WASHINGTON – A growing cultural rebellion is unfolding at Washington’s premier performing arts institution as multiple artists withdraw from scheduled performances to protest the controversial rebranding of the Kennedy Center to include President Donald Trump’s name. The prestigious venue, now officially designated the Trump-Kennedy Center, faces mounting opposition from the artistic community following this month’s divisive name change.
Esteemed jazz ensemble The Cookers announced their withdrawal from a planned New Year’s Eve performance, expressing ‘deep regret’ while emphasizing jazz’s historical connection to ‘freedom of thought, expression, and the full human voice.’ Although their official statement didn’t explicitly cite the naming controversy, drummer Billy Hart confirmed to The New York Times that the decision was ‘evidently’ influenced by the center’s rebranding.
The protest movement extends beyond musical performances. Doug Varone and Dancers, a prominent New York dance company, canceled their April engagement, declaring on Instagram that they ‘can no longer permit ourselves nor ask our audiences to step inside this once great institution’ following Trump’s self-naming act. Folk artist Kristy Lee similarly canceled her January 14 performance, stating that ‘losing my integrity would cost me more than any paycheck.’
Richard Grenell, the Trump-appointed president of the arts center, has responded aggressively to the boycotts. He denounced withdrawing artists as ‘booked by the previous far left leadership’ and characterized their actions as ‘a form of derangement syndrome’ in social media statements. Grenell has taken particular aim at jazz musician Chuck Redd, threatening $1 million in damages for canceling his traditional Christmas Eve performance, which Grenell labeled a ‘political stunt.’
The naming controversy represents the latest development in Trump’s comprehensive overhaul of the institution since beginning his second term. The administration has replaced most board members with loyalists, eliminated drag shows and LGBTQ+ community events, while simultaneously hosting conferences for the religious right and increasing programming featuring Christian artists. According to multiple media reports, ticket sales have declined significantly under the new leadership structure.