On May 4, a delegation from Grenada accepted a special invitation from Krista Thompson, PhD, curator of The Bahamas national pavilion, to tour the exhibition *In Another Man’s Yard* at the 2026 Venice Biennale. The visit marked a powerful demonstration of cross-regional creative solidarity within the Caribbean, bringing attention to a show that honors late celebrated Bahamian artist John Beadle (1964–2024) and features dynamic new work from contemporary artist Lavar Munroe, rooted in decades of collaborative practice. This return to the Biennale marks the first Bahamian national participation in 13 years, a milestone that organizers hope will lay the groundwork for consistent, sustainable national representation at the global art event going forward. The 2015 attempt to stage a Bahamian pavilion centered on Beadle collapsed after funding fell through, and it was not until the artist’s passing 18 months ago that a collective of supporters rallied to resurrect the project as a posthumous tribute. Thompson emphasized that the exhibition offers a rare global platform to showcase two of The Bahamas’ most influential contemporary creators, whose work is deeply anchored in the country’s distinct visual cultural identity. Both Beadle and Munroe draw creative inspiration from Junkanoo, the iconic Bahamian national cultural festival that was added to the UNESCO Representative List of the Intangible Cultural Heritage of Humanity in 2023. The exhibition’s works center the long history of collective creation that defines Junkanoo tradition, framing that collaborative spirit as a foundational influence on contemporary Caribbean art. A defining feature of the show is its use of repurposed, everyday materials found across the Caribbean: discarded cardboard, old newspaper, and reclaimed sails from abandoned Haitian sloops are transformed into immersive installations that reimagine Junkanoo for a global audience. The exhibition operates on multiple levels: it highlights the depth of The Bahamas’ thriving contemporary art ecosystem, serves as a moving commemoration of Beadle’s decades-long influence as an artist and mentor, and functions as a love letter to his legacy. “This is a love letter, a grieving, a celebration of John and the driving force and energy of the pavilion, honouring one of our own,” Thompson explained of the show’s core mission. Staged with official support from The Bahamas’ Ministry of Youth, Sports and Culture, the exhibition also carries long-term educational goals for domestic audiences. Thompson has expressed hope that the show will eventually tour across The Bahamas, sparking new conversations among local students about Junkanoo’s dual identity as both living heritage and contemporary artistic practice. For emerging artists and students across the Caribbean, Thompson offered a key takeaway: seek out the visual traditions and cultural forms rooted in your own local context, as these can serve as enduring sources of creative inspiration to shape a unique individual artistic voice. The message resonates particularly strongly for visitors from Grenada, which boasts its own rich tapestry of intangible cultural heritage: ShortKnee, Moko Jumbie, and Carriacou’s Shakespeare Mas – the latter of which was featured at the 2022 Venice Biennale and added to the UNESCO intangible heritage list in 2024. The raw, resourceful materiality of the exhibition’s works is one of its most striking characteristics. Every piece transforms materials that are often overlooked or discarded into meaningful, thought-provoking art. Munroe’s 2020 piece *WWJD*, for example, incorporates an eclectic array of everyday items: acrylic and spray paint, sneakers, balloons, staples, an extension cord, cardboard, boxer shorts, fabric, blunts, and toys, assembled into a collage on cut canvas. Beadle’s work equally embraces repurposing: his 2003 *Inverted Tree — Man for Hire* and 2006 *In Another Man’s Yard* reimagine machetes, a ubiquitous agricultural tool across the Caribbean, as core artistic elements. Beadle’s 2020 *Live Load*, constructed from cardboard, salvaged wood and rope, centers a seven-foot boat rudder to explore histories of trade and migration across the Caribbean. His 2020 *Mobile Housing Scheme*, recreated for this exhibition by artists Amanda Crain and John Cox after the original was destroyed by termites, depicts a small cardboard house mounted to a wheelbarrow – a form that echoes the common practice of relocating homes on the back of trucks that many Grenadians have witnessed firsthand. Following the tour, Susan Mains, commissioner of the Grenada pavilion, extended formal congratulations to Thompson and her team, reaffirming the Caribbean region’s shared strength through collective solidarity. “The Grenada delegation wholeheartedly supports the efforts of The Bahamas pavilion. Showing up as a region only gives us strength,” Mains stated. This article was originally published by Grenada-based outlet NOW Grenada, which notes that it is not responsible for the opinions or content shared by contributing writers, and invites readers to report any abusive content via official channels.
