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PORT OF SPAIN, Trinidad—Carnival history was rewritten this week as legendary calypso and soca performer Machel Montano achieved an unprecedented milestone in Trinidad and Tobago’s cultural landscape. The iconic artist secured his record-breaking 12th Road March title following the conclusion of the 2026 Carnival celebrations, establishing himself as the most decorated musician in the competition’s history.

Montano’s winning composition ‘Encore’ propelled him past the legendary late Lord Kitchener (Alwyn Roberts), with whom he had been tied after his 2025 victory. The achievement represents a monumental moment in Caribbean musical heritage, showcasing Montano’s enduring influence across generations.

Trinidad and Tobago’s Culture Minister Michelle Benjamin celebrated the historic accomplishment in an official statement, noting: “This historic milestone is a testament to his consistency, talent, and undeniable impact on our Carnival culture. Year after year, he continues to raise the bar and unite the nation through music.”

During the two-day judging period, Montano’s triumphant track was performed 171 times across various carnival stages. He outperformed formidable competitors including Aaron ‘Voice’ St Louis, the youngest-ever International Soca Monarch winner, whose composition ‘Cyah Behave’ received 127 plays. Veteran artist Bunji Garlin secured third position with ‘Still a Road Man,’ played 97 times.

In parallel developments, the mas band ‘Lost Tribe’ from the Tribe Carnival Group claimed dual honors as both Large Band of the Year and overall Band of the Year. Their winning presentation ‘Island Circus’ emerged victorious despite recent controversy surrounding the distribution of adult-themed items in their masquerader packages, which had drawn criticism from Roman Catholic Archbishop Jason Gordon.

The prestigious band competition saw Trinidad All Stars Steel Orchestra secure second place with ‘Sailors Ashore in Japan,’ while Paparazzi Carnival captured third position with their presentation ‘Elope: Destination I Do.’ These achievements highlight the continuing evolution and diverse creative expressions within Trinidad’s world-renowned carnival traditions.

KINGSTON, Jamaica—Jamaican dancehall performer A1 Pelico has commenced the new year with remarkable momentum, positioning himself for substantial career advancement. The artist’s latest single, ‘Mil A Day,’ has generated seismic waves across airwaves and digital platforms, signaling his ascending trajectory in the music industry.

Despite widespread social media speculation regarding the song’s inspiration, A1 Pelico clarified that the track isn’t targeted at any specific individual. “I’m not directing words at anyone in particular—I’m simply expressing what I witness and hear in the streets,” the artist explained. The single’s infectious rhythm and relatable lyrics have propelled it to viral status, dominating radio rotations and internet playlists simultaneously.

Born Junior Shaw in the Riverton City community, the artist revealed his origins in inner-city Kingston, where he experienced financial hardships and physical challenges common among urban youth. Music became his therapeutic outlet and escape mechanism during difficult times. He described how immersing himself in the works of influential artists helped shape his aspirations and creative vision.

“Growing up in the garrison environment shapes your perspective differently. You develop heightened awareness and appreciate simplicity more profoundly than average youth,” A1 Pelico reflected. “Music was my stress relief during formative years, which explains why composition comes naturally to me now. I always aspired to achieve the lifestyle portrayed in the songs of my predecessors. While I haven’t fully realized that dream yet, I’m undoubtedly progressing toward it.”

The artist’s current momentum extends beyond local recognition, with international radio stations and social media influencers amplifying his reach through their platforms. This global exposure coincides with A1 Pelico’s intensive studio sessions, where he’s developing multiple new singles to capitalize on his burgeoning popularity.

KINGSTON, Jamaica—A groundbreaking national initiative is poised to transform Jamaica’s cultural landscape with the establishment of the Phoenix Awards. This first-of-its-kind ceremony, scheduled for March 30 at the Phillip Sherlock Creative Arts Centre, will honor professionals across the entire spectrum of creative industries through an unprecedented 48 award categories.

Conceived by playwright David Tulloch, the awards represent a comprehensive celebration of Jamaica’s artistic community, recognizing not only performers but the complete ecosystem behind cultural productions. The extensive categories span traditional disciplines like acting, poetry, dance, and music while also acknowledging often-overlooked contributors including writers, producers, production teams, and even concessionaires who enhance the audience experience.

Tulloch emphasized the organic evolution of what began as a local project into a national movement. ‘The transition to a national platform emerged through extensive dialogue with industry colleagues who expressed a powerful desire for unity within our cultural community,’ Tulloch explained. ‘I consistently heard professionals calling for an inclusive event that would properly recognize the full breadth and depth of our creative sector.’

The development process became a collaborative effort, with Tulloch bringing diverse stakeholders together to create a platform that balances comprehensive representation with public re-engagement in cultural activities. This community-driven approach distinguishes the Phoenix Awards from traditional recognition programs by breaking down silos between artistic disciplines and emphasizing their interconnected roles in storytelling and cultural preservation.

The addition of unconventional categories—such as best concessionaires—reflects the awards’ innovative philosophy that cultural experiences extend beyond the stage or screen to encompass all elements that contribute to audience enjoyment and participation.

KINGSTON, Jamaica—The University of the West Indies will host an exceptional educational opportunity for aspiring music professionals on Wednesday, March 12, featuring two-time Grammy-nominated reggae phenomenon Jesse Royal as keynote panelist. The complimentary seminar, titled Essential Notes–The Seminar, will convene at 6:00 pm in Lecture Theatre N1, offering unprecedented access to industry expertise.

Royal will be joined by an elite assembly of music industry pioneers including Gary Burke, prominent European music executive; Natalie Prosper, Grammy and Oscar Award-winning music executive; and A.S. Morris, professionally recognized as Notnice, a Grammy-winning producer. This distinguished panel represents decades of collective experience across international music markets.

The initiative is the brainchild of Demonie Wilson, known professionally as Squidell, an accomplished artist manager, A&R representative, and published author. Wilson has designed the program to bridge critical knowledge gaps within Jamaica’s vibrant creative ecosystem.

Essential Notes represents a strategic investment in cultural infrastructure, focusing on the intersection of artistic expression and commercial sustainability. The program aims to empower students and emerging creatives with practical frameworks for navigating the complex dynamics of the global music industry while preserving cultural authenticity.

Jesse Royal, celebrated for his socially conscious lyricism and philanthropic initiatives, emphasized the seminar’s vital role in nurturing Jamaica’s abundant talent pool. “Initiatives that actively stimulate the business dimension of our creative sector deserve wholehearted embrace,” Royal stated. “While Jamaica overflowswith raw talent, we must concurrently develop structures that cultivate emerging artists and generate new opportunities within this fertile creative landscape.”

Wilson highlighted the fundamental principle of accessibility governing the initiative: “At its core, Essential Notes is about democratizing access—access to expertise, lived experience, and transparent dialogue about industry realities. By maintaining free admission and featuring influential voices like Jesse Royal, we ensure that knowledge transfer occurs directly between established industry architects and the next generation of cultural innovators.”

The seminar will incorporate interactive discussions, reflective exercises, and actionable guidance for artists and music professionals seeking to deepen their understanding of both the artistic and commercial dimensions of the music industry.