflix series *Ozark*. It has also been sampled by global superstars including Jay Z, Kanye West, and Lizzo.

    In a 2017 interview with *Vibe Magazine*, Sister Nancy reflected on the track’s unexpected lasting success: “Living in Jamaica, I never heard *Bam Bam*. When I migrated here (United States) in 1997 that’s how I saw how big it was.” On May 8, *Bam Bam* was officially certified gold by the British Phonographic Industry, surpassing 400,000 units in combined sales and streams across the United Kingdom.

  • Hurricane shelter residents say relocation promises fell short

    Hurricane shelter residents say relocation promises fell short

    Nearly two weeks after a major hurricane displaced hundreds of Jamaican families in Westmoreland Parish, a controversial government effort to move storm survivors out of temporary school shelters has devolved into public dispute, with displaced residents and a sitting opposition lawmaker accusing the administration of misleading the public over the readiness of new housing units.

  • Excelerate bullish on Jamaica

    Excelerate bullish on Jamaica

    Twelve months after completing a $1 billion acquisition of New Fortress Energy’s Jamaican assets that cemented its position as the island nation’s primary liquefied natural gas (LNG) supplier, US-based global energy firm Excelerate Energy has reaffirmed its long-term commitment to Jamaica and announced plans to deploy additional capital to expand its local footprint. In an exclusive anniversary interview with Jamaica Observer, Steven Kobos, Excelerate’s President and Chief Executive Officer, laid out the company’s bullish outlook for its Jamaican operations and the broader national economy.

  • The balance of ambition, motherhood

    The balance of ambition, motherhood

    For most working mothers, daily life is a constant navigation between two demanding, equally vital worlds, and Jamaican chef and entrepreneur Whitney Walcott knows this reality better than most. One world hums with the high energy of the culinary industry: searing hot pans, carefully layered flavor profiles, and the non-stop pace of building a growing business from the ground up. The other unfolds in quiet, intimate moments: late-night bedtime chats, gentle care for her son, and the endless, quiet drive to create a more stable, joyful future for her child.

    As Mother’s Day approaches, this delicate, hard-won balance is the core of Whitney’s powerful story. From the moment she welcomed her son, her professional ambition gained a new, sharper focus: every late night at the kitchen, every personal sacrifice, every small business milestone carries more meaning than it ever could before. When asked what keeps her pushing forward through challenges, she answers simply: “My purpose and my son. Everything I do is bigger than me. I’m not living just for me.”

    Motherhood has a unique way of awakening a quiet, uncelebrated resilience in women — a strength that often hides in the monotony of daily routines, that shows up even when exhaustion hits, that persists through uncertainty, and that finds a shifting middle ground between being a caregiver and a breadwinner. Whitney is no stranger to this unglamorous truth. “It’s not always balanced,” she admits, reflecting on the constant juggle of running a business and raising a child. “Some days lean more towards work, some towards being a mom. I just try to do my best to show up.”

    This radical honesty is what makes her journey stand out. While social media often highlights polished, perfect success stories, Whitney’s path has been paved with discipline, quiet exhaustion, and consistent persistence behind closed doors. “It hasn’t been easy at all. It’s been a lot of long days defined by trial and error, figuring things out on my own, and pushing through even when I was tired or unsure,” she says.

    Her love of cooking took root long before she built her public culinary brand, growing out of childhood moments spent at home, watching how shared meals brought family and community together. “Seeing how food brought everyone together made me fall in love with it early,” she recalls. “I was always paying attention; how things were seasoned, how they were cooked — the little details.”

    These early formative experiences shaped not just her approach to cooking, but her whole understanding of care. For Whitney, food, much like motherhood, is ultimately an expression of love, intentionality, and comfort. Today, her signature dishes carry the bold, vibrant flavors of her Jamaican upbringing, while also reflecting the growth of a woman who has turned a personal passion into a purpose-driven career.

    Building a reputation in the male-dominated culinary industry has not come without extra barriers for Whitney as a woman entrepreneur. “Being a woman in this space, you sometimes have to prove yourself more,” she says. “But I stayed consistent, let my work speak for me, and focused on improving instead of proving.”

