Gospel artist and minister Marion Hall has announced her pivotal role in the upcoming One Love Jamaica Rebuild Concert, driven by profound empathy for her compatriots despite her own family escaping direct impact from Hurricane Melissa. The charitable event is scheduled for Saturday, December 6th at the Faith Centre in Sunrise, Florida, with all proceeds dedicated to supporting recovery efforts for hurricane-affected communities in Jamaica.
In an exclusive interview with Observer Online, Minister Hall articulated her motivation, emphasizing national solidarity. ‘My involvement stems from my Jamaican identity—when one individual suffers, our entire community feels the pain. While my relatives were spared from the hurricane’s devastation, I am compelled to assist my fellow citizens in rebuilding their lives and restoring stability,’ she stated.
The concert will showcase an impressive lineup of gospel performers, including renowned artists such as Minister Carlene Davis, Papa San, Kevin Downswell, Omari, Sharon Wiles, and Radarius Legacy. Hall revealed her performance strategy, noting she will prioritize classic Pentecostal hymns beloved by Jamaican audiences over her original compositions. ‘I plan to perform fewer of my own songs and more traditional Pentecostal music that encourages collective participation. As gospel ministers, we move when the Holy Spirit moves,’ she explained.
Simultaneously, Minister Hall is advancing her musical career through a significant new project. She is producing an album titled ‘I’m Still Standing,’ which will feature collaborations with esteemed musicians like Dean Fraser and Michael Reeves. This endeavor marks a strategic move to gain ownership over her artistic catalog.
The album serves as a personal testament to her resilience through severe life challenges. Hall disclosed, ‘Since my spiritual awakening, I have endured extreme hardships including battles with depression, anxiety attacks, periods of homelessness in the United States, and complications with my travel documentation. Throughout these trials, my faith remained unshaken.’ She described the project as a narrative of liberation, symbolizing her journey from confinement to emotional and spiritual freedom.
