作者： admin

After nearly two decades of dedicated journalism, photojournalist Angelo Marcelle is reflecting on an extraordinary career built on immersive storytelling that transcended conventional reporting. Since 2005, Marcelle has pursued what he describes as both a calling and a responsibility—documenting the diverse human experiences that define his nation through firsthand participation rather than mere observation.

Marcelle’s methodology involved extraordinary immersion into marginalized communities. He spent nights homeless on the streets of Arima, not for dramatic effect but to genuinely comprehend the isolation, hunger, and resilience that characterize street life. His commitment extended to working as a sanitation laborer, performing grueling waste collection under intense heat to highlight the undervalued workers who maintain urban cleanliness without adequate recognition.

In one particularly powerful experiment, the journalist confined himself to a wheelchair to navigate Arima’s infrastructure, directly experiencing the physical barriers and accessibility challenges that disabled citizens confront daily. These experiential investigations fundamentally transformed Marcelle’s perspective, cultivating what he describes as empathy that transcends statistical reporting and headline journalism.

Throughout his career, Marcelle maintained that authentic journalism must honor human narratives, amplify silenced voices, and challenge systemic failures. His work represents a fusion of photojournalism and social advocacy, creating documentary evidence that both informs and inspires societal reflection. The journalist credits his readers with giving purpose to these stories through their engagement, discussion, and shared concern for the communities he documented.

Marcelle’s approach demonstrates how journalism can serve as a bridge between segregated social realities, fostering greater understanding through empathetic immersion and visual storytelling that respects both its subjects and audience.

Faith Ayoung, Newsday’s youngest photographic recruit who joined the organization on January 3, 2024, has reflected on her transformative journey from university graduate to seasoned photojournalist. Her career began during one of Trinidad and Tobago’s most significant state events—the funeral of former Prime Minister Basdeo Panday—which she describes as a ‘baptism of fire’ rather than a conventional introduction to journalism.

Under the mentorship of then-Chief Photographer Jeff K Mayers, Ayoung learned to navigate the complexities of major event coverage, from capturing crowd reactions and atmospheric details to documenting the core proceedings of a state funeral. The emotional and physical exhaustion of that first major assignment became a recurring theme throughout her tenure, with days spent ‘running, hopping, climbing, and brisk walking’ across Port of Spain to secure the perfect shot that could tell a thousand words.

Ayoung credits her growth not only to photographic development but also to acquiring writing skills with the support of colleagues including Debra Greaves, Carol Quash, Veela Mungal, Angelo Marcelle, Paula Lindo, and Melissa Doughty. She particularly acknowledges Melanie Waithe for enduring her constant queries and the broader team of sub-editors, reporters, and management who supported her journey.

The photographer expressed profound gratitude for the opportunity to work alongside what she describes as ‘an amazing group of talented and naturally gifted individuals.’ She concluded with optimistic anticipation for her colleagues’ future endeavors, hoping they would continue to ‘dance and celebrate blessings’ in their next chapters, just as they did at their farewell gathering on January 27.

In a heartfelt farewell, Newsday’s editorial team has shared profound reflections on their careers at the Trinidad-based publication, highlighting both personal journeys and the critical importance of journalism in society.

Sports Editor Stephon Nicholas, after an 18-year tenure, emphasized the enduring legacy of media despite industry challenges. ‘Media cannot die,’ Nicholas stated, acknowledging the mentorship from news titans and the responsibility to document truth through various crises—from sports events to volcanic eruptions and elections.

Veteran specialist writer Sean Douglas, with nearly 30 years of service, reflected on the evolution of news consumption and the financial struggles facing traditional media. He expressed hope that the public would recognize the value of verified news, suggesting a modest daily subscription fee equivalent to ‘a doubles or a short drop in a maxi taxi.’ Douglas warned against a future where society relies solely on press releases and influencers rather than robust journalism.

Reporter Paula Lindo, who joined just before the COVID-19 pandemic, described her rapid integration into the newsroom and the diverse storytelling opportunities she encountered. From pandemic coverage to highlighting systemic issues like discrimination and racism, Lindo valued the platform Newsday provided for amplifying community voices. She also praised the collaborative spirit among colleagues, including photographers and digital teams, who enriched the storytelling process.

Administrative assistant Sasha Gulston, celebrating 28 years with Newsday, shared a journey of personal and professional growth. From receptionist to administrative roles, Gulston highlighted the familial atmosphere and the pride in nurturing media talent that later flourished elsewhere. She fondly recalled the bonds formed and the legacy of figures like Therese Mills in shaping Newsday’s impact.

Across these accounts, a common theme emerges: Newsday was more than a workplace—it was a hub of learning, camaraderie, and unwavering commitment to public service. Despite the sadness surrounding its closure, the team’s gratitude and resolve underscore the indispensable role of journalism in informing and educating society.