    That consistent dedication has proven to be the key ingredient to her success. What started as a small side hustle selling homemade food has grown into a full-fledged culinary brand, expanding into packaged products, digital content creation, and multiple diversified income streams. Yet, motherhood has completely reshaped how Whitney defines success, shifting her priorities from pure growth to flexibility and family time. “Before, success was just selling food,” she explains. “Now, it’s having a business that runs smoothly, creating multiple income streams, and having more freedom with my time — time I spend with my son.”

    At the heart of every goal and every sacrifice Whitney makes is her son, she told the Jamaica Observer. His well-being is the steady motivation that keeps her chasing new milestones even on the hardest days. “I remind myself why I started and how far I have come,” she says. “Even on hard days, stopping isn’t an option. I remind myself that everything I’m building is also for my child.”

    When she steps away from the demands of the kitchen and business ownership, Whitney describes herself as a laid-back, shy person who finds true joy in slow moments, rest, and uninterrupted family time. That’s why the gift she wants most this Mother’s Day is something countless mothers crave but rarely get the chance to take: “Honestly, rest and peace. Just time to recharge without worrying about work.”

    Whitney’s story stretches far beyond a tale of culinary success or small business growth. It is a portrait of modern womanhood in all its layered complexity: nurturing big dreams while nurturing a child, holding tight to ambition without losing the gentle softness that makes care work meaningful, learning to give of yourself to others while still holding space for your own needs. This Mother’s Day, Whitney’s journey mirrors the quiet reality of millions of women around the world who build, create, and sacrifice out of the public eye every day. Their strength does not often shout from headlines or social media feeds — but it reveals itself steadily, in every act of love, every moment of resilience, and every life they shape along the way.

  • Shelter moms

    Shelter moms

    As Jamaica prepares to mark Mother’s Day, most mothers across the island will wake to bouquets of flowers, warm hugs and intimate family celebrations honoring their role. But for a small group of women displaced six months ago by the devastating Category 5 Hurricane Melissa, this holiday will unfold far from the comfort of their own homes, each day a quiet test of endurance after months of living in temporary emergency accommodation.

    After spending half a year sheltering in converted classrooms at Petersfield High School in Westmoreland, these 16 families — totaling 41 people including dozens of children — were only recently relocated to a repurposed teachers’ cottage in Shrewsbury. Yet even amid the uncertainty of their displacement, the exhaustion of making do with too little, and the heartache of watching their children grow up in cramped, shared temporary spaces, these mothers have refused to break. Bound by shared faith, mutual support and an unshakable commitment to their children, they cling to the stubborn hope that next Mother’s Day will find them back in permanent homes, living with the dignity they once took for granted.

    A visit from the Jamaica Observer on April 24 captured the quiet ingenuity with which these women transformed a space meant for learning into a makeshift home for their families. Desks built for student learning were repurposed as bed frames, tarpaulin cut to size served as privacy curtains, and mats were laid neatly at the foot of made-up beds, with every article of clothing folded and stacked in its own designated spot. One woman even playfully chided the reporter to avoid stepping on a decorative mat, a small, familiar touch of Jamaican matriarchal order that persisted even in chaos. Classroom corridors became open-air laundry lines, propped up with bamboo sticks to let the tropical sun dry hanging clothes. It was far from the ideal home, but the women carved out what normalcy they could, drawing on the resourcefulness that has long defined Jamaican community life.

    For Tishane Haywood, a 30-something mother of six, three of whom — all under 10 — have lived with her in the shelter since the storm, the past six months have stripped her of nearly everything she built: her home, her livelihood, and the privacy of family life. But she says her children are the anchor that keeps her pushing forward, helping her set aside the trauma that Melissa unleashed on the island.

    Even with barely any extra income, Haywood makes small, quiet sacrifices to bring her children moments of joy, setting aside what little she can spare to buy small toys to keep them occupied. “The strength that I get is just looking at my kids and knowing that they’re at peace and they’re happy, because if something do me right now, I know that no one’s going to love them the way that I love them, and no one’s going to take care of them the way that I take care of them,” Haywood told the Sunday Observer.

    “It doesn’t matter how little they may be, just to see them have a smile on their face, even when I don’t have it, to say, ‘Here’s a juice,’ or something. When they get excited and happy, I feel good. They’re the reason I’m still here, they’re the reason that I’m pushing — just to see them happy. Even though they irritate me, and I tell you they do irritate me, but they’re mine, and they give me hope,” she added.