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Caribbean agriculture forum sparks innovation and entrepreneurship through 2026 webinar series
A wave of new innovation and entrepreneurial energy has swept across global agricultural communities following the successful completion of the 2026 Caribbean Climate-Resilient Agriculture Forum (CCRAF) three-part Beginner-to-Business (B2B) Webinar Series. Designed to guide aspiring agri-entrepreneurs from foundational knowledge to operational business management, the multi-session initiative drew a diverse international audience that included working farmers, emerging business founders, young innovators, and international development practitioners from regions spanning the Caribbean, Latin America, Asia and Africa.
Official press statements confirm that the program consistently maintained high engagement throughout its three segments, with more than 430 participants from over 30 countries joining each individual session. By the end of the series, hundreds of attendees had gained actionable, practical tools to launch and scale climate-focused, sustainable agricultural ventures.
CCRAF functions as a regional collaborative network backed by the Inter-American Institute for Cooperation on Agriculture (IICA), with a core mission centered on expanding knowledge sharing of climate-resilient farming methods across small island and tropical agricultural contexts. Beyond education, the network also works to strengthen cross-stakeholder collaboration, build a connected regional agricultural community, and turn academic and practical knowledge into tangible, on-the-ground action that strengthens regional food security.
For CCRAF Coordinator Nekelia Gregoire Carai, the annual webinar series extends far beyond traditional skills training. “The CCRAF Yearly 3-Part Webinar Series is about more than training—it’s about empowering people to take action. Our goal is to continue connecting knowledge with real opportunities and immediate actions that can transform livelihoods and strengthen food systems across the region,” Gregoire Carai explained in her remarks following the conclusion of the series.
IICA representatives note that the 2026 series centered content on insights from experienced, locally based Caribbean agricultural practitioners, who shared on-the-ground perspectives and flexible business models tailored to the unique economic and environmental realities of the Caribbean region.
One of the most popular sessions focused on launching small-scale hydroponic enterprises, led by Sherrie-Ann Brazier, founder of SHAADE Hydroponics based in Antigua and Barbuda. Brazier walked attendees through her journey of building a profitable, growing hydroponics business entirely from the ground up. “You don’t need to know everything to start—just begin, learn as you go, and stay committed. Agriculture can truly transform not just your income, but your family and your purpose,” Brazier told participants.
Her presentation highlighted the extraordinary efficiency of small-scale hydroponics: her operation produces up to 2,500 heads of lettuce per week on a plot smaller than one-eighth of an acre, while using a fraction of the water and land required for conventional open-field farming. She also emphasized that incremental learning and adaptive innovation are the most critical factors for growing a successful family-owned agricultural enterprise.
A second breakout session focused on vermicomposting, led by Micah Martin, co-founder and general manager of Trinidad and Tobago-based Compost-Inn. Martin demonstrated how a scalable local business can repurpose common organic waste into high-value soil amendment products, with a model specifically adapted to the warm, humid tropical conditions of the Caribbean. “What many people see as waste is actually a resource. With the right approach, you can convert it into a product that improves soil, supports food production, and creates income,” Martin said. Attendees left the session with actionable knowledge to transform organic waste into nutrient-dense “black gold” compost, select worm species suited for tropical climates, manage growing conditions, and build multiple revenue streams through value-added compost products.
The series also highlighted commercial mushroom cultivation as an underutilized, highly profitable climate-resilient enterprise opportunity ideal for small producers. Pauline Smith, CEO and co-founder of Jamaica Exotic Mushrooms, broke down the advantages of the sector for new entrepreneurs. “Mushroom farming is one of the fastest ways to generate income in agriculture. In just a few weeks, you can go from production to profit—while building a business that is resilient and sustainable,” Smith explained. Her session outlined that oyster mushrooms, one of the most popular commercial varieties, can go from spawn to market-ready harvest in roughly four weeks, using low-cost, locally available growing materials including bamboo and lemongrass as growing substrates. She also noted consistent, high demand from the Caribbean’s large tourism and hospitality sector, and highlighted that the low-barrier to entry creates unique economic opportunities for women, young entrepreneurs, and small-scale producers with limited starting capital.
Across all three program segments, a unifying core theme emerged: aspiring agri-entrepreneurs do not need large amounts of starting capital or vast tracts of land to launch successful sustainable ventures. Participants are encouraged to start small with the resources they already have, then scale their operations gradually to build consistent, long-term sustainable income streams. For many first-time attendees, the 2026 webinar series served as a critical first step to entering the agricultural sector, equipping them with innovative, climate-resilient business concepts tailored to local market conditions.