    “Every time I wake up and hear my son say, ‘I love you, Mommy,’ it feels good. My daughter and I are the same person; we can’t agree because she’s my identical person when it comes to personality, but I tell her I love her, and she loves me, too. It’s good to know that somebody out there loves me. I went through trauma as a child growing up, and to have so many little people running around that love you, I feel like I’m a superwoman, because when it comes to them, nothing is impossible for me to do,” she shared, smiling as she spoke.

    Haywood says she also draws enormous strength from the network of other mothers and grandmothers in the shelter, turning to their decades of experience for advice and encouragement when her own resolve wavers. “As a young mother, they teach me a lot. They teach me that I don’t have to abuse my kids verbally, because when I’m upset I’ll use my words. They teach me that I can talk to my kids, put them one side, and talk to them… It’s nice to know that you have other people who love your kids and care about your kids as much as you do,” she said.

    For Haywood, Petersfield High School was never just a shelter — it was where she found the extended family she never had growing up. “Being around them makes me take comfort that I have a family that I never really had, because my people don’t get along, and we don’t agree, so to be around people that make me feel like I’m their own, I feel loved, and my kids feel loved,” she said.

    Sixty-two-year-old Jennifer Anderson, a mother of eight with three of her adult daughters living with her in the shelter, is no stranger to hurricane displacement: she first sought emergency shelter with a 12-day-old daughter when Hurricane Gilbert tore through Jamaica in 1988. Now, 38 years later, that same daughter is once again living with her in temporary shelter after Melissa’s destruction.

    Anderson recalls that in 1988, disaster aid reached affected communities far slower than it did after Melissa, noting that both government agencies and private donors moved far more quickly this time to deliver meals, clothing and basic supplies to displaced families. Though her three daughters in the shelter are adults capable of caring for themselves, Anderson has not stepped back from her role as matriarch: she still keeps their spirits up, prays with them, and carries the weight of their uncertainty even when she does not have answers.

    “I have to be talking with them because sometimes they will ask, ‘Mommy, when?’ And sometimes I get irritated because I don’t know, but I have to just stay calm for them and say, ‘We are waiting on the Lord for the day to come,’ ” she said.

    Anderson has been out of work since before the storm, having lost her job as a caregiver when the elderly woman she tended passed away. Two of her daughters have found part-time work, and the family is slowly working to rebuild their stability, but they have yet to find affordable permanent alternative housing. Night after night in the shelter, she lies on her makeshift bed beside her daughters, praying with them and talking through their plans for the future to keep hope alive.

    “We have plans about how we are going to build our lives and what we are going to do after we leave here, so those things keep motivating us. We talk a lot about things and ask God to keep motivating us and helping us to do the things that we want to do for when we leave out here,” Anderson said. “Sometimes with my big daughter, I will kiss her, and I will tap her on the bed and say, ‘Don’t worry, man, everything will soon be okay,’ ” she shared.

    Even as she prioritizes her children’s emotional and physical needs, Anderson carries her own quiet grief: she mourns the loss of her home, her privacy, and the small daily comforts that once made life feel stable. “I used to be at home, living comfortably. I would sit down at night, watch my TV, get my glass, and I drink my red wine and go to sleep, but I can’t do that anymore. Mother’s Day, I would cook and enjoy myself, and if I plan to go out, then I would go out, but now it’s nothing, I am just stuck here,” she admitted, a moment of defeat crossing her face before she regained her composure. She says she trusts God will see her family through this hardship.

    “I can’t afford to sit here and be sad, because if I am sad then they are going to be sad. As a mother, you have to always show up for your kids, so I keep showing up for mine,” she said.

    Like Haywood, Anderson draws immense comfort from the tight-knit community of displaced mothers in the shelter, proving the old adage that it takes a village to raise a child — even when the village itself has been destroyed by a storm. “We are good to each other. We share thoughts with one another and we cook with one another, and we share everything that we have. We chip in where we can to help out. We are a community in here,” she said.

    In a message to all mothers facing hardship this Mother’s Day, Anderson encouraged other women to hold fast to their faith and avoid taking their frustration out on their children. “Don’t be angry and don’t take your anger out on the kids. You have to just pretend like everything is okay, even when you know it’s not okay, and ask God to protect and guide your kids so that they may live to have a better life,” she said.

  • Mama’s Memories

    Mama’s Memories

    This year would have marked the 72nd birthday of Gloria Wright, the beloved mother of celebrated Jamaican reggae musician Nesbeth, who was known affectionately to family and friends as Mama Gloria. Wright lost her decade-long battle with cancer in 2013, when she was just 59 years old. To honor her legacy and keep her memory alive a decade after her passing, her son has unveiled a deeply personal new tribute track titled *Mama’s Memories* that channels his decades-long love and grief into art.

    In an exclusive interview with the Jamaica Observer, Nesbeth opened up about the core memories that shaped the song, focusing not on grand gestures but the quiet, unchanging warmth his mother brought to his life. “My fondest memories of my mother are really the simple moments; her love, her strength, and the way she always made me feel protected no matter what was happening around us,” he said. “I remember her sacrifices, her guidance, and the warmth she brought into our home. She had a spirit that could lift people up even while carrying her own burdens. Those memories stay with me every single day, and they continue to inspire me both personally and musically.”

    Nesbeth, who has earned global acclaim for hit tracks including *Drive By*, *Success Story*, *Board House*, and *My Dream*, described losing his mother as one of the most devastating challenges he has ever navigated. “Honestly, it was one of the hardest moments of my life. Losing a mother leaves a pain that words can barely explain. At the time, it affected me deeply emotionally, mentally, and spiritually. There were moments of sadness, and confusion. But music became one of my ways of coping and healing. Instead of hiding the pain, I chose to express it through my art. Even today, the loss still lives with me, because grief doesn’t truly disappear, you simply learn how to carry it.”

    Throughout Nesbeth’s rise in the reggae industry, Wright was one of his most consistent and passionate supporters. She never hesitated to encourage his creative ambitions, even as her own health declined. “Like any good mother, she wanted the best for her child, and she always encouraged me to stay focused and believe in myself. She understood my passion for music and believed I had a purpose,” Nesbeth shared. “It was heartbreaking to watch her fight cancer, but her strength through that fight still pushes me to work harder every day.”

    For the artist, who is widely recognized for his raw, authentic storytelling through song, *Mama’s Memories* was a fully personal creative project, with Nesbeth overseeing every step of the process from initial concept to final production. “From the concept to the final sound, I made sure every element aligned with the message. Being at the helm allowed me to ensure authenticity,” he explained.

    Beyond honoring his own mother, Nesbeth hopes the track resonates with listeners who have experienced the loss of a parent, creating space for them to process their own grief and find connection. “I want them to feel seen and understood. If they’ve lost someone, especially a mother, I want them to know they’re not alone. I want the song to take them through emotions — pain, love, reflection, but also healing,” he added.

    Looking forward to the next chapter of his creative journey, Nesbeth has already revealed plans for his next release, which will continue his focus on heartfelt, real-life familial themes. Titled *Daddy Love* and produced by DJ Teddy Productions, the upcoming track will shift focus to the impact of fatherhood, continuing the artist’s exploration of personal, universal human experience through reggae.