Looking forward, CCRAF plans to expand its role as the Caribbean’s leading regional platform for climate-resilient agricultural knowledge exchange and practical implementation. Building on the strong engagement and positive outcomes of the 2026 B2B series, the network will launch a lineup of Special Edition Webinars alongside in-person training workshops through its new “CCRAF On the Road” Knowledge-to-Action Initiative. The program will continue working to close the gap between agricultural research and knowledge, and on-the-ground implementation across Caribbean communities.
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Saint Lucia retain seniors title as over 100 tee off at Golf Open
The second edition of the Saint Lucia Golf Open drew to a close on Sunday, May 3, at the scenic Sandals Saint Lucia Golf & Country Club, bringing with it a series of historic firsts, unexpected outcomes, and dominant local performances that underscored the tournament’s growing regional and international appeal.
This year’s competition attracted 118 registered golfers hailing from 15 different countries, marking a 34-player increase from the tournament’s inaugural 2024 holding – a clear sign of the Saint Lucia Golf Open’s rising traction in the Caribbean golf circuit.
In the team competition for the coveted President’s Cup, Barbados claimed the top honor after three days of intense play. The Barbadian side posted a cumulative score of 228, securing first place after the host Saint Lucian team struggled through a challenging second round that derailed their early lead. Host nation Saint Lucia ultimately finished second with a total score of 240, climbing past Antigua and Barbuda on the final day of play to claim the silver medal position. Antigua and Barbuda landed third with 241, followed by Jamaica four strokes off the pace, and Trinidad and Tobago a further 11 strokes behind third place.
The 2025 tournament marked a major milestone for Caribbean golf with the introduction of the first-ever Professional Division, and the title went to Trinidad and Tobago’s Benjamin Martin. Martin carded a three-round total of 6-over-par 219, edging out American contender Chris Johnson by two strokes to take home the $7,500 top prize. Martin carded a 35 over his final nine holes, compared to Johnson’s 37, to lock in the historic win. Host golfer Ryan Daniel finished with a total score of 251 in the new professional division.
In the Championship Division, Australia’s Dean Richards, a competitor on the U.S. collegiate golf circuit, outperformed the field to take gold. Richards delivered his best performance in the final round, shooting a one-under-par 72 to finish with a total of 225, three strokes ahead of second-place finisher Xzavier Wiggins of Barbados, who posted 228. Saint Lucian golfers Keymani Thomas and Harith Khan tied for third place with matching 244 totals. All top-ranked finishers in this division earned valuable points toward their World Amateur Golf Ranking, boosting the tournament’s competitive credibility.
Local golfers turned in a series of standout performances across divisions, with Saint Lucian players claiming four total victories throughout the week. In the Ladies Division, Catherine Spooner – who finished second in 2024 – secured the top spot with three consistent rounds, all scoring under 90, for a cumulative total of 263. She beat Jamaica’s Lisa Gardner by a single stroke to take the title.
Saint Lucian golfers swept the entire podium in the overall Men’s Division. Habib Chreiki claimed gold with a 254 total, followed by Samuel Richelieu at 256, and Andre Dhanpaul at 257 to round out the local sweep. The Seniors Division title also stayed on home soil, with Tim Mangal carding a 222 to beat Jamaica’s Sean Morris (229) and Barbados’ Scott Stollmeyer (230). In the two-day Masters Division, Saint Lucia’s David March claimed the crown with a 173 total, followed by Barbados’ Ivan Codrington (175) and local golfer Peter Devaux (176) in second and third place respectively.
The tournament also delivered a highlight moment that any golfer dreams of: Brandon Malon scored a spectacular hole-in-one, earning a complimentary 2-ball round at the renowned Cabot golf resort as a reward for his impressive feat.
Looking ahead, Dwayne King, public relations officer for the Saint Lucia Golf Association, framed the 2025 tournament as another step forward for the event. “With each passing year, the Saint Lucia Open reaches new heights – and the next edition is already shaping up to be the most ambitious yet,” King said. Building on the momentum of this year’s successful launch of the Professional Division, King noted that organizers plan to expand the competitor field, increase prize purses, and grow the tournament’s reach across the Caribbean and beyond, teasing upcoming announcements that will excite golf fans across the region and globally.