  • Garden Mums

    Garden Mums

    As 2026’s Mother’s Day approaches, the Style Observer is pausing to honor a remarkable group of women who have turned their lifelong devotion to gardening into a source of ongoing inspiration for readers of the outlet’s popular gardening section. For years, these women have shared their love for cultivating green spaces, weaving warmth, hard-won wisdom, and natural beauty into every page they’ve touched. What started as a quiet personal hobby has blossomed into a way of life that nurtures not only their own well-being, but everyone who steps into their vibrant outdoor sanctuaries. For Janice Grant Taffe, a recently retired former general counsel and corporate secretary of Sagicor Group Jamaica, gardening is both a creative outlet and a path to mindfulness. Her sprawling, lush garden sits perched above the Kingston & St Andrew metropolis, a quiet green escape that offers respite to friends and family weary of the chaotic pace of city life. Born and raised in Manchester, Taffe has carried a love for plants since childhood, but her curated outdoor retreat truly began to take shape eight years ago, when she moved into her current home with her husband Joe and daughter Jada-Rae. During a 2022 visit from the Style Observer team, Taffe described her garden as a living, energetic gathering space where loved ones can come together to mark life’s special moments. Today, the space boasts a stunning array of tropical blooms including dozens of orchid varieties, anthuriums, pink and red gingers, and bromeliads, alongside a dedicated herb section filled with edible staples like mint, thyme, and peppers. Karleen Smith, another lifelong gardening enthusiast, says tending to her plants has been a source of great comfort through every season of her life. When the Style Observer toured her immaculately designed property in 2021, she walked the team through a lush, abundant landscape overflowing with color, fragrance, and life. Her garden is home to an impressive collection of ornamental plants, fruit trees, edible vegetables, and a carefully curated collection of prized orchids. Vibrant swathes of roses, periwinkles, ferns, bougainvillea, 10 o’clocks, and crotons create a rich, textured tapestry across the property, while tropical fruit trees including sweetsop, mango, orange, and June plum infuse the space with distinctly Caribbean warmth. For Smith, the garden is more than just a collection of plants — it is a reflection of the values that define her life: patience, intentional care, and a deep appreciation for the quiet luxury of living surrounded by nature. Jacinth Byles has shared her passion for gardening with her husband for decades. The pair built their first home in Stony Hill, a region whose cool, mild climate proved ideal for growing a wide range of tropical plants. For years, they would spend every Sunday from dawn to dusk tending to their beds, and the satisfying results of their labor turned gardening into a lifelong shared hobby. Though Byles has since relocated from Stony Hill’s salubrious slopes, a 2021 visit to her new property confirmed her passion for cultivating plants remains as strong as ever. While she acknowledges she cannot replicate the perfect growing conditions of her former Stony Hill garden, she has still built a striking, eye-catching outdoor space, focused now primarily on bromeliads and orchids. Hardy, low-maintenance favorites including bougainvillea, periwinkle, areca palms, cascade palms, and multiple other palm varieties round out the lush landscape. For Angie Ammar, a deep love of orchids — particularly the bold, elegant vanda orchids that first caught her eye decades ago — has grown into a decades-long obsession. When the Style Observer caught up with Ammar in 2022, she reflected on the early days of her hobby, when orchid blooms were famously large and vivid, and cross-breeding was far less common than it is today. “They didn’t seem to need much care, as they had their wiry roots just hanging out, so I tried my hand at those,” she recalled of her first foray into orchid growing. Like any passionate hobbyist, Ammar learned through trial and error, and candidly admits she lost several early plants to underwatering. Rather than discouraging her, however, those early setbacks only deepened her fascination with the delicate blooms. Determined to master the art of orchid care, she joined the Jamaica Orchid Society (JOS), attending regular meetings and seeking guidance from experienced veteran growers. She also received invaluable support from family: her uncle, Dr Eddie Valentine, was a founding member of JOS, and his expertise helped nurture her growing passion. “From then, my obsession grew — or rather my addiction,” she laughed. Retired teacher Laurel Green has cultivated her dynamic upper St Andrew garden for more than 50 years, a living tribute to the diverse native flora she fell in love with while growing up in St Mary. When Green invited the Style Observer team to tour her garden in July 2025 for a two-part featured profile, the outlet was greeted with a breathtaking tropical escape brimming with quiet charm and natural beauty. Anchored by a towering, magnificent ficus tree, the garden unfolds in layered, visually stunning displays of orchids, anthuriums, crotons, and vibrant red gingers. Heliconias, monsteras, and blackberry lilies add extra depth and pops of color across the space, while edible produce including breadfruit, pineapples, and strawberries brings a welcoming farm-to-garden appeal that makes the space as functional as it is beautiful. Among the dozens of standout species in Green’s collection, the Floribunda rose and a range of rare orchid hybrids including Vanda Princess Mikasa and Papilionanda have emerged as fan favorites among gardening enthusiasts who have toured the space. Taken together, the gardens of these five extraordinary women are far more than collections of plants. They are spaces of renewal, connection, and joy — a fitting tribute to the nurturing spirit that Mother’s Day celebrates.

  • LEVEL UP

    LEVEL UP

    Jamaica’s women’s football ecosystem took a major step forward in early May 2026, when three leading regional football bodies joined forces to deliver a landmark two-day Capacity Building and Club Licensing Workshop focused on empowering coaches, club administrators, and aspiring young players across the country.

    Organized collaboratively by Professional Women’s Football Jamaica Limited (PWFJL), the Jamaica Football Federation (JFF), and the Confederation of North, Central America and Caribbean Association Football (Concacaf), the event was split across two venues in Kingston: the Courtyard by Marriott and the UWI-JFF Captain Horace Burrell Centre of Excellence. While the workshop covered a broad range of industry-critical topics from high-performance coaching techniques to match analysis and club licensing compliance, one of its most anticipated components was a dedicated college recruitment program designed to help Jamaican female players secure athletic scholarships at U.S. and Canadian post-secondary institutions.

    The comprehensive agenda was tailored to address unmet needs across all levels of the women’s game. For coaches and administrators, sessions broke down modern training planning frameworks, professional development benchmarks, and the step-by-step requirements of international club licensing. For players, the program demystified the often complex collegiate recruitment process, outlining key academic and athletic eligibility standards, detailing clear scholarship pathways, and clarifying what college programs expect from recruited athletes. The recruitment presentation was led by two of the region’s most respected elite football educators: Heather Dyche, head coach of the United States U-23 Women’s National Team and assistant coach of the U.S. senior women’s side, and Dr. Vanessa Martinez Lagunas, head coach of Mexico’s U-23 women’s team and a certified FIFA Elite Coach Educator.

    In opening remarks, PWFJL Chairperson Christina Hudson emphasized that intentional investment in people is the foundation of long-term growth for women’s football in Jamaica. “Creating access to education, international exposure, and career advancement has always been one of our core priorities,” Hudson said. “This college recruitment session was particularly transformative because it put direct, actionable guidance in the hands of young players who can use that knowledge to change the trajectory of their lives, both on and off the pitch.” She also extended public gratitude to both Concacaf and the JFF for their partnership in bringing the workshop to fruition, crediting their collaboration for the event’s success.

    Carlene Edwards, a member of FIFA’s Women’s National Teams Committee, framed the workshop as a key strategic milestone in ongoing efforts to strengthen Jamaica’s entire women’s football infrastructure through targeted education, professional upskilling, and cross-border collaboration. Speaking in an interview with the Jamaica Observer, Edwards noted that the high level of engagement from all attendees was a promising sign for the future of the Jamaica Women’s Premier League (JWPL). “Every session touched on core priorities that are non-negotiable for our long-term growth: club governance, professional development, and clear pathways to international opportunity,” Edwards explained. “It’s incredibly encouraging to see the entire community coming together to advance our coaches, our administrators, and our players.”

    Both guest presenters echoed that sentiment, highlighting the untapped talent across the Caribbean region and the critical gap that workshops like this fill. Dyche pointed out that even with abundant natural talent, many young athletes miss out on international opportunities simply because they lack access to clear, reliable information about the recruitment process. Lagunas added that these collaborative development events do more than just connect players to scholarships: they build the foundational support networks and pathways that strengthen women’s football across the entire region.

    For the JWPL and Jamaican women’s football as a whole, the workshop marks a concrete investment in sustainable growth, addressing systemic gaps while opening new doors for the next generation of female athletes.

  • BUT raises no objection to ministry’s school closure plan

    BUT raises no objection to ministry’s school closure plan

    The Barbados Union of Teachers (BUT) has publicly signaled that it holds no core opposition to a recent policy move from the Ministry of Education, which has approved early summer closure for a targeted group of primary schools across the island. The early shutdown is designed to create a clear window to carry out much-needed infrastructural improvement projects before the new academic term begins.

    In an official public statement, the teachers’ union emphasized that upgrading outdated learning environments has been a longstanding priority on its advocacy agenda. For years, the organization has pushed for government investment to modernize school facilities that directly impact the daily experiences of both learners and education workers. As such, the union says it fully endorses the comprehensive upgrade initiative, which aims to deliver safer, more functional spaces that support high-quality teaching and better learning outcomes for all stakeholders.

    Despite this broad backing, the BUT has not shied away from flagging a key potential risk that could trigger its opposition. The union’s core concern centers on project timelines: if contractors fail to complete all scheduled renovation and upgrade work by the end of the scheduled summer vacation period, the knock-on effect would disrupt the planned reopening of schools and throw off the delivery of planned instruction when the new academic year gets underway. The implicit message from the union is that it will hold both the Ministry of Education and contracted work teams accountable for meeting the established timeline to avoid negative impacts on students and staff.